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TRITON Extreme Operation Guide - Platinum Audiolab

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46<br />

Recording exclusive events<br />

Exclusive messages received from an external MIDI<br />

device or the parameter changes produced when you edit<br />

a track parameter or effect parameter can be realtimerecorded<br />

on any track. You can adjust the realtime controllers,<br />

the arpeggiator, make changes to the program volume/pan/mute<br />

settings, and adjust the tone – all in<br />

realtime.<br />

During playback, the exclusive messages you recorded<br />

will control the track parameters and effect parameters of<br />

the song, and can be sent to external MIDI devices.<br />

You can use the page menu command “Put Effect Setting<br />

to Track” to insert an exclusive event containing<br />

the parameter settings for an insert effect or master<br />

effect into the desired location of a track, so that these<br />

settings will automatically switch during playback.<br />

GM, XG, and GS exclusive messages can be recorded<br />

on a track, but the <strong>TRITON</strong> <strong>Extreme</strong>’s tone generator<br />

will not respond to these messages.<br />

Recording internal parameter changes<br />

As an example, here’s how to record internal parameter<br />

changes using the preset template song “Acid Jazz.”<br />

In this example, we’ll use an empty track to record parameter<br />

changes for the insert effects (IFX1, IFX2) assigned to<br />

track 1 (drums).<br />

In order to record system exclusive messages, the<br />

Global P1: MIDI, MIDI Filter setting “Enable Exclusive”<br />

must be checked. Go to Global mode and make<br />

sure that this parameter is checked.<br />

1 Use the page menu command “Load Template Song”<br />

to load Acid Jazz. In the dialog box, check the “Copy<br />

Pattern to Track too?” setting, and copy a pattern of<br />

about 16 measures. (☞QS p.24)<br />

2 Move to Sequencer mode, use “Track Select” to select<br />

Track 09, and begin recording.<br />

For this example, select an empty track.<br />

If you want to record onto a track that already contains<br />

data, set the “Recording Setup” parameter<br />

“Recording Mode” to Over Dub (☞p.43).<br />

3 At the appropriate time while recording, adjust the<br />

parameter(s) that you want to realtime-record.<br />

For example, you might use the Sequencer P8: Insert<br />

Effect, Insert FX page to adjust the IFX1 and IFX2<br />

effects, or use the P5: Track Edit, Tone Adjust page to<br />

adjust the sounds in realtime.<br />

For details on the parameters that you can realtimerecord,<br />

refer to PG p.101.<br />

4 Stop recording.<br />

Exclusive messages are always recorded on the current<br />

track selected by “Track Select.” In this example,<br />

they are recorded on track 9.<br />

In the event edit screen you can view the recorded<br />

exclusive events and their location. Exclusive events<br />

are displayed as “EXCL”.<br />

To view these events, go to the Sequencer P5: Track<br />

Edit page, and select the page menu command<br />

“Event Edit.” Then in the Set Event Filters dialog box,<br />

check Exclusive and press the OK button.<br />

Event display<br />

Location<br />

Exclusive events cannot be changed to a different<br />

type of event. Nor can other events be changed into<br />

exclusive events.<br />

5 If you go to the page (e.g., Sequencer P8: Insert Effect)<br />

that shows the parameters you adjusted in realtime,<br />

you can watch the recorded changes be reproduced<br />

while the song plays back.<br />

Exclusive messages that can be realtime-recorded<br />

The following exclusive messages can be realtime<br />

recorded.<br />

• Exclusive messages received from an external MIDI<br />

device<br />

• Parameter changes in Sequencer mode (☞PG p.101)<br />

• Master Volume universal exclusive messages assigned<br />

to the foot pedal or a knob

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