Guffey, George R. 309 Guilpen, Everard 22, 31–2 Gustavus Adolphus, King 101 Gutierrez, Nancy 303 Guy of Warwick 89 Haber, Judith 308 Habington, William 192 Hackett, Helen 303 Hageman, Elizabeth H. 303 Haight, Gordon 294 Hakluyt, Richard 61; Principall Navigations 87 Hales, John 251 Hall, Donald 254, 307 Hall, John 297 Hall, Joseph 5, 7, 22, 207, 288; Virgidemiarum 5–6 Hallam, Henry 63 Halle, Morris 289 Halley, Janet E. 303 Hals, Franz 130 Hammond, Gerald 297 Hannay, Margaret 304 Hannibal 50 Hardin, Richard 291, 292 Harvey, Christopher: The Synagogue: Or, The Shadow of the Temple 157 Haskin, Dayton 300 Haydocke, Richard 79 Hazlitt, W.Carew 292 Hazlitt, William 91, 295, 296 Healy, Thomas 308 Heaney, Seamus 171, 194, 287, 300, 301; “Redress of Poetry” xii Hebel, J.William 291 Helgerson, Richard 289, 291, 295 Henrietta Maria, Queen 58, 79, 91, 99, 281, 300, 305 Henry V, King 61–2 Henry VIII, King 121 Henry, Prince 62, 66, 67, 68, 70 Hensley, Jeannine 305 Hensley, Charles S. 293 Herbert, George ix, x, xi, 8, 30, 72, 95, 135–55, 157, 173, 192, 193, 206, 207, 232, 257, 286, 297, 298–9, 301, 302, 305; “Aaron” 138–40; “Affliction” xii, 152; “Altar, The” 140; “Bitter-sweet” 136; “British Church, The” 208; “Charms and knots” 140; “Church Militant, The” 142; “Church Porch, INDEX 315 The” 137; “Church, The” 137, 154; “Church-floor, The” 147; “Collar, The” 138, 152, 216; “Death” 154; “Dedication, The” 151; “Deniall” 147; “Dialogue, A” 154; “Doomsday” 154; “Easter-wings” 140; “Elixir, The” 140, 152; “Flower, The” 152, 153; “Forerunners, The” 103–4, 136, 142, 148–51; “H.Scriptures, The” 196; “Heaven” 154; “Jesu” 153; “Jordan I” 142, 144–5, 146; “Jordan II” 142, 144, 145, 146, 154, 254; “Joseph’s Coat” 237; “Judgment” 154; “Love III” 138, 142, 154–5; “Love Unknown” 153, 155; “Odour, The” 153; “Peace” 197; “Pearle, The” 135; “Prayer I” 140, 209; “Pulley, The” 140; “Quidditie, The” 142, 143; “Quip, The” 142, 143–4, 148, 150; “Redemption” 153–4; “Sacrifice, The” 140, 152, 155; Temple, The 21, 46, 55, 91, 135–55, 157; “Time” 140; “To All Angels and Saints” 140; “True Hymn, A” 142, 145–7, 236; “Vertue” xi, 148; “Windows, The” 142; “Wreath, The” 254 Herbert, Edward, Lord of Cherbury 22, 94 Herbert, Magdalen 137 Herbert, William, Third Earl of Pembroke 38, 214 Herford, C.H. 293 Herrick, Robert ix, 30, 55, 65, 90, 101, 111–23, 124, 127, 129, 130, 134, 136, 151, 191, 192, 228, 244, 248, 254, 256, 257, 263, 296, 297, 299, 302, 306; “Amber Bead, The” 116–17; “Ode for him [Ben Jonson], An” 113; “Argument of his Book, The” 114; “Corinna’s going a maying” 122–3; “Delight in Disorder” 117, 243; “Discontents in Devon” 114, 115; Hesperides 93, 111–13, 116, 117, 118, 119, 120, 140, 192; “His Grange” 116; “His Poetrie his Pillar” 119; “His Prayer to Ben Johnson” 121–2; “His returne to London” 120; “His Wish to privacie” 112; “Hock-cart, The” 120; Noble Numbers 112, 123; “Rest Refreshes” 115; “To Daffadills” 115; “To his Tombmaker” 118; “To his Verses” 149; “To Prince Charles upon his coming to Exeter” 119; “To The King, Upon his coming with his Army into the West”
119; “Upon Julia’s Clothes” 117–18; “Upon the losse of his Mistresses” 119; “Vine, The” 117; “Welcome to Sack, The” 119–20 Herz, Judith Scherer 305 Hester M.Thomas 287, 288 Heywood, Elizabeth 3 Heywood, John 3 Hibbard, G.R. 290 Hill, Christopher 309 Hill, Geoffrey 302 Hiller, Geoffrey 292 Hirst, Derek 296 Hobbes, Thomas 244, 245 Hobby, Elaine 249, 305, 306 Hoccleve, Thomas 68 Holaday, Allan 292 Holbein, Hans 79 Holinshed, Raphael 88 Holland Philemon 66 Holland, Abraham 66 Hollander, John 104–5, 288, 290, 296 Hollar, Wenceslaus 79 Holmes, Elizabeth 302 Holstun, James 306 Homer 49, 87 Hooker, Richard 139, 140, 298 Hope, A.D.: “The Elegy, Variations on a Theme of the Seventeenth Century” 12 Horace 6, 28, 30, 33, 41, 49, 60, 111, 127, 308; Ars Poetica 9, 25, 43; “Epode 2” 46; “Satire I.4” 43; “Satire I.9” 7; “Satire I.10” 43; Horden, John 293 Hoskins, John: Directions for Speech and Style 4 Howard, Frances 70 Howard, Henry, Earl of Northampton 69, 70 Howard, Katherine, Countess of Suffolk 220 Howard, Thomas, Earl of Arundel 79, 88 Howarth, David 294 Howe, P.P 295 Hughes, Ann 300 Hughes, Merritt 184, 299 Hugo, Hermann: Pia Desideria 80 Hunter, William 291 Hutchinson, F.E. 298, 302 Hutchinson, Isabella 133 Hutchinson, Lucy 213 INDEX 316 