TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab
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46<br />
Recording exclusive events<br />
Exclusive messages received from an external MIDI<br />
device or the parameter changes produced when you edit<br />
a track parameter or effect parameter can be realtimerecorded<br />
on any track. You can adjust the realtime controllers,<br />
the arpeggiator, make changes to the program volume/pan/mute<br />
settings, and adjust the tone – all in<br />
realtime.<br />
During playback, the exclusive messages you recorded<br />
will control the track parameters and effect parameters of<br />
the song, and can be sent to external MIDI devices.<br />
You can use the page menu command “Put Effect Setting<br />
to Track” to insert an exclusive event containing<br />
the parameter settings for an insert effect or master<br />
effect into the desired location of a track, so that these<br />
settings will automatically switch during playback.<br />
GM, XG, and GS exclusive messages can be recorded<br />
on a track, but the <strong>TRITON</strong> <strong>Extreme</strong>’s tone generator<br />
will not respond to these messages.<br />
Recording internal parameter changes<br />
As an example, here’s how to record internal parameter<br />
changes using the preset template song “Acid Jazz.”<br />
In this example, we’ll use an empty track to record parameter<br />
changes for the insert effects (IFX1, IFX2) assigned to<br />
track 1 (drums).<br />
In order to record system exclusive messages, the<br />
Global P1: MIDI, MIDI Filter setting “Enable Exclusive”<br />
must be checked. Go to Global mode and make<br />
sure that this parameter is checked.<br />
1 Use the page menu command “Load Template Song”<br />
to load Acid Jazz. In the dialog box, check the “Copy<br />
Pattern to Track too?” setting, and copy a pattern of<br />
about 16 measures. (☞QS p.24)<br />
2 Move to Sequencer mode, use “Track Select” to select<br />
Track 09, and begin recording.<br />
For this example, select an empty track.<br />
If you want to record onto a track that already contains<br />
data, set the “Recording Setup” parameter<br />
“Recording Mode” to Over Dub (☞p.43).<br />
3 At the appropriate time while recording, adjust the<br />
parameter(s) that you want to realtime-record.<br />
For example, you might use the Sequencer P8: Insert<br />
Effect, Insert FX page to adjust the IFX1 and IFX2<br />
effects, or use the P5: Track Edit, Tone Adjust page to<br />
adjust the sounds in realtime.<br />
For details on the parameters that you can realtimerecord,<br />
refer to PG p.101.<br />
4 Stop recording.<br />
Exclusive messages are always recorded on the current<br />
track selected by “Track Select.” In this example,<br />
they are recorded on track 9.<br />
In the event edit screen you can view the recorded<br />
exclusive events and their location. Exclusive events<br />
are displayed as “EXCL”.<br />
To view these events, go to the Sequencer P5: Track<br />
Edit page, and select the page menu command<br />
“Event Edit.” Then in the Set Event Filters dialog box,<br />
check Exclusive and press the OK button.<br />
Event display<br />
Location<br />
Exclusive events cannot be changed to a different<br />
type of event. Nor can other events be changed into<br />
exclusive events.<br />
5 If you go to the page (e.g., Sequencer P8: Insert Effect)<br />
that shows the parameters you adjusted in realtime,<br />
you can watch the recorded changes be reproduced<br />
while the song plays back.<br />
Exclusive messages that can be realtime-recorded<br />
The following exclusive messages can be realtime<br />
recorded.<br />
• Exclusive messages received from an external MIDI<br />
device<br />
• Parameter changes in Sequencer mode (☞PG p.101)<br />
• Master Volume universal exclusive messages assigned<br />
to the foot pedal or a knob