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ENG LYRIC POETRY.pdf - STIBA Malang

ENG LYRIC POETRY.pdf - STIBA Malang

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ANDREW MARVELL<br />

foundations of the temple of Jupiter Capitolinus. The conceit of yoking together<br />

two heterodoxical ideas (death and birth) and cultures (Rome and England)<br />

seems a natural, or rather unnatural, outgrowth of an early, equally metaphorical<br />

moment in the poem where Cromwell gives a meteor-like Caesarian birth to<br />

himself while on the way to blasting Charles’s “head at last”:<br />

And, like the three-fork’d Lightning, first<br />

Breaking the Clouds where it was nurst,<br />

Did thorough his own Side<br />

His fiery way divide.<br />

But the “bleeding Head”—“bleeding” is Marvell’s addition that pushes the image<br />

in a slightly fetal direction—born out of this climactic event also spells a new<br />

set of political obligations and contingencies. Power (and “sway,” as it turns out)<br />

is not simply resituated in a new political system. It is made a more prominent<br />

and problematic feature of it, an embodiment of Cromwell himself:<br />

Nor yet grown stiffer with Command,<br />

But still in the Republick’s hand:<br />

How fit he is to sway<br />

That can so well obey.<br />

He to the Commons Feet presents<br />

A Kingdome, for his first years rents:<br />

And, what he may, forbears<br />

His Fame to make it theirs:<br />

And has his Sword and Spoyls ungirt,<br />

To lay them at the Publick’s skirt.<br />

So when the Falcon high<br />

Falls heavy from the Sky,<br />

She, having kill’d, no more does search,<br />

But on the next green Bow to pearch;<br />

Where, when he first does lure,<br />

The Falckner has her sure.<br />

What may not then our Isle presume<br />

While Victory his Crest does plume!<br />

The equipoise here is remarkable even for Marvell. The concluding optative<br />

couplet, balancing “presume” against “plume,” gestures toward a utopia that is<br />

nonetheless dependent on a whole series of conditions continuing into the<br />

future involving Cromwell’s subservience to the new republic that now bears,<br />

almost as a logo, the image of the falconer holding the falcon “sure.” But in its<br />

representation of deadly brute force falling “heavy from the Sky,” the simile cuts<br />

in another direction as well. For all the deftly woven comparisons between the<br />

king and Cromwell, in the end it is one thing to have had Charles on the<br />

271

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