Hyne, Thomas: Life and Death of Dr. Martin Luther, The 76 Jakobson, Roman 24, 289 James I, King 22, 26, 27, 30, 34, 45–6, 57, 58, 59, 63, 64, 70, 102, 126, 215, 220, 221, 235, 291; Workes of King James, The 27 James, Richard 296 Jenkins, Harold 294 Jeremiah 121 Jermyn, Henry, Earl of St. Albans 99, 281– 2 Jewel, John 304 Joannou, Maroula 293 Job 76, 81 Johnson, Samuel 3, 89, 160, 170, 171, 176, 189, 287, 299, 300; “Life of Milton” 156 Jonah 76 Jones, Ann Rosalind 304 Jones, Inigo 26 Jones, John 294 Jonson, Ben: x, xi, xii, xvi, 2, 3, 5, 7, 8, 12, 13, 21, 22, 23–53, 55, 56, 57, 58, 60, 62, 64, 66, 69, 71, 76, 84, 87, 95, 96, 97, 98, 99, 102, 111, 115, 117, 121, 123, 124, 134, 144, 151, 176, 192, 210, 211, 212, 219, 228, 244, 247, 254, 255, 287, 288, 289–91, 292, 293, 294, 295, 297, 303, 307. Poems: “Celebration of Charis, Her Triumph, A” 31, 46–7, 92; “Come My Celia” 32, 41; “Crowne of Sonnets dedicated to Love, A” 219; “Epistle to Master John Selden, An” 23; “Execration, Upon Vulcan, An” 46; “Fit of Rhyme against Rhyme, A” 31, 46; “Fragment of Petronius Arbiter, A” 46; Heroologia 31; “Hour-Glass, The” 31; “Inviting a Friend to Supper” 25, 38, 86; “My Picture Left in Scotland” 31; “Ode to James, Earl of Desmond. Writ in Queen Elizabeth’s Time, Since Lost, and Recovered” 48; “On his Son” 149; “On Lucy, Countess of Bedford” 36; “On My First Daughter” 37; “On Something that Walks Somewhere” 35; “On The New Inn. Ode. To Himself” 49–50; “On the Famous Voyage”; “Praises of a Country Life, The” (Horace, “Epode 2”) 46; “Sir William Burlase, The Painter to the Poet” 31; “Song: To Celia” 32, 262, 263; “Sonnet
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ENGLISH LYRIC POETRY English Lyric
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First published 1999 by Routledge 1
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CONTENTS Foreword ix Acknowledgemen
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FOREWORD period—indeed, probably
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FOREWORD “socially specified self
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ACKNOWLEDGEMENTS In thinking and wr
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A NOTE ON SOURCES AND SPELLING A si
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IRREMEDIABLY DONNE just that an act
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IRREMEDIABLY DONNE law, a path desi
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IRREMEDIABLY DONNE reluctantly ackn
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IRREMEDIABLY DONNE were considered
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IRREMEDIABLY DONNE less to do with
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IRREMEDIABLY DONNE between, below,
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IRREMEDIABLY DONNE Thine age askes
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IRREMEDIABLY DONNE measure fail, to
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IRREMEDIABLY DONNE mood of “low d
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IRREMEDIABLY DONNE To readers appro
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IRREMEDIABLY DONNE another poem in
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BEN JONSON AND THE ART OF INCLUSION
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BEN JONSON AND THE ART OF INCLUSION
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BEN JONSON AND THE ART OF INCLUSION
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BEN JONSON AND THE ART OF INCLUSION
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BEN JONSON AND THE ART OF INCLUSION
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BEN JONSON AND THE ART OF INCLUSION
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3 PATRIOTIC AND POPULAR POETS In pu
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PATRIOTIC AND POPULAR POETS bald di
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PATRIOTIC AND POPULAR POETS suspici
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PATRIOTIC AND POPULAR POETS in the
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PATRIOTIC AND POPULAR POETS The uns
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PATRIOTIC AND POPULAR POETS the gre
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PATRIOTIC AND POPULAR POETS William
