The Problem of Evil - Common Sense Atheism
The Problem of Evil - Common Sense Atheism
The Problem of Evil - Common Sense Atheism
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<strong>The</strong> Global Argument from <strong>Evil</strong> 59<br />
the stars and St Rule’s Tower were not. <strong>The</strong>ir idea, if I understand it,<br />
is something like this. An event like the Turkish massacres in Bulgaria<br />
would be an evil if it constituted the entire universe. But, <strong>of</strong> course, no<br />
such event does. <strong>The</strong> universe as a whole contains no spot or stain <strong>of</strong><br />
evil, but it looks to us human beings as if it did because we view it<br />
from a limited perspective. Perhaps an aesthetic analogy will help us to<br />
understand this rather difficult idea. (I found this helpful analogy in a<br />
book by the philosopher Wallace Matson; 3 I hasten to add that it does<br />
not represent his own point <strong>of</strong> view.) Many pieces <strong>of</strong> music that are <strong>of</strong><br />
extreme beauty and perfection contain short discordant passages that<br />
would sound very ugly if they were played all by themselves, outside the<br />
musical context in which the composer meant them to occur. (Bach’s<br />
Well-Tempered Clavier is an example.) But these passages are not ugly<br />
in their proper musical context; they are not the kind <strong>of</strong> passage that<br />
Rossini was referring to when he said, ‘‘Wagner has lovely moments<br />
but awful quarters <strong>of</strong> an hour’’. Seen, or rather heard, in the context <strong>of</strong><br />
the whole, they are not only not ugly but are essential elements <strong>of</strong> the<br />
beauty and perfection <strong>of</strong> that whole. <strong>The</strong> idea I am deprecating is that<br />
the horrors and atrocities <strong>of</strong> our world are the moral analogues <strong>of</strong> these<br />
discordant passages. <strong>The</strong> loci classici <strong>of</strong> this idea are Leibniz’s <strong>The</strong>odicy<br />
and Pope’s Essay on Man, particularly the famous lines:<br />
All nature is but art unknown to thee,<br />
All chance, direction which thou canst not see;<br />
All discord, harmony not understood;<br />
All partial evil, universal good;<br />
And, spite <strong>of</strong> pride, in erring reason’s spite,<br />
One truth is clear, Whatever is, is right. 4<br />
(In the matter <strong>of</strong> Leibniz, if you want to tell me that I am wrong to<br />
imply that his position was the same as Pope’s, or anything close to<br />
it, I won’t fight back. Let’s say that by ‘Leibniz’ I mean Leibniz as he<br />
has commonly been understood. Even if this Leibniz is a fiction, he<br />
has been an influential one.) I don’t see how anyone could accept this<br />
position. It seems to me to be wholly fantastic. Do not misunderstand<br />
this statement. I wish to distance myself from the vulgar slander that<br />
ascribes moral insensibility (or downright wickedness) to Pope—a<br />
slander about which I’ll have more to say in a moment. For my part,<br />
I accuse him only <strong>of</strong> intellectual error. But the intellectual error is <strong>of</strong><br />
enormous magnitude—comparable to the intellectual error <strong>of</strong>, say, the<br />
astronomer Percival Lowell, who believed that Mars was covered with