14.07.2013 Views

ENG LYRIC POETRY.pdf - STIBA Malang

ENG LYRIC POETRY.pdf - STIBA Malang

ENG LYRIC POETRY.pdf - STIBA Malang

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

CAROLINE AMUSEMENTS<br />

pale, as Carew adjusts his angle of vision to include a range of terms otherwise<br />

excluded from Jonson’s poem:<br />

thy gates have bin<br />

Made onely to let strangers in;<br />

Untaught to shut, they do not feare<br />

To stand wide open all the year;<br />

Carelesse who enters, for they know,<br />

Thou never didst deserve a foe;<br />

And as for theeves, thy bountie’s such,<br />

They cannot steale, thou giv’st so much.<br />

“Strangers,” “foe,” “theeves”: Carew’s discursive modulations can probably be<br />

traced to worsening economic conditions during James’s later years and the<br />

evident failure of the Elizabethan Poor Laws to provide adequate relief for the<br />

many who “wander in the night.” 20 But the difference is temperamental as well.<br />

The sexual libertine was also the potential exile, spiritually and therefore<br />

culturally, a point given legendary significance by contemporary interest in<br />

Carew on his deathbed. Izaak Walton insisted that because of his licentious ways,<br />

Carew was refused the final sacraments, while Clarendon, evading the issue of<br />

last rites, reported more happily that Carew “died with the greatest Remorse for<br />

that Licence, and with the greatest Manifestation of Christianity, that his best<br />

Friends could desire.” 21<br />

Which of these reports is closer to the truth is impossible to determine, and<br />

in a late verse epistle entitled “To my worthy friend Master Geo. Sands, on his<br />

translation of the Psalmes,” Carew would seem to have authorized both<br />

interpretations. The poem has obvious revisionist affinities to Donne’s “A Hymn<br />

to God, My God in My Sickness,” insisting, as it does, on the space separating<br />

the poet from “thy holy room” and on the possibility of making a potential virtue<br />

out of an evident necessity:<br />

I presse not to the Quire, nor dare I greet<br />

The holy place with my unhallowed feet;<br />

My unwasht Muse, polutes not things Divine,<br />

Nor mingles her prophaner notes with thine;<br />

Here, humbly at the porch she listning stayes,<br />

And with glad eares sucks in thy sacred layes.<br />

So, devout penitents of Old were wont,<br />

Some without dore, and some beneath the Font,<br />

To stand and heare the Churches Liturgies,<br />

Yet not assist the solemne exercise.<br />

Carew is conspicuously an auditor, not a singer here, but the reflective capacity<br />

of the verse epistle also gives him room to consider subjects otherwise<br />

102

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!