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PATRIOTIC AND POPULAR POETS Elizabe
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PATRIOTIC AND POPULAR POETS Wither
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PATRIOTIC AND POPULAR POETS And wit
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PATRIOTIC AND POPULAR POETS Yea, th
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PATRIOTIC AND POPULAR POETS now set
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PATRIOTIC AND POPULAR POETS straigh
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PATRIOTIC AND POPULAR POETS The pop
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PATRIOTIC AND POPULAR POETS antholo
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PATRIOTIC AND POPULAR POETS You hol
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PATRIOTIC AND POPULAR POETS and mad
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PATRIOTIC AND POPULAR POETS Taylor
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PATRIOTIC AND POPULAR POETS product
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CAROLINE AMUSEMENTS altogether the
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CAROLINE AMUSEMENTS difficult to es
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CAROLINE AMUSEMENTS Can we not forc
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CAROLINE AMUSEMENTS The wiser world
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CAROLINE AMUSEMENTS Queen heaped fa
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CAROLINE AMUSEMENTS pale, as Carew
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CAROLINE AMUSEMENTS Carew’s respo
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CAROLINE AMUSEMENTS Religion by Rea
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CAROLINE AMUSEMENTS no odd becommin
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CAROLINE AMUSEMENTS Suckling next w
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CAROLINE AMUSEMENTS with ceremony i
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CAROLINE AMUSEMENTS Anthea, Sappho)
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CAROLINE AMUSEMENTS metrically mono
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CAROLINE AMUSEMENTS “Liquefaction
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CAROLINE AMUSEMENTS his return to s
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CAROLINE AMUSEMENTS It is easy to r
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CAROLINE AMUSEMENTS against a darke
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CAROLINE AMUSEMENTS There your sad
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CAROLINE AMUSEMENTS empowered Purit
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CAROLINE AMUSEMENTS To spell out mo
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CAROLINE AMUSEMENTS As Lovelace mak
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CAROLINE AMUSEMENTS And always like
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SUBSTANCE AND STYLE IN GEORGE HERBE
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SUBSTANCE AND STYLE IN GEORGE HERBE
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SUBSTANCE AND STYLE IN GEORGE HERBE
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SUBSTANCE AND STYLE IN GEORGE HERBE
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SUBSTANCE AND STYLE IN GEORGE HERBE
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SUBSTANCE AND STYLE IN GEORGE HERBE
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SUBSTANCE AND STYLE IN GEORGE HERBE
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SUBSTANCE AND STYLE IN GEORGE HERBE
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SUBSTANCE AND STYLE IN GEORGE HERBE
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6 THE ONCE AND FUTURE POET Milton i
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THE ONCE AND FUTURE POET paraphrase
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THE ONCE AND FUTURE POET Music” t
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THE ONCE AND FUTURE POET are not of
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THE ONCE AND FUTURE POET a classic
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THE ONCE AND FUTURE POET highly spe
