TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab
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82<br />
Record an external audio input source<br />
while a song plays, and create event data<br />
at the same time (In-Track Sampling<br />
function)<br />
As an example, here’s how the sound of a guitar connected<br />
to the AUDIO INPUT 1 jack can be added to a song<br />
you created.<br />
In this example we will send the external audio input<br />
source to INDIVIDUAL 1, so if you want to monitor<br />
the sound being sampled, connect AUDIO OUTPUT<br />
(MAIN) L/MONO, R, and (INDIVIDUAL) 1 to your<br />
mixer, and use headphones etc. to monitor the output<br />
of the mixer.<br />
1 In Sequencer mode, select the song to which you<br />
want to add the guitar sound.<br />
You can either create a song, or use Media mode to<br />
load a previously-created song.<br />
2 Connect your guitar to the rear panel AUDIO INPUT<br />
1 jack.<br />
Set the AUDIO INPUT [MIC/LINE] switch to the LINE<br />
position, and set the [LEVEL] knob near the center<br />
position.<br />
If you connect a passive-type guitar (without an<br />
internal preamp), the impedance mismatch will make<br />
it difficult to sample at an appropriate level. This type<br />
of guitar should be sent through a preamp or effect<br />
processor.<br />
3 Access the Sequencer P0: Play/REC, Sampling page.<br />
4 Press the page menu button, and choose “Auto Sampling<br />
Setup” from the menu.<br />
The dialog box will appear.<br />
5 Choose “In-Track Sampling.”<br />
6 Make the following settings for “In-Track Sampling.”<br />
Set “Source Audio” to Analog. The external audio<br />
input source (the analog audio output of an instrument<br />
or other device connected to the INPUT 1, 2 jacks) will<br />
be sampled.<br />
Set “Mono-1/Mono-2/Stereo” to Stereo. The sound<br />
will be sampled in stereo.<br />
Set “To” to the track you want to use for In-Track Sampling.<br />
A MIDI note for triggering the sample will be<br />
recorded in the track you specify.<br />
Set “Program” to the convert-destination program<br />
number. When sampling is completed, a new multisample<br />
will be automatically created, converted to a<br />
program, and assigned as the program for the track.<br />
7 Press the OK button to execute the command.<br />
Preparations for In-Track Sampling are now completed.<br />
Let’s take a look at the settings that were made.<br />
Input 1 “Level”: 127, “Pan”: L000<br />
“BUS (IFX/Indiv.) Select”: 1/2<br />
These settings specify the input level from the INPUT<br />
1 jack and the panning, and select the 1/2 bus as the<br />
destination.<br />
“Source BUS”: Indiv 1/2<br />
The sound sent to the 1/2 bus will be sampled.<br />
“Trigger”: Sampling START SW<br />
After you press the SAMPLING [REC] key to enter<br />
sampling-ready mode, recording will begin when<br />
you press the SAMPLING [START/STOP] key.<br />
“Recording Level”: +0.0<br />
This is the default setting for recording an external<br />
input.<br />
“Save to”: RAM<br />
The sampled data will be written to sample memory<br />
(RAM).<br />
“Mode”: Stereo<br />
The sound of the internal L/R channels will be sampled<br />
in stereo.<br />
Be aware that if you change the “BUS” setting from<br />
Off to L/R or IFX1–5, the volume level sent to the<br />
AUDIO OUT L/MONO, R jacks and to the headphones<br />
may rise excessively.<br />
8 For this example, change the settings as follows.<br />
“Pan”: C64<br />
“Trigger”: Threshold, “Level”: as desired<br />
“Sample Time”: as desired<br />
9 Set the recording level.<br />
Play your guitar at the volume at which you will<br />
record.<br />
If the display indicates “ADC OVERLOAD !!” (AD<br />
converter input overload), adjust the rear panel<br />
[LEVEL] knob toward MIN until the level is appropriate.<br />
Press the SAMPLING [REC] key.<br />
When you play your guitar, the level meter will indicate<br />
the volume at which the guitar will be sampled.<br />
If the display indicates “CLIP!!,” use the VALUE controllers<br />
to lower the “Recording Level” slider (in the