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NOTES TO PP. 273–86 26 The Writings and Speeches of Oliver Cromwell, ed. Wilbur Cortez Abbot, 4 vols. Cambridge, MA: Harvard University Press, 1937–47, vol. II, p. 270. 27 Michael Wilding, Dragons Teeth: Literature in the English Revolution, Oxford: Clarendon Press, 1987, p. 163. 28 James Turner, The Politics of Landscape: Rural Scenery and Society in English Poetry 1630–1660, Cambridge, MA: Harvard University Press, 1979, p. 76. 29 Gage, The English-American Travail by Sea and Land: or, a New Survey of the West- India’s, London: 1648. Among other points made in “The Epistle Dedicatory,” Gage strenuously urges Fairfax “to employ the Souldiery of this Kingdom upon such just and honourable designes in those parts of America” so that the New World will be liberated “From Spanish Yoke, and Romes Idolatry.” (The last phrase is from Thomas Chaloner’s prefatory poem.) Chapter XII is devoted to a description of “the famous City of Mexico.” The anti-cloister satire occurs on pp. 26–7. Issues of patronage have been ignored by Fairfax’s biographers, in marked contrast to the detailed treatment given to his many battles. One wonders whether “Bermudas” might not belong to Marvell’s time at Appleton House. 30 Wallace, Destiny His Choice: The Loyalism of Andrew Marvell, p. 232. 31 Kelliher, Andrew Marvell: Poet and Politician, London: British Museum Publications Ltd, 1978, p. 48. 32 Wallace, Destiny His Choice: The Loyalism of Andrew Marvell, p. 107. 33 Criticism of Marvell and Cromwell abounds; the mutually—and undeniably—fruitful relationship between Milton and Marvell, however, remains one of the most elusive chapters in literary history. One almost always feels, while reading Marvell, in frequent touch with only the tip of a Miltonic iceberg. Christopher Hill provides a biographical overview in “Milton and Marvell” in Approaches to Marvell: The York Tercentenary Lectures, ed. C.A.Patrides, London: Routledge & Kegan Paul, 1978, ch.1. 34 Annabel Patterson, Marvell and the Civic Crown, Princeton, NJ: Princeton University Press, 1978, p. 158. 35 Zwicker, “Virgins and Whores: The Politics of Sexual Misconduct in the 1660s,” in The Political Identity of Andrew Marvell, p. 97. 36 The Poems and Letters of Andrew Marvell, p. 351. 37 Andrew Marvell: The Critical Heritage, ed. Elizabeth Story Donno, London: Routledge & Kegan Paul, 1978, p. 55. 38 The only other time that “majesty” appears as a noun is in “The Statue in Stocks- Market,” whose inclusion in The Poems and Letters of Andrew Marvell is “in spite of the want of evidence” (p. 394). See A Concordance to the English Poems of Andrew Marvell, ed. George R.Guffey, Chapel Hill, NC: The University of North Carolina Press, 1974, p. 302. 39 In addition to Colie’s brief remarks in “My Ecchoing Song”: Andrew Marvell’s Poetry of Criticism, Princeton, NJ: Princeton University Press, 1970, pp. 6–8, I have learned much from the more specialized studies of the poem by Joseph Anthony Wittreich, Jr., “Perplexing the Explanation: Marvell’s ‘On Mr. Milton’s Paradise Lost’,” in Approaches to Marvell, ch. 13, and Kenneth Gross, “‘Pardon Me, Mighty Poet’: Versions of the Bard in Marvell’s ‘On Mr. Milton’s Paradise Lost’,” Milton Studies 16 (1982):77–96. 40 The Poems and Letters of Andrew Marvell, vol. II, p. 304. 41 My thinking on this issue has been sharpened by Sharon Achinstein, Milton and the Revolutionary Reader, Princeton, NJ: Princeton University Press, 1994, pp. 58–70. 42 Patterson, Marvell and the Civic Crown, p. 31. 43 Quoted in Andrew Marvell, ed. Kermode and Walker, pp. xiii–xiv. 309
Abbot, Wilbur Cortez 308 Achinstein, Sharon 309 Aesop 126 Agrippa, Cornelius 304 Alcaeus 49 Alciati, Andrea 77, 88 Allen, Don Cameron 297 Anacreon 60, 127 Anne of Denmark, Queen 220, 221, 304 Apsley, Sir Allen 213 Archilochus 49 Ariosto 175 Armstrong, Alan 288 Armstrong, Isobel 304 Arundel, Earl of see Howard, Thomas Astell, Mary 224 Aubrey, John x, 69, 76, 105, 156, 159, 193, 254, 292, 294, 296 Aubrey, Mary 250 Augustus 268, 308 Austen, Jane 230 Bacon, Lady Ann 213, 303, 304 Bacon, Sir Francis 28 Bacon, Nathaniel 79 Bacon, Sir Nicholas 79, 304 Baker, Herschel 288, 291 Bald, R.C. 287 Barash, Carol 303, 304, 307 Barker, Arthur 164, 299 Barlow, Francis 80 Barnes, Barnabe 4; Divine Centurie of Spirituall Sonnets, A 17 Barth, Robert 112 Barton, Anne 291 Basse, William 43, 290 Bastwick, John 184 INDEX 310 Bates, Milton J. 298, 307 Bath, Michael 293 Baumlin, James S. 288 Baxter, Richard 136, 137, 298 Bayly, Lewis:Practice of Piety 137 Beal, Peter 289, 295 Beaumont, Francis 42, 283 Beaumont, John 42 Bedford, Countess of (Lucy Harrington) 8, 35, 36, 56, 212, 220 Behn, Aphra 250 Belsey, Catherine 283, 308 Benet, Diana 298 Benjamin, Walter 270, 308 Benlowes, Edward: Theophila 80 Bennett, Charles 81 Bennett, J.A.W. 297 Berkeley, George xii Bess of Hardwick 230 Bible:Ecclesiastes 232; Exodus 259; Genesis 192, 227; Hebrews 204; John 206; Joshua 202; Judges 264;2 Kings 233; Mark 304; Luke 304; Matthew 113, 174, 187, 222, 231, 304; Revelation 166, 202, 203, 234;Song of Songs 206, 208 Bishop, Elizabeth ix Blaine, Marlin E. 292 Bland, Mark 289 Bliss, Philip 293 Bloch, Chana 144, 298 Blount, Thomas 294 Boccaccio 175 Bodin, Jean 308 Boethius 200 Boland, Eavan 306 Bond, R.Warwick 290 Book of Common Prayer, The 296
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ENGLISH LYRIC POETRY English Lyric
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First published 1999 by Routledge 1
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CONTENTS Foreword ix Acknowledgemen
