TRITON Extreme Operation Guide - Platinum Audiolab

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78 The Create button has the same function as the Create button in P0: Recording (“Creating multisample indexes and sampling” ☞p.69). Modifying the settings of an index 1 Make the settings described in steps 1–3 of “Editing the indexes.” 2 Set parameters for the selected index. (☞PG p.135) • Changing the “Top Key” will change the upper limit of the zone. Simultaneously, the lower limit of the next-numbered index will also change. • If you check “Constant Pitch,” all notes in the index zone will sound the sample at its original pitch. • “Pitch” adjusts the sample pitch for each index. You can use the “Pitch BPM Adjust” page menu command to set the loop interval to a desired BPM value (☞PG p.136). Converting a multisample to a program In pages P0: Recording–P4: Controller Setup, you can select and execute the “Convert MS To Program” page menu command. When you execute this command, the settings of the currently selected multisample will be converted into a program. In Program mode you can make filter, amp and effect settings etc., and play the sample as a program. The resulting program can be used in a combination or song. For details on the “Convert MS To Program” page menu command (☞PG p.110). ● Using samples in a drum kit A sample you created in Sampling mode can be used as one of the instruments in a drum kit. In the Global P5: Drum Kit, Sample Setup page and Low Sample page, set “Drumsample Bank” to RAM, and use “Drumsample” to select the sample that you created. Using Time Slice to divide a sample, and playing it in Sequencer mode Time Slice is a function that detects the attack of the kick or snare etc. in a rhythm loop sample (a sample consisting of a looped pattern of drums etc.), and automatically divides it into separate instrumental sounds. Each of the divided instrumental sounds is made into a sample of its own, and then automatically expanded into a multisample and program. Pattern playback data for the Sequencer mode using the divided samples is also created automatically. The time-slices sample can be used in the following ways by the song of Sequencer mode. • Multiple rhythm loop samples of differing tempo can be matched to the same tempo without changing their pitch. • You can change the tempo in realtime without affecting the pitch. As an example, we will describe how a rhythm loop sample can be time-sliced in Sampling mode, and then how the rhythm loop sample can be played in Sequencer mode. You will need to provide rhythm loop samples of drums etc. You can either record these on the <strong>TRITON</strong> <strong>Extreme</strong>, or load them in Media mode. Initially, you should try this using a one-measure pattern in 4/4 time with a fairly simple beat, and record the pattern as a mono rhythm loop sample. For this example, we will use a 120 BPM rhythm loop sample. 1 Select “Sample Select” 120 BPM rhythm loop sample. Play back the sample, and verify that the beats that you want to loop are played cleanly. If they are not played cleanly, make the appropriate settings for the start address “Start” and end address “End,” and execute the page menu command “Truncate” (☞p.74, 76). 2 Access the P2: Loop Edit page. 3 Select the page menu command “Time Slice.” The Set Sample Tempo dialog box will appear. 4 Specify the number of quarter-note beats in the sample, and its tempo. If you know the BPM, set “Source BPM.” If you do not know the BPM, set “Beat” and the BPM will be calculated automatically. Since in this example we know the beat, set “Source BPM” to 120.
5 Press the OK button. The sample will automatically be sliced, and a dialog box will appear. When you play the keyboard, C2 will play the original sample (Source), and D2 and subsequent keys will play the divided samples. While listening to each divided sample, adjust “Sensitivity” so that each drum strike or other rhythm instrument sound is divided into its own sample. In some cases, it may not be possible to slice the sample cleanly even if you adjust “Sensitivity.” If the attack of the next sound is included in the end of the preceding sample, or if one sample contains two notes, you will need to edit the samples. If you want to edit, hold down the [ENTER] key and select the “Index” that is assigned to the note that you want to edit. (This portion of the waveform display will be highlighted.) Then you can make adjustments by adjusting “Start” or “End,” and by using Divide to separate or Link to combine. (☞PG p.128) 6 Press the Save button. The Save Samples & MS dialog box will appear. Here you can save the time-sliced samples and the multisample. At this time, set the items in the Save With area to specify the conversion destination for the program that will use the samples and multisample, and for the performance data (track or pattern) that will be used in Sequencer mode to “recreate” the rhythm loop sample. • If you want to create the performance data in a track Turn “Program” and “Seq.Event” On (checked) Program: E101 Track: On Song: 000, Track: 01, Meter: 4/4 Start Measure: 001, Time: 008 Press the Save button to save the data. You will return to the dialog box of step 5. • If you want to create the performance data in a pattern In order to audition the performance data as it would be if created as a pattern, press the Save button once again to access the Save Samples & MS dialog box. Turn “Program” and “Seq.Event” On (checked) Program: E102 Pattern: On Song: 001, Pattern: U00, Meter: 4/4 RPPR: On (checked), Key: C#2, Track: 01 Press the Save button to save the data. You will return to the dialog box of step 5. 7 Press the Exit button to return to the screen of step 2. 8 Press the [SEQ] key to enter Sequencer mode, and select 000 for “Song Select.” The following song data has been set/created automatically as you specified in step 6. • P0: Play/REC page Song: 000, Meter: 4/4, Tempo: 120 • P0: Play/REC, Program T01–08 page Track01 Program: E101 • P5: Track Edit, Track Edit page Track01: track data: 8 measures (D2–) Press the SEQUENCER [START/STOP] key to start playback. As an example, set “ (Tempo)” to 100. Notice that the pitch does not change when you play back at a different tempo. If the beat of the original rhythm loop sample is not reproduced correctly when you change the tempo, or if obtrusive noise is heard, this is because the sample was not sliced appropriately in step 5. The way in which the percussion instrument sounds were divided will have a major impact on the quality of the playback when the tempo is changed. You will need to adjust the way in which the samples are divided in step 5. 79 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
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Connections Connections must be mad
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6. Inserting and removing CF card s
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Program structure Playing and editi
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4 When you are satisfied with the s
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Note Number Varying amounts of an e
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3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81: Sample (waveform data) editing Edit
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127 and 128: Loading data by individual item or
Page 129 and 130: In “Drive,” select your CD-R/RW
Page 131 and 132: Restoring the factory settings The
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Setting the function of [SW1] and [
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Troubleshooting If you experience p
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Program, Combination Settings for o
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MIDI The TRITON Extreme does not re
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Media that can be used with the TRI
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User interface TouchView graphical
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Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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