ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
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NOTES TO PP. 273–86<br />
26 The Writings and Speeches of Oliver Cromwell, ed. Wilbur Cortez Abbot, 4 vols.<br />
Cambridge, MA: Harvard University Press, 1937–47, vol. II, p. 270.<br />
27 Michael Wilding, Dragons Teeth: Literature in the English Revolution, Oxford:<br />
Clarendon Press, 1987, p. 163.<br />
28 James Turner, The Politics of Landscape: Rural Scenery and Society in English Poetry<br />
1630–1660, Cambridge, MA: Harvard University Press, 1979, p. 76.<br />
29 Gage, The English-American Travail by Sea and Land: or, a New Survey of the West-<br />
India’s, London: 1648. Among other points made in “The Epistle Dedicatory,” Gage<br />
strenuously urges Fairfax “to employ the Souldiery of this Kingdom upon such just<br />
and honourable designes in those parts of America” so that the New World will be<br />
liberated “From Spanish Yoke, and Romes Idolatry.” (The last phrase is from Thomas<br />
Chaloner’s prefatory poem.) Chapter XII is devoted to a description of “the famous<br />
City of Mexico.” The anti-cloister satire occurs on pp. 26–7. Issues of patronage have<br />
been ignored by Fairfax’s biographers, in marked contrast to the detailed treatment<br />
given to his many battles. One wonders whether “Bermudas” might not belong to<br />
Marvell’s time at Appleton House.<br />
30 Wallace, Destiny His Choice: The Loyalism of Andrew Marvell, p. 232.<br />
31 Kelliher, Andrew Marvell: Poet and Politician, London: British Museum Publications<br />
Ltd, 1978, p. 48.<br />
32 Wallace, Destiny His Choice: The Loyalism of Andrew Marvell, p. 107.<br />
33 Criticism of Marvell and Cromwell abounds; the mutually—and undeniably—fruitful<br />
relationship between Milton and Marvell, however, remains one of the most elusive<br />
chapters in literary history. One almost always feels, while reading Marvell, in frequent<br />
touch with only the tip of a Miltonic iceberg. Christopher Hill provides a biographical<br />
overview in “Milton and Marvell” in Approaches to Marvell: The York Tercentenary<br />
Lectures, ed. C.A.Patrides, London: Routledge & Kegan Paul, 1978, ch.1.<br />
34 Annabel Patterson, Marvell and the Civic Crown, Princeton, NJ: Princeton<br />
University Press, 1978, p. 158.<br />
35 Zwicker, “Virgins and Whores: The Politics of Sexual Misconduct in the 1660s,” in<br />
The Political Identity of Andrew Marvell, p. 97.<br />
36 The Poems and Letters of Andrew Marvell, p. 351.<br />
37 Andrew Marvell: The Critical Heritage, ed. Elizabeth Story Donno, London:<br />
Routledge & Kegan Paul, 1978, p. 55.<br />
38 The only other time that “majesty” appears as a noun is in “The Statue in Stocks-<br />
Market,” whose inclusion in The Poems and Letters of Andrew Marvell is “in spite of<br />
the want of evidence” (p. 394). See A Concordance to the English Poems of Andrew<br />
Marvell, ed. George R.Guffey, Chapel Hill, NC: The University of North Carolina<br />
Press, 1974, p. 302.<br />
39 In addition to Colie’s brief remarks in “My Ecchoing Song”: Andrew Marvell’s Poetry<br />
of Criticism, Princeton, NJ: Princeton University Press, 1970, pp. 6–8, I have learned<br />
much from the more specialized studies of the poem by Joseph Anthony Wittreich,<br />
Jr., “Perplexing the Explanation: Marvell’s ‘On Mr. Milton’s Paradise Lost’,” in<br />
Approaches to Marvell, ch. 13, and Kenneth Gross, “‘Pardon Me, Mighty Poet’:<br />
Versions of the Bard in Marvell’s ‘On Mr. Milton’s Paradise Lost’,” Milton Studies<br />
16 (1982):77–96.<br />
40 The Poems and Letters of Andrew Marvell, vol. II, p. 304.<br />
41 My thinking on this issue has been sharpened by Sharon Achinstein, Milton and the<br />
Revolutionary Reader, Princeton, NJ: Princeton University Press, 1994, pp. 58–70.<br />
42 Patterson, Marvell and the Civic Crown, p. 31.<br />
43 Quoted in Andrew Marvell, ed. Kermode and Walker, pp. xiii–xiv.<br />
309