TRITON Extreme Operation Guide - Platinum Audiolab

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56 RPPR playback Let’s use the RPPR you created to perform in the Sequencer P0: Play/REC page. 1 Select Sequencer P0: Play/REC. 2 Check the “RPPR” check box. The RPPR function will be turned on. Set the on/off for each song. 3 Play the keyboard, and patterns will begin playing according to the RPPR settings. • Pattern playback for a key with a “Sync” setting of Beat or Measure will sync to the playback of the first pattern. (☞PG p.92 “Sync”) • If you are playing the pattern in synchronization (when “Sync” is Beat, Measure, or SEQ), the pattern will start accurately if you play the note slightly earlier than the timing of the beat or measure. Even if you play the note slightly later than the beat or measure (but no later than a 32nd note), it will be considered to have started at the beat or measure, and the beginning of the pattern will be compressed so that the remainder of the playback will be correct. If you wish to trigger the RPPR function from an external MIDI device, use the MIDI channel that is selected for “Track Select.” 4 To turn off the RPPR function, uncheck the RPPR check box. Play RPPR while a song plays back RPPR can be played in synchronization with the playback of a song. Pattern playback for a key with a “Sync” setting of SEQ will synchronize to the playback of the song. (☞PG p.92 “Sync”) Start the song playback, and then press the key. The pattern playback will start in synchronization with the measures of the song. Synchronization will be lost if you use the [>] keys while a song is playing. If you want RPPR pattern playback to begin at the moment that song playback begins, it is a good idea to insert an empty measure containing no musical data before the song playback begins. If the song is stopped, the pattern will synchronize to the timing of the arpeggiator function. Realtime-recording an RPPR performance An RPPR performance can be recorded in realtime. If you are using only one track (Track01: Drums) as in “Creating and recording RPPR” (☞p.55), set “Track Select” to Track01: Drums, and use single track recording in which only one track will be recorded. Even if RPPR uses only one track, use multi-track recording if you will be selecting another track in “Track Select” and recording its performance at the same time. You should also select multi-track recording if you created the RPPR data using multiple tracks rather than just a single track, and want to simultaneously record the performance of multiple tracks. The RPPR pattern will be recorded as performance data on the tracks used by the pattern. Here we will explain how you can simultaneously record a performance that uses both RPPR and the arpeggiator. 1 For each RPPR pattern, set “Sync” to SEQ. With a setting of SEQ, patterns played by the RPPR function while the sequencer is playing or recording will start in synchronization with the measures of the sequencer. 2 We will use the arpeggiator to play the bass pattern. Follow these settings. Set “Track Select” to Track02: Bass. Select the Sequencer P7: Arpeggiator, Setup T01–08 page, and set the track 2 “Arpeggiator Assign” to A. (Make sure that A is checked for “Arpeggiator Run.”) Select the Sequencer P7: Arpeggiator, Arpeggiator A page, and set “Pattern” to U038 (A/B).
Set “Gate” and “Velocity” to Step. Do not check “Key Sync.” Press the ARPEGGIATOR [ON/OFF] key. (The key will light.) 3 In the Sequencer P0: Play/REC, Preference page, check the “Multi REC” check box. If “Recording Mode” is set to Loop All Tracks,” it will not be possible to select Multi REC. Set the “Recording Mode” to Over Write. 4 Select the P0: Play/REC, Program T01–08 page. For all tracks, the “PLAY/MUTE/REC” indication will show REC. The track played by RPPR will be recorded simultaneously with the track played by the arpeggiator. Set “PLAY/MUTE/REC” to PLAY or MUTE for all tracks other than tracks 1 and 2, which we will be recording. Make sure that “Track Select” is set to Track02: Bass. Your keyboard playing on keys not assigned to the RPPR function can be recorded on the track specified by “Track Select.” 5 Make sure that the “RPPR” check box is checked. 6 Press the [LOCATE] key to set the location to 001:01.000. 7 Press the SEQUENCER [REC/WRITE] key, and then press the SEQUENCER [START/STOP] key. Press a key that plays an RPPR pattern, and one or more keys that play the arpeggiator. If you press a key during the pre-count before recording, the pattern playback and arpeggio performance will begin simultaneously when recording begins, and will be recorded. Record the RPPR pattern playback and arpeggio performance. When recording the playback of patterns triggered by RPPR, the timing of the recorded events may be slightly skewed. If this occurs, try setting “Reso” (Realtime Quantize Resolution) to a setting other than Hi. 8 When you are finished performing, press the SEQUENCER [START/STOP] key. Recording will end, and the sequencer will return to the location at which recording began. If you made a mistake during your performance or would like to re-record, you can use the Compare function (press the [COMPARE] key) to re-record as many times as you wish. 9 If you want to record other tracks, un-check the “Multi REC” or “RPPR” check boxes as necessary. In step 3, uncheck the “Multi REC” check box to defeat multi-track recording. In step 5, uncheck the “RPPR” check box to turn off the RPPR function. 57 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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E 2
Page 3 and 4:
Table of Contents About this manual
Page 5 and 6:
Main features The TRITON Extreme is
Page 7 and 8:
Front and rear panel Front panel 1
Page 9 and 10: Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59: Creating and recording RPPR (Realti
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
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AUDIO INPUT effect settings In Prog
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Valve Force settings Valve Force is
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If you want to route the sound thro
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Loading and saving data, creating a
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Assigning a name (Rename) You can m
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Saving on media Media, Save For det
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Using the TRITON Extreme as a data
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Loading data Media, Load The types
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Loading data by individual item or
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In “Drive,” select your CD-R/RW
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Restoring the factory settings The
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Setting the function of [SW1] and [
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Troubleshooting If you experience p
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Program, Combination Settings for o
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MIDI The TRITON Extreme does not re
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Media that can be used with the TRI
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User interface TouchView graphical
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Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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