TRITON Extreme Operation Guide - Platinum Audiolab

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52 4 Mute tracks. Press the [EXIT] key to select P0: Play/REC, and access the Program T01–08/T09–16 page. Mute all tracks other than tracks 3 and 4. When you play back, you will hear only the electric piano and guitar performances. 5 As described in steps 1–4, set song S001: VERSE to 008 (8 measures), making it an eight measure song. Then mute all tracks other than tracks 1–3. When you play back, you will hear only the drums, bass, and electric piano. 6 As described in steps 1–4, set song S002: CHORUS to 008 (8 measures), making it an eight measure song. 4. Changing the key (transposing/ modulating) Here’s how to change the key of a song. 1 Select song S002: CHORUS. 2 Select the Sequencer P5: Track Edit page. 3 Use “Track Select” to select T02 as the track whose pitch will be changed. 4 Specify the measures for which the key will be changed. Select “From Measure,” and use the VALUE controllers to set this to 001. Next select “To End of Measure,” and specify 008. 5 Select the page menu command “Shift/Erase Note.” A dialog box will appear. If you did not specify the range of measures in step 4, set “From Measure”–“To Measure” to specify the range that will be edited. Turn on the Replace radio button, and set “Shift Note” to +003. (☞PG p.84) Press the OK button. The pitch of track 2 will be raised three semitones. 6 Use the same procedure to raise the pitch three semitones for each track on which performance data is recorded. However, do not change the key of track 1 which uses a drum kit. If you change the key of a track that is using a drum kit, the relationship between the notes and the instruments of the drum kit will be shifted, and the sequence will not play the correct rhythm instruments.
Creating and playing a Cue List A cue list allows you to play multiple songs in succession. For example you can create a separate song for each portion (introduction, melody A, melody B, chorus, and ending) of a composition, and use the cue list to specify the order of each portion and the number of times that it will be repeated to complete the song. If you want to change the structure of the song, the cue list lets you do so in an efficient way. You can also use this as a jukebox function that will playback completed songs in the order you specify. Cue List Step Song Repeat 01 S000: Intro 02 02 S001: A 02 03 S002: B 01 04 S003: Chorus 02 05 S001: A 02 06 S002: B 01 07 S003: Chorus 02 08 S001: A (Solo) 01 09 S003: Chorus 03 10 S004: Ending 02 1. Creating a cue list Intro Intro A A B Chorus Chorus A A B Chorus Chorus A(Solo) Chorus Chorus Chorus Ending Ending Each unit in a cue list is called a “step,” and each step contains a song number and the number of repeats. Here we will use a cue list to combine the previously-created songs S000: INTRO, S001: VERSE, and S002: CHO- RUS. 1 Select Sequencer P1: Cue List. With the default settings, song S000 will be selected for “Step” 01, and End will be selected for “Step” 02. 2 Add a song to the Step area. Select the “Song” for Step 02, and press the Insert button. A song will be added to step 02. Use the VALUE controller to select S001: VERSE. In the same way, select the Step 03 “Song,” and press the Insert button to add a song to Step 03. Set this to S002: CHORUS. If you press Cut button, the selected step will be deleted. If you press the Insert button, the deleted step will be inserted. If you press the Copy button, the selected step will be copied. If you press the Insert button, the copied step will be inserted. 3 Set the last step to End. If you set this to Continue to Step01, the cue list will play back repeatedly. 4 In “Repeat,” specify the number of times that the song for that step will be repeated. For this example, set Step 02 S001: VERSE to 02. 5 Specify whether effect settings will also be switched when the song at each step is played back. If you want to effect settings to change, check the “FX” check box. For this example, check the “FX” check box for Step 01, which loads the effects. 6 To play back at the tempo that was specified for each song, set “Tempo Mode” to Auto. If this is set to Manu (Manual), playback will use the tempo specified by “ =”. 7 When you press the SEQUENCER [START/STOP] key, playback will begin from the step that is specified as the “Current Step.” • “Step”: The arrow will indicate the currently playing step. indicates the currently selected “Step.” If you set “Current Step” while stopped, the display will change. • “M****”: Indicates the starting measure of that step. • “Meter”: Indicates the currently-playing time signature. This cannot be changed. • The name of a cue list can be specified by the “Rename Cue List” page menu command. • When you play the keyboard, the program of the track selected by “Track Select” will sound. If a different program is selected for each song, the program specified for the currently playing song will sound. ● What to do when playing back a cue list and the songs do not transition smoothly If the effect settings differ between songs, and depending on the playback data within the song, there may be cases in which there is a time lag between songs during playback. Also, the playback data at the transition between songs may not play at the correct timing. In such cases, use “Convert to Song” to convert the cue list into a single song. When you play back this song, there will be no time lag at the transition, and the data will play at the correct timing. If the effect settings differ between songs, and you want to smooth the transition between songs, check “FX” for Step 01. This way, the effect settings will be made before playback begins, and there will be no time lag when cue list 53 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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Page 3 and 4:
Table of Contents About this manual
Page 5 and 6: Main features The TRITON Extreme is
Page 7 and 8: Front and rear panel Front panel 1
Page 9 and 10: Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55: Decide on the number of measures, i
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108:
Effect and Valve Force settings The
Page 109 and 110:
Master effects The input levels to
Page 111 and 112:
AUDIO INPUT effect settings In Prog
Page 113 and 114:
Valve Force settings Valve Force is
Page 115 and 116:
If you want to route the sound thro
Page 117 and 118:
Loading and saving data, creating a
Page 119 and 120:
Assigning a name (Rename) You can m
Page 121 and 122:
Saving on media Media, Save For det
Page 123 and 124:
Using the TRITON Extreme as a data
Page 125 and 126:
Loading data Media, Load The types
Page 127 and 128:
Loading data by individual item or
Page 129 and 130:
In “Drive,” select your CD-R/RW
Page 131 and 132:
Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
Page 135 and 136:
Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
Page 139 and 140:
MIDI The TRITON Extreme does not re
Page 141 and 142:
Media that can be used with the TRI
Page 143 and 144:
User interface TouchView graphical
Page 145 and 146:
Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148:
T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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