- Page 2:
ENGLISH LYRIC POETRY English Lyric
- Page 5 and 6:
First published 1999 by Routledge 1
- Page 8:
CONTENTS Foreword ix Acknowledgemen
- Page 11 and 12:
FOREWORD period—indeed, probably
- Page 13 and 14:
FOREWORD “socially specified self
- Page 16 and 17:
ACKNOWLEDGEMENTS In thinking and wr
- Page 18:
A NOTE ON SOURCES AND SPELLING A si
- Page 21 and 22:
IRREMEDIABLY DONNE just that an act
- Page 23 and 24:
IRREMEDIABLY DONNE law, a path desi
- Page 25 and 26:
IRREMEDIABLY DONNE reluctantly ackn
- Page 27 and 28:
IRREMEDIABLY DONNE were considered
- Page 29 and 30:
IRREMEDIABLY DONNE less to do with
- Page 31 and 32:
IRREMEDIABLY DONNE between, below,
- Page 33 and 34:
IRREMEDIABLY DONNE Thine age askes
- Page 35 and 36:
IRREMEDIABLY DONNE measure fail, to
- Page 37 and 38:
IRREMEDIABLY DONNE mood of “low d
- Page 39 and 40:
IRREMEDIABLY DONNE To readers appro
- Page 41 and 42:
IRREMEDIABLY DONNE another poem in
- Page 43 and 44:
BEN JONSON AND THE ART OF INCLUSION
- Page 45 and 46:
BEN JONSON AND THE ART OF INCLUSION
- Page 47 and 48:
BEN JONSON AND THE ART OF INCLUSION
- Page 49 and 50:
BEN JONSON AND THE ART OF INCLUSION
- Page 51 and 52:
BEN JONSON AND THE ART OF INCLUSION
- Page 53 and 54:
BEN JONSON AND THE ART OF INCLUSION
- Page 55 and 56:
BEN JONSON AND THE ART OF INCLUSION
- Page 57 and 58:
BEN JONSON AND THE ART OF INCLUSION
- Page 59 and 60:
BEN JONSON AND THE ART OF INCLUSION
- Page 61 and 62:
BEN JONSON AND THE ART OF INCLUSION
- Page 63 and 64:
BEN JONSON AND THE ART OF INCLUSION
- Page 65 and 66:
BEN JONSON AND THE ART OF INCLUSION
- Page 67 and 68:
BEN JONSON AND THE ART OF INCLUSION
- Page 69 and 70: BEN JONSON AND THE ART OF INCLUSION
- Page 71 and 72: BEN JONSON AND THE ART OF INCLUSION
- Page 73 and 74: 3 PATRIOTIC AND POPULAR POETS In pu
- Page 75 and 76: PATRIOTIC AND POPULAR POETS bald di
- Page 77 and 78: PATRIOTIC AND POPULAR POETS suspici
- Page 79 and 80: PATRIOTIC AND POPULAR POETS in the
- Page 81 and 82: PATRIOTIC AND POPULAR POETS The uns
- Page 83 and 84: PATRIOTIC AND POPULAR POETS the gre
- Page 85 and 86: PATRIOTIC AND POPULAR POETS William
- Page 87 and 88: PATRIOTIC AND POPULAR POETS Elizabe
- Page 89 and 90: PATRIOTIC AND POPULAR POETS Wither
- Page 91 and 92: PATRIOTIC AND POPULAR POETS And wit
- Page 93 and 94: PATRIOTIC AND POPULAR POETS Yea, th
- Page 95 and 96: PATRIOTIC AND POPULAR POETS now set
- Page 97 and 98: PATRIOTIC AND POPULAR POETS straigh
- Page 99 and 100: PATRIOTIC AND POPULAR POETS The pop
- Page 101 and 102: PATRIOTIC AND POPULAR POETS antholo
- Page 103 and 104: PATRIOTIC AND POPULAR POETS You hol
- Page 105 and 106: PATRIOTIC AND POPULAR POETS and mad
- Page 107 and 108: PATRIOTIC AND POPULAR POETS Taylor
- Page 109 and 110: PATRIOTIC AND POPULAR POETS product
- Page 111 and 112: CAROLINE AMUSEMENTS altogether the
- Page 113 and 114: CAROLINE AMUSEMENTS difficult to es
- Page 115 and 116: CAROLINE AMUSEMENTS Can we not forc
- Page 117 and 118: CAROLINE AMUSEMENTS The wiser world
- Page 119: CAROLINE AMUSEMENTS Queen heaped fa
- Page 123 and 124: CAROLINE AMUSEMENTS Carew’s respo
