TRITON Extreme Operation Guide - Platinum Audiolab

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94 Arpeggiator settings P7: Edit-Arpeggiator This chapter describes the procedure for making arpeggiator settings in each mode. Arpeggiator settings for a program Arpeggiator on/off Pressing the ARPEGGIATOR [ON/OFF] key will turn the arpeggiator on or off. When on, the ARPEGGIATOR [ON/OFF] key will light. When you play the keyboard, an arpeggio will play according to the selected arpeggio pattern. The on/off setting is stored when the program is written. Arpeggiator settings 1 Select the Program P7: Edit-Arpeggiator, Arpeg. Setup page. 2 Use “ (Tempo)” to set the tempo. You can adjust the tempo by rotating ARPEGGIATOR [TEMPO] knob. The LED will blink at the specified tempo. If “MIDI Clock” (Global P1: MIDI) is set to External MIDI or External USB, the display will indicate “ = EXT.” This setting lets you synchronize the tempo with an external MIDI device. In this case, it will not be possible to change the tempo on the TRITON Extreme. 3 In “Pattern,” select the arpeggio pattern. You can select from preset arpeggio patterns P000– P004 and user arpeggio patterns U000 (A/B)–U506 (User). The way in which the pattern is played will depend on settings such as “Octave” and “Sort.” P000–P004 in the following diagrams show how the arpeggio will be played when “Octave” is set to 1, and “Sort” is checked. P004: RANDOM is only one possibility. P000: UP UP P001: DOWN P002: ALT1 P003: ALT2 DOWN ALT1 ALT2 P004: RANDOM RANDOM U000 (A/B)–U199 (A/B) With the factory settings, various arpeggio patterns are preloaded. These include a variety of patterns such as drum or bass phrases, or guitar or keyboard backing riffs (☞VNL). U200 (H) – U506 (User) When the TRITON Extreme is shipped from the factory, arpeggio patterns are preloaded in some of these memories (☞VNL).
4 Adjust the settings of the various parameters. “Octave”: Selects the octave range in which the arpeggio will be played. Octave: 4 UP If a user arpeggio pattern is selected, the “Octave Motion” setting (Global P6: Arpeggio, Pattern Setup page) will affect the way in which the arpeggio is played. “Resolution”: Specifies the timing value of the arpeggio notes over a range of 3 – . “Gate”: Specifies the length (gate time) of each note in the arpeggio. If a user arpeggio pattern is selected, you can set this to Step. In this case, the value of the “Gate” setting for each step (Global P6: User Arpeggio, Pattern Edit page) will be used. This value will be in effect when the ARPEGGIATOR [GATE] knob is in the center position (12 o’clock). Be sure that the knob is in the center position when you make this setting. “Velocity”: Specifies the velocity of the notes in the arpeggio. If this is set to Key, the velocity with which you actually played each note will be used. If a user arpeggio pattern is selected, you can set this to Step. In this case, the value of the “Vel” setting for each step (Global P6: User Arpeggio, Pattern Edit page) will be used. This value will be in effect when the ARPEGGIATOR [VELOCITY] knob is in the center position (12 o’clock). Be sure that the knob is in the center position when you make this setting. When a preload user arpeggio pattern is selected, setting the “Gate” or “Velocity” to Step will add a sense of groove to the arpeggio pattern. “Swing”: This adjusts the timing of the even-numbered notes in the arpeggio (counting from the first note), to give the pattern a sense of “swing.” “Sort”: If this is checked, the arpeggio will be sounded in order of pitch, regardless of the order in which notes were played on keyboard (On). If this is unchecked, the arpeggio will be sounded in the order in which the notes were played on keyboard (Off). Sort OFF, UP Sort ON, UP “Latch”: If this is checked, the arpeggio will continue playing even after you take your hand off the keyboard. If this is unchecked, the arpeggio will stop playing when you take your hand off the keyboard. “Key Sync.”: If this is checked, the arpeggio pattern will start from the beginning when you play a note after having released all notes. This setting is suitable when you are playing in realtime, and want the arpeggio to start at the beginning of the measure. If this is unchecked, the arpeggio pattern will always be synchronized to the tempo of the MIDI clock. For details on synchronization, refer to “Synchronizing the arpeggiator” (☞p.102). “Keyboard”: If this is checked, the notes you play on the keyboard will be heard as well as the arpeggiated notes. If this is unchecked, only the arpeggiated notes will be heard. The same setting can be made by editing the parameter of the same name (or abbreviation) in the Program P0: Play, Arpeggio page. You can use the page menu command “Copy Arpeggiator” to copy arpeggiator settings from another program or combination (☞PG p.29). 5 In the Scan Zone page, specify the range in which the arpeggiator will operate. “Bottom Key,” “Top Key”: The arpeggiator will operate when you play keys within the specified range. Keys outside of this range can be played in the normal manner, and will not be affected by the arpeggiator on/off. For example if you set “Pattern” to P000: UP, check “Latch,” set “Top Key” to B3, and “Bottom Key” to C- 1, playing a note B3 or lower will trigger the arpeggiator. Since “Latch” is on, the arpeggio will continue even after you release the keys. You can use the C4 and higher keys to play conventionally along with the arpeggio sounded by the B3 and lower keys. To change the arpeggio, play keys in the range of B3 and below. “Bottom Velocity” “Top Velocity”: The arpeggiator will operate when you play notes with a velocity (playing strength) that is within the specified range. Notes played with a velocity outside this range will be sounded normally, without regard to the arpeggiator on/off. 6 If you wish to save the edited program settings to internal memory, turn off memory protect in Global mode, and write the program (☞p.115, 116). Linking the arpeggiator to a program If you want the arpeggiator settings written in a program to be selected when that program is selected, check Program for “Auto Arpeggiator” (Global P0: Basic Setup, Basic page). 95 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
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Connections Connections must be mad
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6. Inserting and removing CF card s
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Program structure Playing and editi
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4 When you are satisfied with the s
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Note Number Varying amounts of an e
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3 Adjust the “Lvl” (Level) for
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Filter settings P3: Edit-Filter The
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Amp1 Mod. page Keyboard Track This
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Playing and editing combinations Co
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Easy arpeggiator editing Arpeggio P
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Settings for status, MIDI channel,
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You can also enter these values by
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Producing songs (Sequencer mode) TR
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Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97: 6 Use “High Drumsample Bank,”
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127 and 128: Loading data by individual item or
Page 129 and 130: In “Drive,” select your CD-R/RW
Page 131 and 132: Restoring the factory settings The
Page 133 and 134: Setting the function of [SW1] and [
Page 135 and 136: Troubleshooting If you experience p
Page 137 and 138: Program, Combination Settings for o
Page 139 and 140: MIDI The TRITON Extreme does not re
Page 141 and 142: Media that can be used with the TRI
Page 143 and 144: User interface TouchView graphical
Page 145 and 146: Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148: T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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