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ENG LYRIC POETRY.pdf - STIBA Malang

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ACKNOWLEDGEMENTS<br />

In thinking and writing about seventeenth-century poetry, I have happily<br />

acquired many debts. The longest standing are to Anthony Hecht and Joseph<br />

Summers, former teachers, valued friends, and continual influences in my own<br />

attempt to redress the balance between past and present understandings of<br />

poetry written in this period. Over the years, Annabel Patterson has offered<br />

many models and much encouragement for thinking about the seventeenth<br />

century, especially about the relationship between literature and politics. I owe,<br />

as well, more immediate debts to my Renaissance colleagues at UCLA: Michael<br />

Allen, A.R.Braunmuller, Christopher Grose, Gordon Kipling, Claire<br />

McEachern, Debora Shuger, and Robert Watson; to Anne Mellor, who helped<br />

shape some of my thoughts about women poets in the period, although the<br />

decision to include Anne Bradstreet is my own; and to the many students who<br />

have been teaching me over the last decade and who are now themselves<br />

teachers. I think especially of Marlin Blaine, Thad Bower, Margaret<br />

Cunningham, Peter Goldstein, Lisa Gordis, Robin Grey, Gary Hall, Marge<br />

Kingsley, Grainne McEvoy, Esther Gilman Richey, and Curtis Whitaker. I am<br />

equally grateful to the students in my undergraduate courses on poetry for<br />

continuing to give the lie to the notion that poetry is somehow in decline at<br />

the end of the century.<br />

Portions of this study have benefited significantly from specific occasions and<br />

individuals. The late Georgia Christopher afforded me the opportunity as a<br />

speaker at the 1992 Southeastern Renaissance Conference, held at the<br />

University of South Carolina, to rethink the relationship between Herrick, lyric,<br />

and history. Thomas Corns, after inviting me to extend my understanding of<br />

Vaughan in an essay originally written for The Cambridge Companion to English<br />

Poetry: Donne to Marvell, helped to improve the final version. Much of the<br />

Herrick portion of Chapter 4 and all of Chapter 5 have appeared in The George<br />

Herbert Journal; along the way, they profited from intelligent commentary by<br />

Anne Coiro, Donald Friedman, Sidney Gottlieb, and Michael Schoenfeldt. A<br />

special note of thanks goes to Reg Foakes, who got me started on this project; to<br />

Joseph Summers, Robert Watson, and Curtis Whitaker, who, along with<br />

Professor Foakes, read—and improved—large sections of the manuscript; and to<br />

Professor John Richetti and the anonymous second reader for the press for their<br />

many helpful suggestions, small and large. Without the encouragement of my<br />

xv

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