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ENG LYRIC POETRY.pdf - STIBA Malang

ENG LYRIC POETRY.pdf - STIBA Malang

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FROM WROTH TO PHILIPS<br />

For Collins, apart from the spiritual disconsolation endured by those who have<br />

forgotten God’s “gracious Promise” that “He doth not leave nor forsake them”<br />

(Heb. 13:5), and for whose explicit benefit and comfort she offers her songs and<br />

meditations, the only real danger to be confronted comes from the ungodly. In<br />

“A Song composed in time of the Civill Warre, when the wicked did much<br />

insult over the godly” and in its sequel, “Another Song,” the vocal distance<br />

between Trapnel and Collins shrinks considerably, as the latter trades in her<br />

“homely” muse for the more impassioned utterances of prophecy:<br />

Therefore who can, and will not speak<br />

Betimes in Truths defence,<br />

Seeing her Foes their malice wreak,<br />

And some with smooth pretence<br />

And colours which although they glose<br />

Yet being not ingraind,<br />

In time they shall their luster lose<br />

As cloth most foully staind.<br />

238<br />

(ll. 17–24)<br />

In contrast to Trapnel, however, it is not easy to align Collins with a particular<br />

political party in these two most political of her poems. She can sound at times<br />

like a royalist sympathizing for those whose lands were sequestered, or at least<br />

like an anti-Parliamentarian critical of the Oath of Allegiance; but she also<br />

borrows freely from the apocalyptic language more readily associated with radical<br />

Protestantism. 34 I am not sure it is possible to pin her down exactly here, in part<br />

because we lack a precise date for these poems in a period when dates are<br />

extremely important, but mainly because speaking in defense of Truth takes her<br />

outside of discrete political categories into the more open arena of Biblical<br />

prophecy. Just as Collins never defines the Godly in terms other than those who<br />

are endeared to piety, so the “wicked” are known largely through their perverse<br />

behavior. What remains crucial in her work, as in Milton’s, is that the elect are<br />

“most severely try’d,” as she says at the end of “A Song composed in time of the<br />

Civill Warre,” and, as she says in the sequel, that “from those storms hath God<br />

preserved/A people to record his praise” (ll. 57–8). On the basis of the<br />

information in these poems, we are free to think of these “Saints” as Puritans or<br />

Protestants or, simply, “the Godly elect”: the “endeared” who endured.<br />

Margaret Lucas Cavendish (1623–73) and Katharine Philips<br />

(1632–64)<br />

As exceptional as Trapnel and Collins were in venturing into print, scholars are<br />

discovering that they represent only a small portion of the women who wrote<br />

devotional verse in the seventeenth century. There is little danger, however, of

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