ENG LYRIC POETRY.pdf - STIBA Malang

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FROM WROTH TO PHILIPS sufficient command of couplets, a woman of active purpose, answering to the needs of her particular community through skills typically accorded her sex: writing and drawing (talents Dryden would praise to the rooftops in his 1685 Pindaric ode to Anne Killegrew, “Excellent in the Two Sister-arts of Poesy and Painting”). Here the community involved the sequestered circle associated with Bishop King and his family during the interregnum, one that included, for a time, John Hales, the learned churchman, diplomat, and scholar, whom Clarendon hauntingly called “the most separated from the worlde of any man then livinge.” 52 As recounted by Walton, Hales was to have had his picture made but was forced to leave the exiled community before it happened, and he died shortly thereafter. Responding to this lack, Anne King produced a drawing, an excellent likeness according to Walton, which has not survived, and this verse apology: Though by a Sodaine and unfeard surprise, thou lately taken wast from thy friends eies: Even in that instant, when they had design’d to keipe thee, by thy picture still in minde: least thou like others lost in deths dark night shouldst stealing hence vanish quite out of sight; I did contend with greater zeale then Art, This shadow of my phancie to impart: which all shood pardon, when they understand the lines were figur’d by a womans hand, who had noe copy to be guided by but Hales imprinted on her memory. Thus ill cut Brasses serve uppon a grave, Which less resemblance of the persons have. 53 As a political and cultural document, the poem records the story of Hales’s sudden departure: what his disappearance meant to his immediate community, with their fear that, without his picture, he would join the nameless many and be altogether lost to “deths dark night.” It also tells a counter-story of sorts, of the balancing act Anne King plays within her community, and within the poem. Her own emergence as speaking subject near the middle of the poem helps to redress the void left by Hales. “I did contend with greater zeale then Art,/This shadow of my phancie to impart.” King is not a Herculean Milton seeking, like Jove’s great son, to rescue the dead from the grave, but she is also not without a “zeale” of her own. And while the appearance of her contending self is quickly tempered by the reference to her woman’s hand, it is no small thing (although not quite as huge a thing as it would be with Margaret Cavendish) that the picture is a work produced from memory. For if “a dim view of women’s powers of memory” was often the message inculcated in the official instructional literature of the Renaissance 54 , memory in this poem is a sign of “mind”—of 251
FROM WROTH TO PHILIPS remembering, caring, and creating—and, faulty though the final product might be, these lines figured by a woman’s hand, like the others we have been reading, also figure their way both through and around the dominant tradition in the process. For modern readers and women poets especially, it is perhaps this stubbornly fanciful image as much as any single act of creation that is their chief legacy as well. 55 252
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ENGLISH LYRIC POETRY English Lyric
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First published 1999 by Routledge 1
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CONTENTS Foreword ix Acknowledgemen
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FOREWORD period—indeed, probably
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FOREWORD “socially specified self
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ACKNOWLEDGEMENTS In thinking and wr
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A NOTE ON SOURCES AND SPELLING A si
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IRREMEDIABLY DONNE just that an act
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IRREMEDIABLY DONNE law, a path desi
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IRREMEDIABLY DONNE reluctantly ackn
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IRREMEDIABLY DONNE were considered
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IRREMEDIABLY DONNE less to do with
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IRREMEDIABLY DONNE between, below,
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IRREMEDIABLY DONNE Thine age askes
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IRREMEDIABLY DONNE measure fail, to
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IRREMEDIABLY DONNE mood of “low d
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IRREMEDIABLY DONNE To readers appro
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IRREMEDIABLY DONNE another poem in
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BEN JONSON AND THE ART OF INCLUSION
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3 PATRIOTIC AND POPULAR POETS In pu
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PATRIOTIC AND POPULAR POETS bald di
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PATRIOTIC AND POPULAR POETS suspici
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PATRIOTIC AND POPULAR POETS in the
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PATRIOTIC AND POPULAR POETS The uns
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PATRIOTIC AND POPULAR POETS the gre
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PATRIOTIC AND POPULAR POETS William
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PATRIOTIC AND POPULAR POETS Elizabe
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PATRIOTIC AND POPULAR POETS Wither
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PATRIOTIC AND POPULAR POETS And wit
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PATRIOTIC AND POPULAR POETS Yea, th
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PATRIOTIC AND POPULAR POETS now set
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PATRIOTIC AND POPULAR POETS straigh
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PATRIOTIC AND POPULAR POETS The pop
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PATRIOTIC AND POPULAR POETS antholo
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PATRIOTIC AND POPULAR POETS You hol
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PATRIOTIC AND POPULAR POETS and mad
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PATRIOTIC AND POPULAR POETS Taylor
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PATRIOTIC AND POPULAR POETS product
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CAROLINE AMUSEMENTS altogether the
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CAROLINE AMUSEMENTS difficult to es
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CAROLINE AMUSEMENTS Can we not forc
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CAROLINE AMUSEMENTS The wiser world
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CAROLINE AMUSEMENTS Queen heaped fa