- Page 125 and 126: CAROLINE AMUSEMENTS Religion by Rea
- Page 127 and 128: CAROLINE AMUSEMENTS no odd becommin
- Page 129 and 130: CAROLINE AMUSEMENTS Suckling next w
- Page 131 and 132: CAROLINE AMUSEMENTS with ceremony i
- Page 133 and 134: CAROLINE AMUSEMENTS Anthea, Sappho)
- Page 135 and 136: CAROLINE AMUSEMENTS metrically mono
- Page 137 and 138: CAROLINE AMUSEMENTS “Liquefaction
- Page 139 and 140: CAROLINE AMUSEMENTS his return to s
- Page 141 and 142: CAROLINE AMUSEMENTS It is easy to r
- Page 143 and 144: CAROLINE AMUSEMENTS against a darke
- Page 145 and 146: CAROLINE AMUSEMENTS There your sad
- Page 147 and 148: CAROLINE AMUSEMENTS empowered Purit
- Page 149 and 150: CAROLINE AMUSEMENTS To spell out mo
- Page 151 and 152: CAROLINE AMUSEMENTS As Lovelace mak
- Page 153 and 154: CAROLINE AMUSEMENTS And always like
- Page 155 and 156: SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 157 and 158: SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 159 and 160: SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 161 and 162: SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 163 and 164: SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 165 and 166: SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 167 and 168: SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 169 and 170: SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 171 and 172:
SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 173 and 174:
SUBSTANCE AND STYLE IN GEORGE HERBE
- Page 175 and 176:
6 THE ONCE AND FUTURE POET Milton i
- Page 177 and 178:
THE ONCE AND FUTURE POET paraphrase
- Page 179 and 180:
THE ONCE AND FUTURE POET Music” t
- Page 181 and 182:
THE ONCE AND FUTURE POET are not of
- Page 183 and 184:
THE ONCE AND FUTURE POET a classic
- Page 185 and 186:
THE ONCE AND FUTURE POET highly spe
- Page 187 and 188:
THE ONCE AND FUTURE POET sheep-and-
- Page 189 and 190:
These delights if thou canst give,
- Page 191 and 192:
THE ONCE AND FUTURE POET have appea
- Page 193 and 194:
THE ONCE AND FUTURE POET “Captain
- Page 195 and 196:
THE ONCE AND FUTURE POET of sexual
- Page 197 and 198:
THE ONCE AND FUTURE POET Thus I spr
- Page 199 and 200:
THE ONCE AND FUTURE POET the Bridge
- Page 201 and 202:
THE ONCE AND FUTURE POET As for Com
- Page 203 and 204:
THE ONCE AND FUTURE POET The great
- Page 205 and 206:
THE ONCE AND FUTURE POET irregular
- Page 207 and 208:
THE ONCE AND FUTURE POET (“Look h
- Page 209 and 210:
7 ARENAS OF RETREAT Blood, bread, a
- Page 211 and 212:
ARENAS OF RETREAT of identifying a
- Page 213 and 214:
ARENAS OF RETREAT dearest and neare
- Page 215 and 216:
ARENAS OF RETREAT Given the level o
- Page 217 and 218:
ARENAS OF RETREAT the speaker in re
- Page 219 and 220:
ARENAS OF RETREAT Under a Juniper,
- Page 221 and 222:
ARENAS OF RETREAT O how I long to t
- Page 223 and 224:
ARENAS OF RETREAT (Though single vo
- Page 225 and 226:
ARENAS OF RETREAT flies of hell”
- Page 227 and 228:
ARENAS OF RETREAT In focusing on Ni
- Page 229 and 230:
8 FROM WROTH TO PHILIPS Women poets
- Page 231 and 232:
