TRITON Extreme Operation Guide - Platinum Audiolab

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68 Sampling only the stereo input sound from the AUDIO INPUT 1 and 2 jacks while you listen to the sound of the <strong>TRITON</strong> <strong>Extreme</strong> (arpeggiator etc.) “Input”: Analog Input1 “BUS Select”: 1/2, “Pan”: L000 Input2 “BUS Select”: 1/2, “Pan”: R127 “Source BUS”: Indiv.1/2 “Recording Level”: 0.0 “Auto +12dB On”: Off (unchecked) ☞PG p.6, 64 In this case, the sound that is input to AUDIO INPUT 1 and 2 will be output only to AUDIO OUTPUT (INDI- VIDUAL) 1 and 2. Using the metronome It is convenient to use the metronome when you want to play a program or combination at a specific tempo and sample your performance. To access the metronome settings, use the Program or Combination P0: Play, Sampling page menu command “Metronome Setup.” We recommend that you set “BUS (OUTPUT) Select” to either 3 or 4, and connect the (INDI- VIDUAL) 3 or 4 jack to your mixer so that the metronome can be monitored via your mixer. Automatically setting-up for the desired sampling method (Auto Sampling Setup) In each mode, Auto Sampling Setup automatically makes the appropriate settings for the sampling-related parameters so you don’t have to perform steps 1–4 described above. For example in Program mode you can use this to make the necessary settings for resampling your playing on a program, or to make settings for sampling only an external audio source while you monitor your playing on a program. However, these automatic settings assume typical situations, so you’ll need to adjust the parameters to meet your situation. This function is available in the following pages. Mode Page Sampling Sampling P0: Recording Combination Combination P0: Play, Sampling Program Program P0: Play, Sampling Sequencer Sequencer P0: Play/REC, Sampling For examples of the settings, refer to p.80, 82, 83, QS p.18, 22. For a detailed explanation, refer to PG p.7, 42, 64, 112. Sampling and editing in Sampling mode In Sampling mode, you can record samples, and edit sample data that you sampled or loaded from media (including WAVE and AIFF formats). You can also assign the edited samples to indexes (zones) to create a multisample. Sampling mode page structure Page Explanation P0: Recording Record samples. Select the sample or multisample to record, make various recording settings and AUDIO INPUT settings. View the memory status. P1: Sample Edit Perform waveform editing etc. on samples that were sampled or loaded in Media mode. P2: Loop Edit Set sample playback parameters: Start, Loop Start, End Address, Loop on/off, and Reverse on/off. Editing operations such as Time Slice and Time Stretch. P3: Multisample Edit multisamples. Set and edit the sample assignments, zone, and original key etc. P4: Controller Setup Controller settings. P5: Audio CD Audio CD playback and ripping. P6: --- P7: --- P8: Insert Effect Select and make settings for insert effects. P9: Valve Force Valve Force settings. For details on how to access each mode and page, refer to “Basic operation” (☞p.13). Sampling can be performed in any page P0–P8 of Sampling mode by using the [REC/WRITE] key and the [START/STOP] key. Recording-related settings such as input level are made by the parameters of P0: Recording, and these settings are valid for the other pages as well. The selected multisample or sample can be played from the keyboard in any page, allowing you to hear the results of your editing in each page. For an example of sampling, refer to ☞QS p.18–. On the following page we will explain sampling operations that are specific to Sampling mode, and how to edit a multisample or sample.
Creating multisample indexes and sampling Here’s how to create indexes for a multisample, and how to assign a sample to each index. 1 Select the P0: Recording, Recording page. MS (Multisample Select) Sample Select Index 2 Select “MS (Multisample Select),” and create a multisample. To create a new multisample, press the “MS (Multisample Select)” popup button. Then press a Multisample No. in the list for which no name has been entered, or use the numeric keys [0]–[9] to input a number and then press the [ENTER] key. A dialog box will appear. If you want to create a stereo multisample, check the “Stereo” box, and press the OK button. If you want to create a monaural multisample, uncheck the “Stereo” box, and press the OK button. 3 Press the Create button to create an index. Immediately after the power is turned on, the “Index” will be indicated as 001/001. This means that there is only one index. The range that is highlighted in the keyboard & Index is the range of the selected index. Press the Create button several times. Each time you press it, an index will be created. The keyboard display will indicate the zone and original key location of each index. The index that is created when you press the Create button will be created according to the P0: Recording, Preference page Create Zone Preference settings. (These settings can also be made in P3: Multisample, Preference page Create Zone Preference. ☞PG p.116, 137) Immediately after the power is turned on, “Position” will be Right (to selected index), “Zone Range” will be 12 Keys, and “Original Key Position” will be Bottom, so that indexes will be created as shown below. If you set “Zone Range” to 1 Key, an index will be created for each note of the keyboard. It is convenient to use 1 Key when you wish to sample numerous takes in succession, such as when recording phrases or rhythm loops. 4 Select “Index.” “Index” can also be selected by holding down the [ENTER] key and playing a note on keyboard. For this example, select 001. 5 Assign a sample to the “Index.” If sample memory (RAM) already contains samples, use “Sample Select” to select the sample and assign it. If you want to record a new sample, you can sample it now. The sample you record will be automatically assigned to the index you selected in step 4. The assigned sample will sound when you play the keyboard in the range of the index to which the sample is assigned. 6 Repeat steps 4 and 5 to assign a sample to each index. The number and order of the indexes in a multisample, the range of each index, and the original key position can be freely changed later if desired. (“Multisample editing” ☞p.77) Creating multiple samples In the example procedure described above, several indexes were created (by pressing the Create button several times), and then samples were assigned to each “Index.” As an alternative method, it is also possible to create one index, sample into it, and then repeat these two steps. 1 Press the Create button once to create an index. 2 Record a sample. The recorded sample will automatically be assigned to the index you created in step 1. 3 Repeat steps 1 and 2. This is an efficient way to record multiple samples. (☞QS p.20) 69 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
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Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71: In Program, Combination, and Sequen
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
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Using the TRITON Extreme as a data
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Loading data Media, Load The types
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Loading data by individual item or
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In “Drive,” select your CD-R/RW
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Restoring the factory settings The
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Setting the function of [SW1] and [
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Troubleshooting If you experience p
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Program, Combination Settings for o
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MIDI The TRITON Extreme does not re
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Media that can be used with the TRI
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User interface TouchView graphical
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Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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