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THE ONCE AND FUTURE POET sheep-and-
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These delights if thou canst give,
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THE ONCE AND FUTURE POET have appea
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THE ONCE AND FUTURE POET “Captain
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THE ONCE AND FUTURE POET of sexual
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THE ONCE AND FUTURE POET Thus I spr
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THE ONCE AND FUTURE POET the Bridge
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THE ONCE AND FUTURE POET As for Com
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THE ONCE AND FUTURE POET The great
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THE ONCE AND FUTURE POET irregular
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THE ONCE AND FUTURE POET (“Look h
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7 ARENAS OF RETREAT Blood, bread, a
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ARENAS OF RETREAT of identifying a
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ARENAS OF RETREAT dearest and neare
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ARENAS OF RETREAT Given the level o
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ARENAS OF RETREAT the speaker in re
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ARENAS OF RETREAT Under a Juniper,
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ARENAS OF RETREAT O how I long to t
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ARENAS OF RETREAT (Though single vo
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ARENAS OF RETREAT flies of hell”
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ARENAS OF RETREAT In focusing on Ni
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8 FROM WROTH TO PHILIPS Women poets
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FROM WROTH TO PHILIPS wrote but wro
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FROM WROTH TO PHILIPS century about
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FROM WROTH TO PHILIPS Butt O my hur
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FROM WROTH TO PHILIPS unfolds a min
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FROM WROTH TO PHILIPS Reader”). A
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FROM WROTH TO PHILIPS reality of th
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FROM WROTH TO PHILIPS vernacular li
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FROM WROTH TO PHILIPS Anne Bradstre
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FROM WROTH TO PHILIPS receive renew
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FROM WROTH TO PHILIPS Nonetheless,
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FROM WROTH TO PHILIPS Another Aunci
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FROM WROTH TO PHILIPS In the transc
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FROM WROTH TO PHILIPS For whose soc
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FROM WROTH TO PHILIPS For Collins,
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Figure 3 Poems by the most deserved
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FROM WROTH TO PHILIPS World,” is
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FROM WROTH TO PHILIPS Thinking that
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Figure 4 Margaret Cavendish, Duches
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FROM WROTH TO PHILIPS She owned a c
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FROM WROTH TO PHILIPS Nay, should w
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FROM WROTH TO PHILIPS remembering,
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ANDREW MARVELL reputation as a poet
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ANDREW MARVELL the greatest minor p
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ANDREW MARVELL after mourning the d
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ANDREW MARVELL Where the remote Ber
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ANDREW MARVELL In fact, “To his C
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