TRITON Extreme Operation Guide - Platinum Audiolab

More documents

Recommendations

Info

90 Linking the arpeggiator to programs and combinations You can specify whether the arpeggiator settings written into a program or combination will also be selected when you select a program or combination, or whether the current arpeggiator settings will be retained even if you switch programs or combinations. When shipped from the factory, the former setting is selected. Choose the latter setting if you want to keep the same arpeggio pattern running while you switch only the program or combination. If the Auto Arpeggiator “Program” or “Combination” box is checked, the arpeggio settings will also change when you select a program or combination respectively. System Preference page Recalling the last-selected mode and page at power-on The state of TRITON Extreme when the power is turned on will depend on the setting of “Power On Mode”. If “Power On Mode” is Reset (factory setting), TRITON Extreme will automatically selects the Combination mode P0: Play. If “Power On Mode” is Memorize, TRITON Extreme will power on using the same mode and page that were last selected when the power was turned off. The Memorize setting will remember the mode and page that were last selected, the combination number that was last selected in Combination mode, and the program number that was last selected in Program mode. If another mode is selected when the power is turned on, you can press the [COMBI] key or [PROG] key to select the P0: Play page with the last-selected combination number or program number. Sounding a beep when you press the LCD screen If the “Beep Enable” check box is checked, a beep will sound when you press an object in the LCD screen. Uncheck this item if you don’t want a beep to sound. Protecting the memory If one or more of the Memory Protect check boxes are checked, operations such as writing, loading, or song recording will be prohibited for the corresponding type of memory. Input/Sampling page Making audio input settings for other than Sampling mode ☞ Refer to p.107 and PG p.159. MIDI-related settings P1: MIDI MIDI Setup, MIDI Filter ☞ Refer to PG p.161. Pedal and other controller settings P2: Controller Specifying the function of the ASSIGNABLE Switch and ASSIGNABLE Pedal Sets the function of an assignable switch such as the optional Korg PS-1 connected to the ASSIGNABLE SWITCH jack. • This is set by “Foot Switch Assign.” This switch can act as a source for alternate modulation or effect dynamic modulation, or switch portamento on/off, control the sostenuto effect, turn the soft pedal effect on/ off, turn the arpeggiator on/off, select programs or combinations (up/down), start/stop the sequencer, punch-in/ out on the sequencer, or be a trigger and tap tempo to advance the cue list step (☞PG p.281). You can specify the function that will be performed by an assignable pedal (the optional XVP-10 or EXP-2) connected to the ASSIGNABLE PEDAL jack. • This is set by “Foot Pedal Assign.” This pedal can be used to control master volume, alternate modulation or effect dynamic modulation, portamento
pitch change speed, volume, the pan following an insert effect, pan, volume, or send levels to the master effects (☞PG p.282). You can use this as a source for alternate modulation or effect dynamic modulation, and use it to control program parameters or effect parameters. In this case, set “Foot Switch Assign” to Foot SW (CC#82), and “Foot Pedal Assign” to Foot Pedal (CC#04). Here we will show how to make settings that allow an assignable switch to change programs or combinations. 1 Press the “Foot Switch Assign” popup button, and press either Program Up or Program Down. Program Up will cause the next higher program number to be selected each time you press the foot switch. Program Down will cause the next lower program number to be selected each time you press the foot switch. 2 Set the “Foot Switch Polarity” to the polarity of the foot switch you have connected. If you have connected a Korg PS-1 pedal switch, set this to (–) KORG Standard. If the polarity is not set correctly, the pedal will not function appropriately. 3 Either press the [PROG] key to enter Program P0: Play, or press the [COMBI] key to enter Combination P0: Play. When you press the foot switch, the program/combination will change. Creating original scales P3: User Scale Creating a scale and assigning it to a program etc. You can create your own original scales. You can create sixteen different User Octave Scales in which the pitch of each note of the octave is repeated for all octaves, and one User All Note Scale in which the pitch of each of the 128 notes can be specified independently. By adjusting the pitch of each key in the range of ±99, you can raise or lower it by as much as approximately one semitone relative to the normal pitch. The user scales you create here can be used by specifying the scale for a program, for each timbre of a combination, or for each track of a song (Sequencer/Song Play). These settings are made by the Scale “Use Prog’s Scale” parameters in the following pages. Program mode Program P1: Edit-Basic, Program Basic Combination mode Combination P2: Edit-Trk Param, Other Sequencer mode Sequencer P2: Trk Param, Other Song Play mode Song Play P1: Track, Status/Scale Here is how to set the scale type for each timbre in Sequencer mode. 1 Create a user octave scale or a user all notes scale. Select a key, and use the VALUE controller to adjust the pitch. The range of ±99 raises or lowers the pitch approximately one semitone above or below the standard pitch. You can also select a key by holding down the [ENTER] key and playing the desired note on the keyboard. You can copy one of the preset scales and edit it to create an original scale. Execute the page menu command “Copy Scale.” 2 Press the [SEQ] key to enter Sequencer mode. 3 After pressing the [MENU] key, press the P2: Trk Param. 4 Press the Other 1–8 tab or Other 9–16 tab to select the Sequencer P2: Trk Param, Other page. 5 If you wish the program assigned to a track to use the scale saved with that individual program check the “Use Program’s Scale” check box for that track. Tracks that are not checked will use the scale specified by Scale “Type (Song’s Scale).” 6 Set “Type (Song’s Scale)” to select the scale for the currently selected song. 91 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
Page 1 and 2:
E 2
Page 3 and 4:
Table of Contents About this manual
Page 5 and 6:
Main features The TRITON Extreme is
Page 7 and 8:
Front and rear panel Front panel 1
Page 9 and 10:
Each time you press the [G] key whe
Page 11 and 12:
Use an optical cable to connect thi
Page 13 and 14:
f: Check box Each time you press a
Page 15 and 16:
Sequencer mode • Use the 16-track
Page 17 and 18:
Basic operation 1. Selecting modes
Page 19 and 20:
Connections Connections must be mad
Page 21 and 22:
6. Inserting and removing CF card s
Page 23 and 24:
Program structure Playing and editi
Page 25 and 26:
4 When you are satisfied with the s
Page 27 and 28:
Note Number Varying amounts of an e
Page 29 and 30:
3 Adjust the “Lvl” (Level) for
Page 31 and 32:
Filter settings P3: Edit-Filter The
Page 33 and 34:
Amp1 Mod. page Keyboard Track This
Page 35 and 36:
Playing and editing combinations Co
Page 37 and 38:
Easy arpeggiator editing Arpeggio P
Page 39 and 40:
Settings for status, MIDI channel,
Page 41 and 42:
You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93: Settings for the entire TRITON Extr
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127 and 128: Loading data by individual item or
Page 129 and 130: In “Drive,” select your CD-R/RW
Page 131 and 132: Restoring the factory settings The
Page 133 and 134: Setting the function of [SW1] and [
Page 135 and 136: Troubleshooting If you experience p
Page 137 and 138: Program, Combination Settings for o
Page 139 and 140: MIDI The TRITON Extreme does not re
Page 141 and 142: Media that can be used with the TRI
Page 143 and 144: User interface TouchView graphical
Page 145 and 146:
Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148:
T Tab 9, 13 Tap tempo 7, 74, 90, 13
show all

TRITON Extreme Operation Guide - Platinum Audiolab

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?