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Before Jerusalem Fell

by Kenneth L. Gentry

by Kenneth L. Gentry

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Clement of Alexandria 73<br />

which lay behind his personal character and misdeeds. The dismal<br />

and prosaic tragedy called the “Octavia,” written in the early part of<br />

Vespasian’s Principate, lacks all poetic merit, and has in solitary<br />

compensation one historic interest, revealing to us how quickly Nero’s<br />

character could be stereotyped as that of the blackest of all villains<br />

under the dynasty which had replaced the Julian. Otherwise the<br />

journalist of a law court could write a more moving tragedy. Martial<br />

and Statius the poets hurl at Nero’s head their choicest and most<br />

abusive epithets. Domitian could in later years be loaded with no<br />

greater reproach than that of being a second Nero, a “bald-headed<br />

Nero.” . . . Marcus Aurelius used him as did Epictetus earlier, as<br />

type of the evil character. “To be violently drawn and moved by the<br />

lusts atid desires of the soul,” said the philosopher King, “is proper<br />

to wild beasts and monsters, such as Phalaris and Nero were.” And<br />

the inferior scribblers of later generations who wrote the Emperors’<br />

lives inscribed on a permanent black-list the names of six Emperors<br />

— Caligula, Vitellius, Domitian, Commodus, Heliogabalus, and,<br />

always, Nero. 34<br />

Nero scholar Miriam T. Griffin speaks of Nero’s tyrannical behavior<br />

thus:<br />

Commenting on the unanimity of opinion about the Emperor Nero<br />

that prevails among the ancient authorities, the historian Charles<br />

Merivale wrote, ‘With some allowance only for extravagance of colouring,<br />

we must accept in the main the verisimilitude of the picture they<br />

have left us of this arch-tyrant, the last and the most detestable of the<br />

Caesarean family. . . . Nero was the first Princeps to be declared a<br />

public enemy by the Senate. . . . 35<br />

. . . .<br />

In European literature Nero has served as the stock example of<br />

unnatural cruelty, a matricide in Shakespeare’s Hamlet, a fratricide in<br />

Racine’s Britannicus. The hero of the Marquis de Sade, he has fascinated<br />

decadent writers as the inzredibilium cupitor longing to overcome<br />

human limits through extremes of luxury, cruelty and depravity. . . .<br />

Certainly no serious historian has been tempted to whitewash the<br />

tyrant.36<br />

34. B. W. Henderson, Thz La> and Primi#ate of the Emperor Nero (London: Methuen,<br />

1903), pp. 418-419.<br />

35. Grifth, Nmo, p. 15.<br />

36. Ibid., p. 16. The statement that no modem historian “has been tempted to

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