ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
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NOTES TO PP. 225–41<br />
22 See Mueller, “The Feminist Poetics of Aemilia Lanyer’s ‘Salve Deus Rex Judaeorum,’”<br />
in Feminist Measures: Soundings in Poetry and Theory, ed. Lynn Keller and Cristanne<br />
Miller, Ann Arbor, MI: University of Michigan Press, 1994, pp. 230–4.<br />
23 The Poems of Aemilia Lanyer, p. xxv.<br />
24 On this point in particular, see Judith Scherer Herz, “Aemilia Lanyer and the Pathos<br />
of Literary History,” in Representing Women in Renaissance England, ed. Claude J.<br />
Summers and Ted-Larry Pebworth, Columbia, MO: University of Missouri Press,<br />
1997, pp. 121–35.<br />
25 Fleming, The Huntington Library Quarterly, p. 201.<br />
26 Schweitzer, “Anne Bradstreet Wrestles with the Renaissance,” Early American<br />
Literature 22 (1988):291–312. Quotations from Bradstreet’s poetry are from The<br />
Works of Anne Bradstreet, ed. Jeannine Hensley, Cambridge, MA: Harvard University<br />
Press, 1967. Readers interested in the exact contents of The Tenth Muse will want to<br />
consult the facsimile edition introduced by Josephine K.Piercy, Gainesville, FL:<br />
Scholars’ Facsimiles & Reprintings, 1965.<br />
27 “My Name Was Martha”: A Renaissance Woman’s Autobiographical Poem, ed. with<br />
commentary by Robert C.Evans and Barbara Wiedemann, West Cornwall, CT:<br />
Locust Hill Press, 1993, p. 9. All references to Moulsworth’s poem are to this edition.<br />
28 See Elaine Hobby, “‘Discourse so Unsavoury’: Women’s Published Writings of the<br />
1650s,” in Women, Writing, History, 1640–1740, ed. Isobel Grundy and Susan<br />
Wiseman, Athens, GA: The University of Georgia Press, 1992, pp. 16–32.<br />
29 Diane Purkiss, “Producing the Voice, Consuming the Body: Women Prophets of the<br />
Seventeenth Century” in Women, Writing, History, 1640–1740, p. 141.<br />
30 An Collins: Divine Songs and Meditations, ed. Sidney Gottlieb, Tempe, AZ: Medieval<br />
and Renaissance Texts and Studies for the Renaissance English Text Society, 1996,<br />
p. 1. Further references to Collins’s poetry are to this edition.<br />
31 An Collins: Divine Songs and Meditocions, pp. xvii–xviii.<br />
32 Wilcox, “‘You that Indeared are to Pietie’: Herbert and Seventeenth-Century<br />
Women,” in George Herbert in the Nineties: Reflections and Reassessments, ed.<br />
Jonathan F.S.Post and Sidney Gottlieb, Fairfield, CT: George Herbert Journal,<br />
Special Studies & Monographs, 1995, p. 209.<br />
33 Vendler, “Herbert and Modern Poetry: A Response,” in George Herbert and the<br />
Nineties, p. 85.<br />
34 See Gottlieb’s commentary, pp. 111–14.<br />
35 Woolf, A Room of One’s Own, New York: Harcourt, Brace & World, 1929, p. 65.<br />
36 Marilyn L.Williamson, Raising Their Voices: British Women Writers, 1650–1750,<br />
Detroit, MI: Wayne State University Press, 1990, p. 37.<br />
37 A student of William Peake, painter to Charles I, Faithorne produced engraved portraits<br />
of many famous people. Those from the middle to the late seventeenth century include<br />
Charles I, Henrietta Maria, Cromwell, Davenant, Cowley, Fairfax, and Milton. For a<br />
partial list of his work, see A Catalogue of an Exhibition of Portraits Engraved by William<br />
Faithorne, New York: Grolier Club, 1893; Philips is number 88. A more comprehensive,<br />
detailed list can be found in Louis Fagan, A Descriptive Catalogue of the Engraved Works<br />
of William Faithorne, London: Bernard Quaritch, 1888.<br />
38 Quoted from The Collected Works of Katherine Philips, ed. Patrick Thomas, G.Greer,<br />
and R.Little, 3 vols, Brentford: Stump Cross Books, 1990–3, vol. I, p. 24. Further<br />
references to Philips’s poetry are to this edition and volume.<br />
39 Gallagher, “Embracing the Absolute: The Politics of the Female Subject in<br />
Seventeenth-Century England,” Genders 1 (1988):24–39. Quotations from<br />
Cavendish’s Poems and Fancies are from the original 1653 edition.<br />
40 For an excellent account of Cavendish’s problematic place in the political and<br />
intellectual milieu of the mid-seventeenth century see John Rogers, The Matter of<br />
Revolution: Science, Poetry, and Politics in the Age of Milton, Ithaca, NY: Cornell<br />
305