TRITON Extreme Operation Guide - Platinum Audiolab

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58 Recording the sound of a combination or program Here’s how you can easily copy the settings of a combination or program, and then record. There are two ways to do this. While playing in Program or Combination mode, you can use the Auto Song Setup function to automatically set up a song using the current settings of the program or combination. Or, you can use the page menu command in Sequencer mode to copy the settings of a program or combination create the sequencer setup. Auto Song Setup function The explanation of the Auto Song Setup function given here follows the procedure from Combination mode. 1 Enter Combination mode. 2 If you change any of the settings in the combination. Such as volume, panning, effect routings and arpeggiator setting (including Arpeggiator On/Off) you must first save the edited settings using “Update Combination” or “Write Combination.” The combination (or program) must be saved with the Arpeggiator On/Off set to On in order for the “Auto Adjust Arp settings for Multi REC” (see step 4) to work properly. 3 Hold down the [ENTER] key and press the SEQUENCER [REC/WRITE] key. The “Setup to Record” dialog box will appear. 4 Press the OK button to perform the Auto Song Setup. The TRITON Extreme will automatically switch to Sequencer mode, and the combination’s settings will be applied to a new song. The new song will be the first unused song. 5 You will automatically enter record-ready mode, and the metronome will begin sounding according to the settings in Sequencer mode 0–8: Preference. (☞PG p.68 “0–8b: Metronome Setup”) 6 Press the [START/STOP] key, and realtime recording will begin. When you’re finished recording, press the [START/ STOP] key once again. (☞p.43 “Realtime recording on a MIDI track”) Settings that are automatically copied from the combination The settings that will be automatically copied will be the same settings as if you had executed the page menu command “Copy From Combi” (☞PG p.58) and had made the following settings in the dialog box. • “with Effects” checked • “To” set to Track 1 to 8 • “Auto Adjust Arp setting for Multi REC” checked Settings that are automatically copied from the program The settings that will be automatically copied will be the same settings as if you had executed the page menu command “Copy From Program” (☞p.39) and had made the following settings in the dialog box. • “with Effects” checked • “with Arpeggiator” checked • “To” set to Track 01 • “Arpeggiator” set to A Copy From Program/Copy From Combi (Sequencer mode page menu commands) Here’s how to use the Copy From Program/Copy From Combi page menu commands in Sequencer mode. Make sure that the global MIDI channel (Global P1: MIDI, “MIDI Channel”) is set to 01. 1 Create a new song. (☞p.50) 2 Execute the page menu command “Copy From Program” or “Copy From Combi.” A dialog box will appear. Select the program or combination that you want to copy (i.e., the copy source). For this example, press the COMBI BANK [I] key, then press numeric keys [4], [0], and finally press the [ENTER] key. I040: Steely Keys will be selected. We will copy the effect settings of the combination as well, so check the “With Effects” check box. Since we want to copy the settings of the combination’s eight timbres to tracks 1–8, select Track 1 to 8. If you have selected Track 1 to 8, you will be able to select “Auto adjust Arp setting for Multi REC.” If you check this check box, the MIDI channel etc. of some of the tracks will automatically be adjusted to ensure that the same sound as was used during recording will be reproduced by the playback when you perform multitrack recording with the arpeggiator turned on.
When using the “Copy From Program” page menu command, the dialog box will be different. You can specify any track as the copy destination, and “Auto adjust Arp setting for Multi REC” will be replaced by a simple “with Arpeggiator” check-box. Depending on the combination settings, it may be necessary to make additional changes to the track settings. In order to use the “Auto adjust Arp setting for Multi REC” function, the combination to be copied must have been written to memory with the ARPEGGIA- TOR [ON/OFF] key turned on. Press the OK button to execute the copy. Notice that when you execute this command, the “PLAY/REC/MUTE” setting of each track will be set automatically. In the Sequencer P0: Play/REC, Preference page, the “Multi REC” check box will be checked. If you are using the arpeggiator, press the ARPEGGIA- TOR [ON/OFF] key to turn it off, and then turn it on again. 3 Begin recording. Press the [LOCATE] key to set the location to 001:01.000. Press the SEQUENCER [REC/WRITE] key, and then press the SEQUENCER [START/STOP] key. If you play a B3 note or lower during the pre-count before recording, the arpeggio pattern will start from the beginning at the moment that recording begins. Record your performance. 4 When you are finished performing, press the SEQUENCER [START/STOP] key. If you made a mistake or want to re-record, you can use the Compare function (press the [COMPARE] key) to re-record as many times as you want. (The “Multi- REC” check box will be unchecked when you use Compare, so you will need to check it again.) Caution and other functions in Sequencer mode TRITON Extreme song data and its compatibility The following two types of song data can be loaded from Media into TRITON Extreme’s sequencer. • Song data saved in TRITON Extreme’s own format This data is only for this instrument. However, it is partially compatible with the TRITON STUDIO, TRITON-Rack and TRITON/TRITONpro/ TRITONproX (☞PG p.309). Since the performance will be faithfully reproduced, including detailed settings of this instrument, you should use this format to save song data that is intended for playback on this instrument. • Standard MIDI Files This format is not able to provide a totally faithful reproduction of the performance on TRITON Extreme in the way that TRITON Extreme’s own format does (although there will be no problem for normal playback), but does provide compatibility with other SMFcompatible devices. To load or save song data etc., use Media mode. (☞p.117, 121, PG p.181, 189) • Data including exclusive events Exclusive messages (including XG or GS data) received from an external MIDI device, and parameter changes produced by editing track parameters (☞PG p.101) can now be recorded in realtime on the desired track. You can also use the page menu command “Put Effect Setting to Track” to place insert effect or master effect parameter settings as exclusive events in the desired location of a track. Recorded GM, XG, or GS exclusive messages do not affect the TRITON Extreme when they are played back. Since the recorded data is embedded in the song data as exclusive events, it can be saved or loaded to/from media in the same way as before. Exclusive messages can also be saved and loaded as SMF (Standard MIDI File) data (“Load Standard MIDI File,” “Save Song as Standard MIDI File”). This means that you can save recorded exclusive events as SMF data, or convert exclusive messages from an SMF file into song data. 59 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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E 2
Page 3 and 4:
Table of Contents About this manual
Page 5 and 6:
Main features The TRITON Extreme is
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Front and rear panel Front panel 1
Page 9 and 10:
Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61: Set “Gate” and “Velocity” t
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
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Valve Force settings Valve Force is
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If you want to route the sound thro
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Loading and saving data, creating a
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Assigning a name (Rename) You can m
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Saving on media Media, Save For det
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Using the TRITON Extreme as a data
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Loading data Media, Load The types
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Loading data by individual item or
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In “Drive,” select your CD-R/RW
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Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
Page 135 and 136:
Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
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MIDI The TRITON Extreme does not re
Page 141 and 142:
Media that can be used with the TRI
Page 143 and 144:
User interface TouchView graphical
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Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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