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CAROLINE AMUSEMENTS pale, as Carew
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CAROLINE AMUSEMENTS Carew’s respo
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CAROLINE AMUSEMENTS Religion by Rea
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CAROLINE AMUSEMENTS no odd becommin
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CAROLINE AMUSEMENTS Suckling next w
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CAROLINE AMUSEMENTS with ceremony i
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CAROLINE AMUSEMENTS Anthea, Sappho)
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CAROLINE AMUSEMENTS metrically mono
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CAROLINE AMUSEMENTS “Liquefaction
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CAROLINE AMUSEMENTS his return to s
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CAROLINE AMUSEMENTS It is easy to r
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CAROLINE AMUSEMENTS against a darke
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CAROLINE AMUSEMENTS There your sad
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CAROLINE AMUSEMENTS empowered Purit
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CAROLINE AMUSEMENTS To spell out mo
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CAROLINE AMUSEMENTS As Lovelace mak
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CAROLINE AMUSEMENTS And always like
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SUBSTANCE AND STYLE IN GEORGE HERBE
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6 THE ONCE AND FUTURE POET Milton i
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THE ONCE AND FUTURE POET paraphrase
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THE ONCE AND FUTURE POET Music” t
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THE ONCE AND FUTURE POET are not of
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THE ONCE AND FUTURE POET a classic
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THE ONCE AND FUTURE POET highly spe
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THE ONCE AND FUTURE POET sheep-and-
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These delights if thou canst give,
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THE ONCE AND FUTURE POET have appea
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THE ONCE AND FUTURE POET “Captain
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THE ONCE AND FUTURE POET of sexual
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THE ONCE AND FUTURE POET Thus I spr
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THE ONCE AND FUTURE POET the Bridge
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THE ONCE AND FUTURE POET As for Com
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THE ONCE AND FUTURE POET The great
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THE ONCE AND FUTURE POET irregular
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THE ONCE AND FUTURE POET (“Look h
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7 ARENAS OF RETREAT Blood, bread, a
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ARENAS OF RETREAT of identifying a
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ARENAS OF RETREAT dearest and neare
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ARENAS OF RETREAT Given the level o
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ARENAS OF RETREAT the speaker in re
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Page 227 and 228: ARENAS OF RETREAT In focusing on Ni
Page 229 and 230: 8 FROM WROTH TO PHILIPS Women poets
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Page 233 and 234: FROM WROTH TO PHILIPS century about
Page 235 and 236: FROM WROTH TO PHILIPS Butt O my hur
Page 237 and 238: FROM WROTH TO PHILIPS unfolds a min
Page 239 and 240: FROM WROTH TO PHILIPS Reader”). A
Page 241 and 242: FROM WROTH TO PHILIPS reality of th
Page 243 and 244: FROM WROTH TO PHILIPS vernacular li
Page 245 and 246: FROM WROTH TO PHILIPS Anne Bradstre
Page 247 and 248: FROM WROTH TO PHILIPS receive renew
Page 249 and 250: FROM WROTH TO PHILIPS Nonetheless,
Page 251 and 252: FROM WROTH TO PHILIPS Another Aunci
Page 253 and 254: FROM WROTH TO PHILIPS In the transc
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Page 257 and 258: FROM WROTH TO PHILIPS For Collins,
Page 259 and 260: Figure 3 Poems by the most deserved
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Page 263 and 264: FROM WROTH TO PHILIPS Thinking that
Page 265 and 266: Figure 4 Margaret Cavendish, Duches
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Page 269: FROM WROTH TO PHILIPS Nay, should w
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Page 277 and 278: ANDREW MARVELL after mourning the d
Page 279 and 280: ANDREW MARVELL Where the remote Ber
Page 281 and 282: ANDREW MARVELL In fact, “To his C
Page 283 and 284: ANDREW MARVELL Than languish in his
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Page 287 and 288: ANDREW MARVELL signal at the outset
Page 289 and 290: ANDREW MARVELL difficult to know ex
Page 291 and 292: ANDREW MARVELL throne, his head sur
Page 293 and 294: ANDREW MARVELL Out of these scatter
Page 295 and 296: ANDREW MARVELL Tulips, in several C
Page 297 and 298: ANDREW MARVELL Nor would it, had th
Page 299 and 300: ANDREW MARVELL obvious being that D
Page 301 and 302: ANDREW MARVELL Paint then St. Alban
Page 303 and 304: ANDREW MARVELL thinking and rethink
Page 305 and 306: ANDREW MARVELL Him, valianst men, a
Page 307 and 308: NOTES TO PP. 4-17 12 On the connect
Page 309 and 310: NOTES TO PP. 31-36 Wilson, The Trip
Page 311 and 312: NOTES TO PP. 60-9 7 Newdigate, Mich
Page 313 and 314: NOTES TO PP. 77-90 46 Quoted from t
Page 315 and 316: NOTES TO PP. 102-15 the second, see
Page 317 and 318: NOTES TO PP. 135-45 5 SUBSTANCE AND
Page 319 and 320: NOTES TO PP. 165-84 10 Budick, The
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NOTES TO PP. 195-207 10 For a fulle
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NOTES TO PP. 213-24 Bucknell Univer
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NOTES TO PP. 241-50 University Pres
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NOTES TO PP. 256-73 7 Kenner (ed.),
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Abbot, Wilbur Cortez 308 Achinstein
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The” 242; “Hunting of the Hare,
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Du Bartas, Guillaume 86, 226 Dudley
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119; “Upon Julia’s Clothes” 1
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“Lucasta laughing” 131; Lucasta
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Porter, Peter 295 Post, Jonathan F.
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Van Dyck, Anthony 79, 99, 126 Van P
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