14.07.2013 Views

ENG LYRIC POETRY.pdf - STIBA Malang

ENG LYRIC POETRY.pdf - STIBA Malang

ENG LYRIC POETRY.pdf - STIBA Malang

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

CAROLINE AMUSEMENTS<br />

“Have we no voice, no tune?” The answer can only be “yes”—a complex blend<br />

of Donne and Jonson, with a crowning touch of Stuart absolutism.<br />

The poem to Jonson is decidedly less revering. “Great Donne” has been<br />

replaced by “deare Ben” and the poem is concerned with another issue involving<br />

literary inheritance and poetic responsibility: not generational belatedness but<br />

the right to differ with a parent, especially with a parent who has behaved badly<br />

in public. Carew reminds his audience, both Jonson and his followers, that<br />

imitation need not require servility, a point demonstrated with elegant tact and<br />

precision:<br />

Tis true (deare Ben:) thy just chastizing hand<br />

Hath fixt upon the sotted Age a brand<br />

To their swolne pride, and empty scribbling due,<br />

It can nor judge, nor write, and yet ’tis true<br />

Thy commique Muse from the exalted line<br />

Toucht by thy Alchymist, doth since decline<br />

From that her Zenith, and foretells a red<br />

And blushing evening, when she goes to bed,<br />

Yet such, as shall out-shine the glimmering light<br />

With which all stars shall guild the following night.<br />

“’Tis true…and yet…[and] yet”: the ease with which Carew spells out his<br />

difference here must have appeared a little unnerving to Jonson, whose career is<br />

summed up by someone who has clearly mastered the form that Jonson himself<br />

was responsible for establishing when he addressed other authors. (Carew<br />

understands exactly how to maneuver the caesura and how to enjamb so that<br />

his line, even if more regular than Jonson’s, is never predictable.) In a bid for an<br />

authority comparable to Jonson’s, Carew further anchors his judicious phrasing<br />

and the right to differ (as well as to differentiate) in Anglo-Saxon law itself:<br />

but if thou bind<br />

By Citie-custome, or by Gavell-kind,<br />

In equall shares thy love on all thy race,<br />

We may distinguish of their sexe, and place;<br />

Though one hand form them, & though one brain strike<br />

Soules into all, they are not all alike.<br />

Carew also delivers a concluding verdict as tough-minded (and Jonsonian) as<br />

any great poet would ever wish to receive from an admirer:<br />

Thy labour’d workes shall live, when Time devoures<br />

Th’abortive off-spring of their hastie houres.<br />

Thou are not of their ranke, the quarrell lyes<br />

Within thine own Virge, then let this suffice,<br />

97

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!