ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
ENG LYRIC POETRY.pdf - STIBA Malang
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NOTES TO PP. 18–30<br />
33 See John Stachniewski, “John Donne: The Despair of the ‘Holy Sonnets’,” ELH 48<br />
(1981):677–705; and Richard Strier, “John Donne Awry and Squint: The ‘Holy<br />
Sonnets,’ 1608–1610,” Modern Philology 86 (1989):357–84. A counter-response is<br />
R.V.Young, “Donne’s Holy Sonnets and the Theology of Grace,” in “Bright Shootes of<br />
Everlastingnesse”: The Seventeenth-Century Religious Lyric, ed. Claude J.Summers and<br />
Ted-Larry Pebworth, Columbia, MO: University of Missouri Press, 1987, pp. 20–39.<br />
34 See John Donne: The Divine Poems, ed. Helen Gardner, Oxford: Clarendon Press,<br />
1952, p. 99.<br />
35 My understanding of this poem has been especially helped by Donald M.Friedman,<br />
“Memory and the Art of Salvation in Donne’s Good Friday Poem,” English Literary<br />
Renaissance 3 (1973):418–42.<br />
36 Novarr, The Disinterred Muse, p. 158. The remark belongs to Donne’s contemporary,<br />
John Chamberlain.<br />
37 Index of English Literary Manuscripts, compiled by Peter Beal, 5 vols, London:<br />
Mansell, 1980, vol. I, p. 245.<br />
38 The Poems of Thomas Carew, p. 74 (“In answer of an Elegiacall Letter upon the death<br />
of the King of Sweden from Aurelian Townsend, inviting me to write on that<br />
subject”).<br />
39 These respective positions have been most fully delineated by Barbara K.Lewalski,<br />
Protestant Poetics and the Seventeenth-Century Religious Lyric, Princeton, NJ: Princeton<br />
University Press, 1979, ch. 8; Jonathan Goldberg, James I and the Politics of Literature,<br />
Baltimore, MD: Johns Hopkins University Press, 1983, especially pp. 65–6, 107–12;<br />
and Marotti, John Donne: Coterie Poet, passim.<br />
2 BEN JONSON AND THE ART OF INCLUSION<br />
1 Ben Jonson, ed. Ian Donaldson, New York: Oxford University Press, 1985, p. 600.<br />
All further references to Jonson’s works are to this edition.<br />
2 Carew, “An Elegie upon the death of the Deane of Pauls, Dr. John Donne,” in The<br />
Poems of Thomas Carew, ed. Rhodes Dunlap, Oxford: Clarendon Press, 1949, p. 73.<br />
3 Roman Jakobson and Morris Halle, Fundamentals of Language, The Hague: Mouton,<br />
1971, pp. 90–6.<br />
4 Ben Jonson, p. 455, l. 64.<br />
5 ibid., p. 609.<br />
6 Richard Helgerson’s Self-Crowned Laureates: Spenser, Jonson, Milton and the Literary<br />
System, Berkeley, CA: University of California Press, 1983, provides a<br />
comprehensive analysis of this process.<br />
7 Eliot, “Ben Jonson,” in Selected Essays, New York: Harcourt, Brace & World, 1932,<br />
p. 128.<br />
8 Ben Jonson, pp. 595, 598.<br />
9 Mark Bland, “William Stansby and the Production of The Workes of Beniamin Jonson,<br />
1615–16,” The Library, 6th ser., 20 (1998):1–33.<br />
10 A fuller reading of the title page will be found in Margery Corbett and Ronald<br />
Lightbown, The Comely Frontispiece: The Emblematic Title-page in England, 1550–<br />
1660, London: Routledge & Kegan Paul, 1979, pp. 145–50.<br />
11 Bland, “William Stansby and the Production of The Workes of Beniamin Jonson,<br />
1615–16,” p. 19.<br />
12 Puttenham, The Arte of English Poesie, 1589; repr. Amsterdam: Theatrum Orbis<br />
Terrarum, 1971, I:XXVII.<br />
13 Richard Dutton, Ben Jonson: To The First Folio, Cambridge: Cambridge University<br />
Press, 1983, p. 14.<br />
14 See, respectively, “A Sessions of the Poets” in The Works of Sir John Suckling: The<br />
Non-Dramatic Works, ed. Thomas Clayton, Oxford: Clarendon Press, 1971, and<br />
289