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FOREWORD period—indeed, probably
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FOREWORD “socially specified self
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ACKNOWLEDGEMENTS In thinking and wr
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A NOTE ON SOURCES AND SPELLING A si
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IRREMEDIABLY DONNE just that an act
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IRREMEDIABLY DONNE law, a path desi
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IRREMEDIABLY DONNE reluctantly ackn
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IRREMEDIABLY DONNE were considered
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IRREMEDIABLY DONNE less to do with
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IRREMEDIABLY DONNE between, below,
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IRREMEDIABLY DONNE Thine age askes
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IRREMEDIABLY DONNE measure fail, to
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IRREMEDIABLY DONNE mood of “low d
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IRREMEDIABLY DONNE To readers appro
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IRREMEDIABLY DONNE another poem in
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BEN JONSON AND THE ART OF INCLUSION
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3 PATRIOTIC AND POPULAR POETS In pu
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PATRIOTIC AND POPULAR POETS bald di
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PATRIOTIC AND POPULAR POETS suspici
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PATRIOTIC AND POPULAR POETS in the
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PATRIOTIC AND POPULAR POETS The uns
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PATRIOTIC AND POPULAR POETS the gre
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PATRIOTIC AND POPULAR POETS William
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PATRIOTIC AND POPULAR POETS Elizabe
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PATRIOTIC AND POPULAR POETS Wither
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PATRIOTIC AND POPULAR POETS And wit
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PATRIOTIC AND POPULAR POETS Yea, th
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PATRIOTIC AND POPULAR POETS now set
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PATRIOTIC AND POPULAR POETS straigh
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PATRIOTIC AND POPULAR POETS The pop
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PATRIOTIC AND POPULAR POETS antholo
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PATRIOTIC AND POPULAR POETS You hol
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PATRIOTIC AND POPULAR POETS and mad
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PATRIOTIC AND POPULAR POETS Taylor
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PATRIOTIC AND POPULAR POETS product
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CAROLINE AMUSEMENTS altogether the
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CAROLINE AMUSEMENTS difficult to es
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CAROLINE AMUSEMENTS Can we not forc
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CAROLINE AMUSEMENTS The wiser world
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CAROLINE AMUSEMENTS Queen heaped fa
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CAROLINE AMUSEMENTS pale, as Carew
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CAROLINE AMUSEMENTS Carew’s respo
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CAROLINE AMUSEMENTS Religion by Rea
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CAROLINE AMUSEMENTS no odd becommin
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CAROLINE AMUSEMENTS Suckling next w
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CAROLINE AMUSEMENTS with ceremony i
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CAROLINE AMUSEMENTS Anthea, Sappho)
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CAROLINE AMUSEMENTS metrically mono
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CAROLINE AMUSEMENTS “Liquefaction
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CAROLINE AMUSEMENTS his return to s
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CAROLINE AMUSEMENTS It is easy to r
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CAROLINE AMUSEMENTS against a darke
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CAROLINE AMUSEMENTS There your sad
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CAROLINE AMUSEMENTS empowered Purit
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CAROLINE AMUSEMENTS To spell out mo
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CAROLINE AMUSEMENTS As Lovelace mak
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CAROLINE AMUSEMENTS And always like
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SUBSTANCE AND STYLE IN GEORGE HERBE
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6 THE ONCE AND FUTURE POET Milton i
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THE ONCE AND FUTURE POET paraphrase
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THE ONCE AND FUTURE POET Music” t
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THE ONCE AND FUTURE POET are not of
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THE ONCE AND FUTURE POET a classic
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THE ONCE AND FUTURE POET highly spe
