TRITON Extreme Operation Guide - Platinum Audiolab

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66 2 Use “Trigger” to specify how sampling will begin. The available trigger methods will differ depending on the mode. Sampling mode: Sampling START SW, Note On, Threshold Program, Combination modes: Sampling START SW, Note On Sequencer mode: Sampling START SW, Note On, Threshold, Sequencer START SW Here we will describe the Sampling START SW and Note On that can be used in all modes. For details on trigger methods suitable for various purposes, refer to the various examples of sampling on p.80, 82, 83, QS p.18, 22 or PG p.5, 41, 63, and 115. Sampling START SW: When you press the SAM- PLING [REC] key, you will enter sampling-standby mode, and sampling will begin when you press the SAMPLING [START/STOP] key. Note On: When you press the SAMPLING [REC] key and then the SAMPLING [START/STOP] key, you will enter sampling-standby mode, and sampling will begin when you play the keyboard. 4. Making settings for the sample to be recorded (REC Sample Setup/Sampling Setup) Next we will specify the location into which the data will be sampled, select mono or stereo sampling, and specify the sampling time. REC Sample Setup settings are made in Sampling mode, and Sampling Setup settings are made in Combination, Program, or Sequencer mode. These settings are maintained independently for each mode. Use the following pages to set them. Mode Page Sampling Sampling P0: Recording, Recording Combination Combination P0: Play, Sampling Program Program P0: Play, Sampling Sequencer Sequencer P0: Play/REC, Sampling • Sampling mode • Program mode 1 Use “Save to” to specify the location into which the data will be sampled. RAM: The sample will be written into sample memory (RAM). If you select RAM, you can also specify the writingdestination RAM bank. In Sampling mode, this is specified by “Bank.” In other modes, this is specified by the page menu command “Select Bank & Smpl No.” When you select “Select Bank & Smpl No.,” the following dialog box will appear. Specify the “Bank” in this dialog box. “Sample No.” specifies the writing-destination sample number. If “Sample Mode” is set to Stereo, specify L and R. If you check “Program” in the “Convert to” area, the sample will automatically be converted to a program immediately after the sample has been written into RAM. This is convenient when you want to hear the sampled sound immediately. At the right, use “Program” and “MS” to specify the program number and multisample number of the program that will be created by the conversion. Use “Orig.Key” to specify the key that will play the sample at its original pitch. “Orig.Key” will increment by one after you sample, so that the next sample you record will be assigned to the next higher note. Press the OK button to finalize the settings. Set the “Auto +12 dB On” parameter. If you check “Auto +12 dB On,” the sample playback level will automatically be increased by +12 dB after sampling. (☞“The recording level and “Auto +12 dB On””) In Sampling mode, you can set this parameter in the P0: Recording, Preference page.
In Program, Combination, and Sequencer modes, you can set this parameter using the Sampling page menu command “Select Bank & Smpl. No.”. MEDIA: The sample will be written to the media. If you select MEDIA, you can also select the writingdestination drive. In all modes, this is specified by the page menu command “Select Directory.” Media Select In the “Media Select” field, select the drive. Use the Open and Up buttons to move between levels of the directory hierarchy to select the desired directory. Press the Done button to finalize the settings. If you sampled to the media as a WAVE file, the “Auto +12 dB On” setting will be ignored. The playback level of the WAVE file is set by “WAVE File Play Level” (☞PG p.158). 2 In “Sample Time,” specify the length of time that you want to sample. This can be set in units of minutes and seconds. If you are sampling to RAM (sample memory), you can sample a maximum of approximately 2 minutes 54 seconds in mono, or approximately 1 minute 27 seconds in stereo. If you are sampling to MEDIA, you can sample a maximum of 80 minutes in either mono or stereo (mono: approximately 440 Mbytes, stereo: approximately 879 Mbytes). 3 Set “Sample Mode” to specify whether a mono or a stereo file will be created. L-Mono: The sound of the internal L channel will be sampled in mono. R-Mono: The sound of the internal R channel will be sampled in mono. Stereo: The sound of the internal L and R channels will be sampled in stereo. The recording level and “Auto +12 dB On” When you resample the playback of a song, or your keyboard performance using a program, combination, or sample, or if you mix your performance with an external audio source and sample the result, you should normally set “Recording Level” to –12.0 (dB). If you resample at –12.0 (dB), the sample data will be recorded at the optimum level, but the playback level will be lower than the level during sampling (if “+12 dB” is off). In such cases, you can check “Auto +12 dB On” when you resample, so that “+12 dB” (Sampling mode Loop Edit page) will automatically be turned on, and the recorded sample will play back at the same level at during resampling. When you sample an external audio source, you should normally set “Recording Level” to +0.0 (dB). The sample data will be recorded at the optimum level. If you sample with “Auto +12 dB On” turned off at this time, “+12 dB” (Sampling mode Loop Edit page) will be off, and the sample will play back at the same level at which it was sampled. When the power is turned on, “Recording Level” and “Auto +12 dB On” will default to the following settings. Program, Combination, Sequencer modes “Recording Level”: –12.0 (dB), “Auto +12 dB On”: on Sampling mode “Recording Level”: +0.0 (dB), “Auto +12 dB On”: off These settings assume that you will mainly be resampling in Program, Combination, and Sequencer modes (listed above), and performing conventional sampling in Sampling mode (listed below). Optimizing the sample memory (RAM) If RAM has been specified as the destination to which data will be written during sampling, you can specify that sample memory (RAM) be automatically optimized after the data is written. When optimization is performed, unused areas that are occupying memory space will be reorganized to increase the available free space. In the Global mode P0: Basic Setup, Input/Sampling page, you can check “Auto Optimize RAM” so that RAM will automatically be optimized when sampling ends. In this case, you will always be able to sample without any wasted RAM area, but the sound will stop for a time when sampling ends. If a song is being played back in Sequencer mode, the playback will stop. If you are playing back a song, or if you are repeatedly recording multiple samples in various locations while listening to audio input from a CD etc., you can sample with “Auto Optimize RAM” unchecked, and then execute the page menu command “Optimize RAM” (found in the Sampling page of Program, Combination, or Sequencer modes, and in P0–P4 of Sampling mode) to optimize the RAM when the remaining amount of memory begins to decrease. The remaining amount of sample memory (RAM) can be checked in Sampling mode P0: Memory Status. Examples of sampling settings Resampling only the sound of the TRITON Extreme (e.g., arpeggiator and/or keyboard performance) “Input”: Analog Input1 “BUS Select”: Off Input2 “BUS Select”: Off “Source BUS”: L/R “Recording Level”: –12.0 “Auto +12dB On”: On (checked) ☞PG p.6, 64 Resampling the sound of the TRITON Extreme (arpeggiator and/or keyboard performance) together with the input sound from the AUDIO INPUT 1 jack “Input”: Analog Input1 “BUS Select”: L/R, “Pan”: C064 or as desired Input2 “BUS Select”: Off “Source BUS”: L/R “Recording Level”: –12.0 “Auto +12dB On”: On (checked) ☞PG p.6, 64 67 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69: 4 For Input1 and Input2, set “BUS
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
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Saving on media Media, Save For det
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Using the TRITON Extreme as a data
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Loading data Media, Load The types
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Loading data by individual item or
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In “Drive,” select your CD-R/RW
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Restoring the factory settings The
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Setting the function of [SW1] and [
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Troubleshooting If you experience p
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Program, Combination Settings for o
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MIDI The TRITON Extreme does not re
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Media that can be used with the TRI
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User interface TouchView graphical
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Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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