TRITON Extreme Operation Guide - Platinum Audiolab

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88 Playing along with SMF data Minus-one play You can enjoy “minus-one” play by playing back SMF data, muting a specific part, and playing that part yourself. 1 Playback the SMF data, identify the track whose part you wish to play, and stop playback (☞p.86). 2 In P0: Prog/Mix, select the Prog. 1–8 tab or Prog. 9–16 tab. 3 Use “Play Track Select” to select the track for the part that you want to play from the keyboard. When you play the keyboard, the program of the selected track will be heard. 4 Press the “PLAY/MUTE” button to set the track selected in step 3 to MUTE. If you want the musical data of the track to playback in addition to your own playing on the keyboard, set “Play/Mute” to PLAY. 5 Press the SEQUENCER [START/STOP] key to begin playback, and play along on the keyboard with the song. Arpeggiator You can use the arpeggiator for your keyboard performance (☞p.96, PG p.149).
Settings for the entire TRITON Extreme How Global mode is structured In Global mode you can make overall settings that apply to the entire TRITON Extreme, such as master tune, key transpose, effect global switch, global MIDI channel, and system clock. In addition, you can create user drum kits, user arpeggio patterns, and scales, make settings for the damper pedal and assignable foot switches/pedals, and specify category names for programs and combinations. Song Play mode page structure Page Explanation P0: Basic Setup Basic settings for the entire TRITON Extreme. Audio input settings for use outside of Sampling mode. P1: MIDI MIDI-related settings for the entire TRITON Extreme. P2: Controller Controller settings for the pedals etc. connected to the rear panel. P3: User Scale User registered scale settings. Specify 16 octave scales, and one all-note scale. P4: Category Name Edit category names for programs and combinations. P5: Drum Kit Edit drum kits. P6: User Arpeggio Edit user arpeggio patterns. P7: --- P8: --- P9: --- For details on how to access each mode and page, refer to “Basic operation” (☞p.13). The edits you perform in Global mode will be preserved until the power is turned off, but will not be preserved after the power is turned off unless you first save your settings. Three types of data are handled in Global mode: user drum kit settings (Global P5), user arpeggio pattern settings (Global P6), and all other global settings (Global P0–P4). Each of these can be written into their respective memory area. This data can also be saved to various types of media in Media mode. (☞p.116, 117) Global mode does not provide a “Compare” function. (Global mode) Basic Setup P0: Basic Setup Basic Page Tuning to another instrument/Transposing “Master Tune” adjusts the overall pitch. Edit this setting when you are playing the TRITON Extreme with other instruments, or when playing along with music on CD or tape. You can adjust the pitch in a range of ±50 cents (one semitone = 100 cents). “Key Transpose” shifts the pitch in semitone steps. Edit this setting when you want to transpose the sound of the entire TRITON Extreme. You can adjust the transposition in a range of ±1 octave. Adjusting the way in which velocity or after touch will affect the volume or tone You can adjust the way in which changes in velocity or after touch will affect the volume or tone. By changing this, you can (for example) make the volume of the notes more consistent even when they are played with varying velocities (dynamics). Each curve has its own character, so you can select the curve that is appropriate for your own playing dynamics, playing style, and the effect that you wish to obtain (☞PG p.155). “Velocity Curve” selects the velocity curve, and “After Touch Curve” selects the aftertouch curve. Bypassing the effects You can bypass the insert effects and master effects for the entire TRITON Extreme. For example if you’ve connected the TRITON Extreme’s outputs to an external mixer and are using an external effect processor to apply reverb or chorus to the sound along with other audio sources, you can turn off the TRITON Extreme’s master effects. If the Effect Global SW “IFX 1–5 Off,” “MFX1 Off,” and “MFX2 Off” items are checked, the insert effects, master effect 1, and master effect 2 will respectively be bypassed. 89 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
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Connections Connections must be mad
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6. Inserting and removing CF card s
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Program structure Playing and editi
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4 When you are satisfied with the s
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Note Number Varying amounts of an e
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3 Adjust the “Lvl” (Level) for
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Filter settings P3: Edit-Filter The
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Amp1 Mod. page Keyboard Track This
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Playing and editing combinations Co
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Easy arpeggiator editing Arpeggio P
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Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91: Playback using the Jukebox function
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127 and 128: Loading data by individual item or
Page 129 and 130: In “Drive,” select your CD-R/RW
Page 131 and 132: Restoring the factory settings The
Page 133 and 134: Setting the function of [SW1] and [
Page 135 and 136: Troubleshooting If you experience p
Page 137 and 138: Program, Combination Settings for o
Page 139 and 140: MIDI The TRITON Extreme does not re
Page 141 and 142: Media that can be used with the TRI
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User interface TouchView graphical
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Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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