ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
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NOTES TO PP. 213–24<br />
Bucknell University Press, 1998, pp. 169, 173. The best-known of the daughters is<br />
Ann Bacon, second wife of Nicholas Bacon, mother of Francis, and English<br />
translator of Bishop John Jewel’s Apologia Ecclesiae Anglicanae, 1562.<br />
7 Quoted from Juliet Fleming’s review of Lewalski’s Writing Women in Jacobean<br />
England, The Huntington Library Quarterly 57 (1994):203–4.<br />
8 Quoted from Kissing the Rod: An Anthology of Seventeenth-Century Women’s Verse, p.<br />
158.<br />
9 Dryden, “Preface to the Fables” [1700] in Essays of John Dryden, ed. W.P.Ker, 2 vols,<br />
Oxford: Clarendon Press, 1926, vol. 2, p. 247.<br />
10 The idea of a conscious tradition of female poetry is a later historical development,<br />
although how much later is a matter for debate: see, for instance, Cheryl Walker,<br />
The Nightingale’s Burden: Women Poets and American Culture before 1900,<br />
Bloomington, IN: Indiana University Press, 1982; Isobel Armstrong, Victorian Poetry:<br />
Poetry, Poetics and Politics, London: Routledge, 1993, ch. 12 (“‘A Music of Thine<br />
Own’: Women’s Poetry—An Expressive Tradition?”); and, most relevant to the<br />
present inquiry, Carol Barash, English Women’s Poetry, 1649–1714: Politics,<br />
Community, and Linguistic Authority, Oxford: Clarendon Press, 1996, introduction.<br />
11 This point is developed by Margaret P.Hannay,” ‘Your vertuous and learned Aunt’:<br />
The Countess of Pembroke as a Mentor to Mary Wroth” in Reading Mary Wroth:<br />
Representing Alternatives in Early Modern England, ed. Naomi J.Miller and Gary<br />
Waller, Knoxville, TN: University of Tennessee Press, 1991, pp. 15–34.<br />
12 See Ann Rosalind Jones, The Currency of Eros: Women’s Love Lyric in Europe, 1540–<br />
1620, Bloomington, IN: Indiana University Press, 1990, pp. 141–8, and Wall, The<br />
Imprint of Gender: Authorship and Publication in the English Renaissance, pp. 330–40.<br />
13 See Nona Fienberg, “Mary Wroth and the Invention of Female Poetic Subjectivity,”<br />
in Reading Mary Wroth: Representing Alternatives in Early Moaern England, pp. 175–<br />
90.<br />
14 Quotations from Wroth’s poetry are taken from The Poems of Lady Mary Wroth, ed.<br />
Josephine A.Roberts, Baton Rouge, LA: Louisiana State University Press, 1983.<br />
15 See, for instance, Barbara Kiefer Lewalski, Writing Women in Jacobean England,<br />
Cambridge, MA: Harvard University Press, 1993, p. 253, and Jeff Masten, “‘Shall I<br />
turne blabb?’: Circulation, Gender, and Subjectivity in Mary Wroth’s Sonnets,” in<br />
Reading Mary Wroth: Representing Alternatives in Early Modern England, pp. 67–87.<br />
16 The First Part of the Countess of Montgomery’s Urania, ed. Josephine A.Roberts,<br />
Binghamton, NY: Medieval and Renaissance Texts and Studies for the Renaissance<br />
English Text Society, 1995, p. 350.<br />
17 The Poems of Robert Sidney, ed. P.J.Croft, Oxford: Clarendon Press, 1984, pp. 26–7,<br />
174–81.<br />
18 Quotations from Lanyer’s poetry are from The Poems of Aemilia Lanyer, ed. Susanne<br />
Woods, New York: Oxford University Press, 1993; the passage from the<br />
commendatory poem to Queen Anne occurs on p. 3. For biographical information<br />
about Lanyer, see Woods’s Introduction.<br />
19 The Poems of Aemilia Lanyer, pp. xx–xxi.<br />
20 Commentary on the Harmony of the Evangelists, Matthew, Mark, and Luke, trans. Rev.<br />
William Pringle, 3 vols, Edinburgh: Calvin Translation Society, 1846, vol. 3, p. 283.<br />
It should be noted that Calvin rejects this common view, as does Lanyer.<br />
21 The Southwell-Sibthorpe Commonplace Book, ed. Jean Klene, C.S.C., Tempe, AZ:<br />
Medieval and Renaissance Texts and Studies, 1997, p. 81. In Of the Nobilitie and<br />
Excellencie of Womankynde, 1542, a text with important parallels to Lanyer’s,<br />
Cornelius Agrippa noted the heroic labors of Pilate’s wife. See Esther Gilman<br />
Richey, The Politics of Revelation in the English Renaissance, Columbia, MO:<br />
University of Missouri Press, 1998, p. 66.<br />
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