FROM WROTH TO PHILIPS wrote but wro
- Page 233 and 234:
FROM WROTH TO PHILIPS century about
- Page 235 and 236:
FROM WROTH TO PHILIPS Butt O my hur
- Page 237 and 238:
FROM WROTH TO PHILIPS unfolds a min
- Page 239 and 240:
FROM WROTH TO PHILIPS Reader”). A
- Page 241 and 242:
FROM WROTH TO PHILIPS reality of th
- Page 243 and 244:
FROM WROTH TO PHILIPS vernacular li
- Page 245 and 246:
FROM WROTH TO PHILIPS Anne Bradstre
- Page 247 and 248:
FROM WROTH TO PHILIPS receive renew
- Page 249 and 250:
FROM WROTH TO PHILIPS Nonetheless,
- Page 251 and 252:
FROM WROTH TO PHILIPS Another Aunci
- Page 253 and 254:
FROM WROTH TO PHILIPS In the transc
- Page 255 and 256:
FROM WROTH TO PHILIPS For whose soc
- Page 257 and 258:
FROM WROTH TO PHILIPS For Collins,
- Page 259 and 260:
Figure 3 Poems by the most deserved
- Page 261 and 262:
FROM WROTH TO PHILIPS World,” is
- Page 263 and 264:
FROM WROTH TO PHILIPS Thinking that
- Page 265 and 266:
Figure 4 Margaret Cavendish, Duches
- Page 267 and 268:
FROM WROTH TO PHILIPS She owned a c
- Page 269 and 270:
FROM WROTH TO PHILIPS Nay, should w
- Page 271 and 272:
FROM WROTH TO PHILIPS remembering,
- Page 273 and 274:
ANDREW MARVELL reputation as a poet
- Page 275 and 276:
ANDREW MARVELL the greatest minor p
- Page 277 and 278:
ANDREW MARVELL after mourning the d
- Page 279 and 280:
ANDREW MARVELL Where the remote Ber
- Page 281 and 282:
ANDREW MARVELL In fact, “To his C
- Page 283 and 284:
ANDREW MARVELL Than languish in his
- Page 285 and 286:
ANDREW MARVELL sentimentalized in t
- Page 287 and 288:
ANDREW MARVELL signal at the outset
- Page 289 and 290:
ANDREW MARVELL difficult to know ex
- Page 291 and 292:
ANDREW MARVELL throne, his head sur
- Page 293 and 294:
ANDREW MARVELL Out of these scatter
- Page 295 and 296:
ANDREW MARVELL Tulips, in several C
- Page 297 and 298:
ANDREW MARVELL Nor would it, had th
- Page 299 and 300:
ANDREW MARVELL obvious being that D
- Page 301 and 302:
ANDREW MARVELL Paint then St. Alban
- Page 303 and 304:
ANDREW MARVELL thinking and rethink
- Page 305 and 306:
ANDREW MARVELL Him, valianst men, a
- Page 307 and 308:
NOTES TO PP. 4-17 12 On the connect
- Page 309 and 310:
NOTES TO PP. 31-36 Wilson, The Trip
- Page 311 and 312:
NOTES TO PP. 60-9 7 Newdigate, Mich
- Page 313 and 314:
NOTES TO PP. 77-90 46 Quoted from t
- Page 315 and 316:
NOTES TO PP. 102-15 the second, see
- Page 317 and 318:
NOTES TO PP. 135-45 5 SUBSTANCE AND
- Page 319 and 320:
NOTES TO PP. 165-84 10 Budick, The
- Page 321 and 322:
NOTES TO PP. 195-207 10 For a fulle
- Page 323 and 324:
NOTES TO PP. 213-24 Bucknell Univer
- Page 325 and 326:
NOTES TO PP. 241-50 University Pres
- Page 327 and 328:
NOTES TO PP. 256-73 7 Kenner (ed.),
- Page 329 and 330:
Abbot, Wilbur Cortez 308 Achinstein
- Page 331 and 332:
The” 242; “Hunting of the Hare,
- Page 333 and 334:
Du Bartas, Guillaume 86, 226 Dudley
- Page 335 and 336:
119; “Upon Julia’s Clothes” 1
- Page 337 and 338:
“Lucasta laughing” 131; Lucasta
- Page 339 and 340:
Porter, Peter 295 Post, Jonathan F.
- Page 341 and 342:
Van Dyck, Anthony 79, 99, 126 Van P