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ENG LYRIC POETRY.pdf - STIBA Malang

ENG LYRIC POETRY.pdf - STIBA Malang

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CAROLINE AMUSEMENTS<br />

“bachelormania” in turn shared by a number of mid-century poets and put to<br />

the test by Marvell in “The Garden.”<br />

All is meant to be good postprandial fare: “Jocond his Muse was; but his Life<br />

was chaste” reads the harmless last line of Hesperides. But it is a fare made<br />

poignant by touches of pathos throughout:<br />

I have lost, and lately, these<br />

Many dainty Mistresses:<br />

Stately Julia, prime of all;<br />

Sapho next, a principall:<br />

Smooth Anthea, for a skin<br />

White, and Heaven-like Chrystalline:<br />

Sweet Electra, and the choice<br />

Myrha, for the Lute, and Voice.<br />

Next, Corinna, for her wit,<br />

And the graceful use of it:<br />

With Perilla: All are gone;<br />

Onely Herrick’s left alone,<br />

For to number sorrow by<br />

Their departures hence, and die.<br />

(“Upon the losse of his Mistresses”)<br />

The fact that the loss has been confined to the “dainty” means, too, that the<br />

idea of loss itself is never fully plumbed and also never fully expended. The<br />

elegiac can keep being touched on, and can keep being touched up. A brother<br />

dying, a father dead, Julia with a fever, the poet forever marking his departure:<br />

Onely a little more<br />

I have to write,<br />

Then Ile give o’re,<br />

And bid the world Good-night.<br />

119<br />

(“His Poetrie his Pillar”)<br />

That sentiment occurs with more than nine hundred poems to go; if the<br />

emotional reach were more dramatic, we would accuse Herrick of bad faith.<br />

And the elegiac can itself be expanded, too, little by little: to incorporate,<br />

for one thing, notions of exile. Hesperides is studded with political<br />

commentary—brief allusions to the bad times, bits of advice relating to<br />

governing—and over the course of the 1,130 poems Herrick’s concern with his<br />

household, in its immediate and more extended forms, becomes a concern for<br />

his homeland. The king who does not visit his grange nonetheless comes to<br />

nearby Exeter and unfurls his banner (“To The King, Upon his coming with his<br />

Army into the West”), as does his son some seven hundred poems later (“To<br />

Prince Charles upon his coming to Exeter”). Conversely, the poet who likens

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