ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
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NOTES TO PP. 102–15<br />
the second, see Kevin Sharpe, Criticism and Compliment: The Politics of Literature in<br />
the England of Charles I, Cambridge: Cambridge University Press, 1987, pp. 134–51.<br />
20 See Derek Hirst, Authority and Conflict, England, 1603–1658, Cambridge, MA:<br />
Harvard University Press, 1986, pp. 15–18, and Seventeenth-Century Economic<br />
Documents, ed. Joan Thirsk and J.P.Cooper, Oxford: Clarendon Press, 1972, 1–29.<br />
21 The Poems of Thomas Carew, pp. xli, xxxix, respectively.<br />
22 Hollander, Melodious Guile: Fictive Pattern in Poetic Language, New Haven, CT: Yale<br />
University Press, 1988, pp. 59–63.<br />
23 The Poems of Thomas Carew, p. 263.<br />
24 The Works of Sir John Suckling, ed. Thomas Clayton, Oxford: Clarendon Press, 1971,<br />
pp. xxvii–xxviii. All further references to Suckling’s non-dramatic works will be to<br />
this edition.<br />
25 See Clayton, “‘At Bottom a Criticism of Life’: Suckling and the Poetry of Low<br />
Seriousness” in Classic and Cavalier: Essays on Jonson and the Sons of Ben, ed. Claude<br />
J.Summers and Ted-Larry Pebworth, Pittsburgh, PA: University of Pittsburgh Press,<br />
1982, pp. 219–20.<br />
26 Aubrey’s Brief Lives, ed. Oliver Lawson Dick, 1949, repr. Ann Arbor, MI: University<br />
of Michigan Press, 1962, p. 287.<br />
27 The Works of Sir John Suckling, pp. 3, 105 respectively.<br />
28 For an anatomy of this term, with examples taken largely from this period, see<br />
Patricia Meyer Spacks, Gossip, Chicago: University of Chicago Press, 1985.<br />
29 The Works of John Dryden, ed. H.T.Swedenberg, Jr., et al., Berkeley, CA: University<br />
of California Press, 1956–, vol. 17, p. 14.<br />
30 Leavis, “The Line of Wit,” in Revaluation: Tradition & Development in English Poetry,<br />
London: Chatto & Windus, 1962, pp. 10–41.<br />
31 Hazlitt’s comments on Suckling’s Ballad appear, respectively, in Works 6:56 and 5:83.<br />
32 Gordon Braden, The Classics and English Renaissance Poetry, New Haven, CT: Yale<br />
University Press, 1978, pp. 255–8 (appendix). Braden’s separate chapter on Herrick<br />
is also now the starting place for studying this familiar line of descent.<br />
33 All further references to Herrick’s poetry are to The Poetical Works of Robert Herrick,<br />
ed. L.C.Martin, Oxford: Clarendon Press, 1956.<br />
34 Robert Herrick: The Hesperides & Noble Numbers, ed. Alfred Pollard, 2 vols, London:<br />
Lawrence & Bullen, 1891, vol. 1, p. xi.<br />
35 Louise Schleiner, “Herrick’s Songs and the Character of Hesperides,” ELR 6 (1976):<br />
77–91.<br />
36 J.Max Patrick, “‘Poetry perpetuates the Poet’: Richard James and the Growth of<br />
Herrick’s Reputation,” in “Trust to Good Verses”: Herrick Tercentenary Essays, ed.<br />
Roger B.Rollin and J.Max Patrick, Pittsburgh, PA: University of Pittsburgh Press,<br />
1978, p. 232.<br />
37 Eliot, “What is Minor Poetry,” in On Poetry and Poets, New York: Farrar, Straus, and<br />
Cudahy, 1952, pp. 43–4.<br />
38 See John L.Kimmey, “Order and Form in Herrick’s Hesperides,” JEGP 70 (1971):<br />
255–68; Kimmey, “Robert Herrick’s Persona,” SP 67 (1970):221–36; and Ann<br />
Baynes Coiro, Robert Herrick’s “Hesperides” and the Epigram Book Tradition, Baltimore,<br />
MD: Johns Hopkins University Press, 1988.<br />
39 Fowler, “Robert Herrick,” Proceedings of the British Academy 66 (1980):245.<br />
40 The Book of Common Prayer, 1559, ed. John E.Booty, Charlottesville, VA: University<br />
Press of Virginia, 1976, p. 18 (“Of Ceremonies, Why Some be Abolished and Some<br />
Retained”).<br />
41 Eliot, “What is Minor Poetry,” p. 43.<br />
296