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THE ONCE AND FUTURE POET sheep-and-
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These delights if thou canst give,
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THE ONCE AND FUTURE POET have appea
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THE ONCE AND FUTURE POET “Captain
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THE ONCE AND FUTURE POET of sexual
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THE ONCE AND FUTURE POET Thus I spr
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THE ONCE AND FUTURE POET the Bridge
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THE ONCE AND FUTURE POET As for Com
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THE ONCE AND FUTURE POET The great
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THE ONCE AND FUTURE POET irregular
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THE ONCE AND FUTURE POET (“Look h
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7 ARENAS OF RETREAT Blood, bread, a
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ARENAS OF RETREAT of identifying a
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ARENAS OF RETREAT dearest and neare
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ARENAS OF RETREAT Given the level o
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ARENAS OF RETREAT the speaker in re
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ARENAS OF RETREAT Under a Juniper,
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ARENAS OF RETREAT O how I long to t
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ARENAS OF RETREAT (Though single vo
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ARENAS OF RETREAT flies of hell”
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ARENAS OF RETREAT In focusing on Ni
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8 FROM WROTH TO PHILIPS Women poets
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FROM WROTH TO PHILIPS wrote but wro
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FROM WROTH TO PHILIPS century about
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FROM WROTH TO PHILIPS Butt O my hur
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FROM WROTH TO PHILIPS unfolds a min
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FROM WROTH TO PHILIPS Reader”). A
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FROM WROTH TO PHILIPS reality of th
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FROM WROTH TO PHILIPS vernacular li
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FROM WROTH TO PHILIPS Anne Bradstre
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FROM WROTH TO PHILIPS receive renew
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FROM WROTH TO PHILIPS Nonetheless,
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FROM WROTH TO PHILIPS Another Aunci
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FROM WROTH TO PHILIPS In the transc
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FROM WROTH TO PHILIPS For whose soc
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FROM WROTH TO PHILIPS For Collins,
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Figure 3 Poems by the most deserved
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FROM WROTH TO PHILIPS World,” is
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FROM WROTH TO PHILIPS Thinking that
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Figure 4 Margaret Cavendish, Duches
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FROM WROTH TO PHILIPS She owned a c
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FROM WROTH TO PHILIPS Nay, should w
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FROM WROTH TO PHILIPS remembering,
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ANDREW MARVELL reputation as a poet
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ANDREW MARVELL the greatest minor p
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Page 281 and 282: ANDREW MARVELL In fact, “To his C
Page 283 and 284: ANDREW MARVELL Than languish in his
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Page 287 and 288: ANDREW MARVELL signal at the outset
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Page 293 and 294: ANDREW MARVELL Out of these scatter
Page 295 and 296: ANDREW MARVELL Tulips, in several C
Page 297 and 298: ANDREW MARVELL Nor would it, had th
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Page 301 and 302: ANDREW MARVELL Paint then St. Alban
Page 303 and 304: ANDREW MARVELL thinking and rethink
Page 305 and 306: ANDREW MARVELL Him, valianst men, a
Page 307 and 308: NOTES TO PP. 4-17 12 On the connect
Page 309 and 310: NOTES TO PP. 31-36 Wilson, The Trip
Page 311 and 312: NOTES TO PP. 60-9 7 Newdigate, Mich
Page 313 and 314: NOTES TO PP. 77-90 46 Quoted from t
Page 315 and 316: NOTES TO PP. 102-15 the second, see
Page 317 and 318: NOTES TO PP. 135-45 5 SUBSTANCE AND
Page 319 and 320: NOTES TO PP. 165-84 10 Budick, The
Page 321 and 322: NOTES TO PP. 195-207 10 For a fulle
Page 323 and 324: NOTES TO PP. 213-24 Bucknell Univer
Page 325 and 326: NOTES TO PP. 241-50 University Pres
Page 327: NOTES TO PP. 256-73 7 Kenner (ed.),
Page 331 and 332: The” 242; “Hunting of the Hare,
Page 333 and 334: Du Bartas, Guillaume 86, 226 Dudley
Page 335 and 336: 119; “Upon Julia’s Clothes” 1
Page 337 and 338: “Lucasta laughing” 131; Lucasta
Page 339 and 340: Porter, Peter 295 Post, Jonathan F.
Page 341 and 342: Van Dyck, Anthony 79, 99, 126 Van P
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