TRITON Extreme Operation Guide - Platinum Audiolab

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40 The structure of Sequencer mode Sequencer mode is structured as follows. Songs A song consists of MIDI tracks 1–16, a master track, song parameters such as the song name, effect, arpeggiator and RPPR parameters, and 100 user patterns. A maximum of 200 such songs can be created on TRITON Extreme. MIDI tracks 1–16 and the master track each consist of setup parameters located at the start location, and musical data within the track. Setup parameters MIDI tracks 1–16 Bank/Program No.*, PLAY/MUTE/REC, Pan*, Volume*, Track Play Loop, Loop Start Measure, Loop End Measure, Play Intro, Status, MIDI Channel, Bank Select (When Status=EX2), Force OSC Mode, OSC Select, Portamento*, Transpose**, Detune**, Bend Range**, Delay, Use Program's Scale, MIDI Filter, Key Zone, Velocity Zone, Track Name, Arpeggiator Assign, IFX/Indiv.Out BUS Select, Send1(MFX1)*, Send2(MFX2)* Master track Time signature*, Tempo* Musical data MIDI tracks 1–16 Note On/Off, Program Change (including Bank Select), Pitch Bend, After Touch (Poly After), Control Change, Pattern No., System Exclusive * When you change the setting during realtimerecording, this will be recorded as musical data. This allows the starting settings to be modified during the playback. Sequencer structure and corresponding pages Track 1 Track 2 Track 3 Track 4 Track 5 Track 6 Track 7 Track 8 Track 16 Master Track Parameter settings Parameter settings Parameter settings Parameter settings Parameter settings Parameter settings Parameter settings Musical data Musical data Musical data Musical data Musical data Musical data Musical data Parameter Musical settings data Parameter settings Musical data Tempo, Time signature data Make Audio CD In-Track Sampling Sample Sampling memory (RAM) WAVE (Stereo) Media Routing : P8-1 Track Insert Effect Master Effect Individual Outputs Resampling (L/R 2ch Mix) ** Musical data (MIDI RPN data) can be used to change the starting settings during playback. For details on control changes and RPN, refer to PG p.285, 293. Of the above parameters, those that can be edited during realtime recording can be recorded as exclusive data. Patterns There are two types of patterns: preset patterns and user patterns. • Preset patterns: Patterns suitable for drum tracks are preset in internal memory, and can be selected for any song. • User patterns: Each song can have up to 100 patterns. When using a pattern in a different song, use the Utility menu commands “Copy Pattern” or “Copy From Song” etc. to copy the pattern. The pattern length can be specified in units of a measure. Each pattern consists of musical data for one track. It is not possible to create patterns that contain multiple tracks. These patterns can be used as track musical data by being placed in a track (page menu command “Put to Track”) or copied to a track (page menu command “Copy to Track”). Alternatively, you can use a pattern with the RPPR function of a song. Cue List A cue list allows you to playback multiple songs in succession. The TRITON Extreme allows you to create 20 cue lists. Each cue list allows you to connect a maximum of 99 songs in any order, and to specify the number of times that each song will repeat. The page menu command “Convert to Song” lets you convert the two or more songs in a cue list into a single song. This allows you to use a cue list to create the backing, then convert the cue list into a song and add solo phrases on unused tracks. Insert Effect 1 ... 5 : P8 Master Effect 1, 2 : P9 Pattern U00 ... U99 RPPR Setup: P6 Master EQ : P9 Placement: Insert(Use Indiv.3/4 BUS) Valve Force : P9 Controller Setup : P4- 4 Arpeggiator : P7 Valve Force : P9 Placement: Final AUDIO OUTPUT L/MONO, R AUDIO OUTPUT INDIVIDUAL 1, 2 3, 4
Sequencer mode page structure Page Explanation P0: Play/REC Play/record songs, and make associated settings. Select the program for each track. Pan and level settings. Settings for sampling. P1: Cue List Play, create, and make settings for cue lists. P2: Trk Param Parameter settings for each track of a song. MIDI, OSC, Pitch, etc. P3: MIDI Filter MIDI message transmission/reception filter settings for each track of a song. P4: Zone/Ctrl Key Zone and Velocity Zone settings for each track of a song. Controller settings. If the separately sold EXB-MOSS expansion is installed, settings for related parameters. P5: Track Edit Edit musical data for song tracks. Specify track names. Tone settings for the program of each track. P6: Pattern/RPPR Record and edit patterns for a song. Specify pattern names. RPPR function settings for a song. P7: Arpeggiator Arpeggiator settings. P8: Insert Effect Select and make settings for insert effects. Set the routing, insert effects, master effects, and individual output send amounts for each track of the song. P9: Master Effect Select and make settings for the master effects. Master EQ and Valve Force settings. For details on how to access each mode and page, refer to “Basic operation” (☞p.13). If the separately sold EXB-MOSS option is installed, bank F programs can also be used in Sequencer mode. For details on the parameters of bank F programs, refer to the EXB-MOSS owner’s manual. The MIDI transmit/receive settings for each track are made in “MIDI Channel” (P2: Edit-Trk Param, MIDI Ch page). Insert effects, master effects, and Valve Force settings are controlled on the “Ctrl Ch” (P8, P9). Sampling or resampling can be performed in Sequencer mode (☞p.80). You can also apply the TRI- TON Extreme’s effects to an external audio input source, for a wide range of possibilities. (☞p.107, 111) Preparations for recording Before you begin recording, make sure that the memory protect setting in Global mode is turned off. (☞p.90) Creating a Song Before we can begin this example, we need to create an empty song where we can record. First, press the [SEQ] key to enter Sequencer mode. Next, press the “Song Select” popup button to the left of the Song number and name (S000: NEW SONG). Press the number corresponding to the first unnamed song. A dialog box will appear. Press OK to create the new song (or press Cancel to exit). Track settings Since we’re going to record a new song in this example, we will start by explaining how to assign a program to each MIDI track, and make basic settings such as volume. By loading a template song, you can easily make appropriate settings for various styles of music. 1 Assign a program to each MIDI track. In the Sequencer P0: Play/REC, Program T01–08/T09– 16 page, use “Program Select” to assign a program to each MIDI track. At this time you can press the “Category” popup and select programs by category. You can copy settings from a combination or program (☞p.58). When assigning a program, you can use “Track Select” to select the track for which you are making assignments, and try playing the sound. Song Select Track Select 2 Set the pan and volume of each MIDI track. In the Sequencer P0: Play/REC, Mixer T01–08/T09–16 page, “Pan” sets the pan of each track, and “Volume” sets the volume of each track. 3 Specify the tone generator and MIDI channel that will be played by each MIDI track. In the Sequencer P2: Trk Param, MIDI Ch T01–08/T09– 16 page, “Status” specifies whether each track will sound the internal tone generator or an external tone generator. “MIDI Channel” specifies the MIDI channel for each track. If the track “Status” is set to INT, playing the track data or operating the TRITON Extreme’s keyboard or controllers will cause the TRITON Extreme’s internal tone generator to be played. If “Status” is set to EXT, EX2, or BTH, playing the track data or operating the TRITON Extreme’s keyboard or controllers will cause an external tone generator to be sounded and controlled. (The MIDI channel of the external tone generator must be set to match the “MIDI Channel” of TRITON Extreme tracks that are set to EXT, EX2 or BTH.) If “Status” is set to BTH, both the external tone generator and the TRITON Extreme’s own tone generator will be sounded and controlled. 41 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
Page 1 and 2: E 2
Page 3 and 4: Table of Contents About this manual
Page 5 and 6: Main features The TRITON Extreme is
Page 7 and 8: Front and rear panel Front panel 1
Page 9 and 10: Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43: Producing songs (Sequencer mode) TR
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96:
pitch change speed, volume, the pan
Page 97 and 98:
6 Use “High Drumsample Bank,”
Page 99 and 100:
4 Adjust the settings of the variou
Page 101 and 102:
Combination D062: Old Vox Organ Alt
Page 103 and 104:
• Tone: At each step, a chord con
Page 105 and 106:
8 Input the open hi-hat (Tone03). S
Page 107 and 108:
Effect and Valve Force settings The
Page 109 and 110:
Master effects The input levels to
Page 111 and 112:
AUDIO INPUT effect settings In Prog
Page 113 and 114:
Valve Force settings Valve Force is
Page 115 and 116:
If you want to route the sound thro
Page 117 and 118:
Loading and saving data, creating a
Page 119 and 120:
Assigning a name (Rename) You can m
Page 121 and 122:
Saving on media Media, Save For det
Page 123 and 124:
Using the TRITON Extreme as a data
Page 125 and 126:
Loading data Media, Load The types
Page 127 and 128:
Loading data by individual item or
Page 129 and 130:
In “Drive,” select your CD-R/RW
Page 131 and 132:
Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
Page 135 and 136:
Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
Page 139 and 140:
MIDI The TRITON Extreme does not re
Page 141 and 142:
Media that can be used with the TRI
Page 143 and 144:
User interface TouchView graphical
Page 145 and 146:
Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148:
T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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