TRITON Extreme Operation Guide - Platinum Audiolab

More documents

Recommendations

Info

50 9 If you want to delete specific data while you continue pattern recording, you can press the SEQUENCER [REC/WRITE] key or check the “Remove Data” check box. For details refer to step 6 of “Loop All Tracks” (☞p.44). 0 Press the SEQUENCER [START/STOP] key to stop recording. If you made a mistake or decide to re-record, press the SEQUENCER [START/STOP] key to stop recording, and press the [COMPARE] key. Then begin the pattern recording procedure again as in step 8. Control data in pattern recording To record control data in a pattern, you should restore the control data to its normal value within the pattern. If you fail to restore the normal value, unnecessary control data may remain in a “stuck” position when you place the pattern in a song or use the RPPR function to play the pattern. However, the following control data will be automatically reset to the following values when the song or RPPR function finishes playing the pattern, or when playback is halted. Controller Reset value Modulation 1 (CC#01) 00 (zero) Modulation 2 (CC#02) 00 (zero) Expression (CC#11) 127 (max) Ribbon controller (CC#16) 64 (center) Damper switch (CC#64) 00 (zero) Sostenuto switch (CC#66) 00 (zero) Soft switch (CC#67) 00 (zero) EG sustain level (CC#70) 64 (center) Resonance level (CC#71) 64 (center) EG release time (CC#72) 64 (center) EG attack time (CC#73) 64 (center) Low pass filter cutoff (CC#74) 64 (center) EG decay time (CC#75) 64 (center) LFO1 speed (CC#76) 64 (center) LFO1 depth (pitch) (CC#77) 64 (center) LFO1 delay (CC#78) 64 (center) Filter EG intensity (CC#79) 64 (center) SW1 modulation (CC#80) 00 (zero) SW2 modulation (CC#81) 00 (zero) Channel after touch 00 (zero) Pitch bender 00 (zero) Using the arpeggiator for pattern recording If the arpeggiator is set to operate for the track that is selected for “Track Select,” you can turn on the ARPEG- GIATOR [ON/OFF] key and record the performance of the arpeggiator into the pattern. For details on arpeggiator settings, refer to p.96 and PG p.93. Song editing methods A variety of editing operations can be performed on a song. Song editing In addition to copying and renaming a song, other operations such as Delete can be performed from the Utility menu commands in pages such as Sequencer P0: Play/ REC (☞PG p.58). Track editing You can move/insert/delete individual events of data such as the notes and control changes in a MIDI track, and copy/move/insert/delete specified measures or tracks. Use the Sequencer P5: Track Edit, Track Edit page menu commands to perform these editing operations. (☞PG p.79). Pattern editing Using the page menu commands of the Sequencer P6: Pattern/RPPR, Pattern page, you can use event editing to modify the recorded data or insert new data, and execute commands to delete, copy, or bounce patterns (☞PG p.89). The explanations in the sections that follow are based on an example of editing a song. Create a song of several measures as described in QS p.24. We will describe various examples of editing operations on the song you create, and will then assemble songs in a cue list. The subsequent explanation assumes that the song you created is loaded into S000. 1. Copying a song Here’s how to copy a song. This is convenient when you want to create different variations based on a song. 1 Create a new song. Access the Sequencer P0: Play/REC, Program T01–08 page. Choose “Song Select,” use the numeric keys to input the song number that you want to newly create, and press the [ENTER] key. (For example, press the [1] key and then the [ENTER] key.) A dialog box will appear.
Decide on the number of measures, input the number in “Set Length,” and press the OK button. A new song will be created. Next we will copy the song settings and playback data of another song into this newly created song. 2 Select the page menu command “Copy From Song.” A dialog box will appear. Select the song that you want to copy (i.e., the copy source). If you select All, all song settings and playback data will be copied from that song. If you select Without Track/Pattern Events, settings other than Play Loop and RPPR will be copied. For this example, select All. Press the OK button to execute the copy. 3 As described in steps 1 and 2, create one more new song (S002), and copy song S000 to it. 2. Naming a song Here’s how to assign a name to a song you created. 1 Choose “Song Select,” to select a song. For this example, select song 002. 2 In the Sequencer P0: Play/REC, Program T01–08 page, select the page menu command “Rename Song.” A dialog box will appear. Press the text edit button to access the text dialog box. Press the Clear button, and input CHORUS (☞p.115). When you are finished inputting the name, press the OK button. Press the OK button once again to execute the Rename operation. 3 As described in steps 1 and 2, assign a name of INTRO to S000, and VERSE to S001. 3. Setting the number of measures in the song Here’s how to specify the number of measures in the song. By default, this is set to 64 measures. If you realtimerecord for more measures than this, the song length will be the amount of measures you have recorded. 1 Select song S000: INTRO. 2 Select the Sequencer P5: Track Edit, Track Edit page. In the P5: Track Edit page, press the [MENU] key to access the page jump page. Press the P5: Track Edit. 3 Access the page menu. This contains various commands for editing tracks and measures. Press the “Set Song Length.” A dialog box will appear. Input the number of measures for the song. For this example, select 008 (8 measures) and press the OK button. The performance data from measures 1–8 will remain, and the data of subsequent measures will be deleted. When you press the SEQUENCER [START/STOP] key to play the song, playback will stop at the end of the 8th measure. If you are using Track Play Loop, check whether the measures specified for “Loop Start Measure” and “Loop End Measure” would be deleted. If they would be deleted, use “Move Measure” (☞PG p.83) etc. to move the data into the playback area before you execute this operation. 51 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
Page 1 and 2:
E 2
Page 3 and 4: Table of Contents About this manual
Page 5 and 6: Main features The TRITON Extreme is
Page 7 and 8: Front and rear panel Front panel 1
Page 9 and 10: Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53: 9 Press the OK button. Now when you
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106:
8 Input the open hi-hat (Tone03). S
Page 107 and 108:
Effect and Valve Force settings The
Page 109 and 110:
Master effects The input levels to
Page 111 and 112:
AUDIO INPUT effect settings In Prog
Page 113 and 114:
Valve Force settings Valve Force is
Page 115 and 116:
If you want to route the sound thro
Page 117 and 118:
Loading and saving data, creating a
Page 119 and 120:
Assigning a name (Rename) You can m
Page 121 and 122:
Saving on media Media, Save For det
Page 123 and 124:
Using the TRITON Extreme as a data
Page 125 and 126:
Loading data Media, Load The types
Page 127 and 128:
Loading data by individual item or
Page 129 and 130:
In “Drive,” select your CD-R/RW
Page 131 and 132:
Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
Page 135 and 136:
Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
Page 139 and 140:
MIDI The TRITON Extreme does not re
Page 141 and 142:
Media that can be used with the TRI
Page 143 and 144:
User interface TouchView graphical
Page 145 and 146:
Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148:
T Tab 9, 13 Tap tempo 7, 74, 90, 13
show all

TRITON Extreme Operation Guide - Platinum Audiolab

Create successful ePaper yourself

Delete template?

Save as template?