TRITON Extreme Operation Guide - Platinum Audiolab

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38 Auto Song Setup function This function automatically applies the settings of the current combination to a new song. If inspiration for a phrase or song strikes you while you’re playing a combination, you can use this function to start recording immediately. Hold down the [ENTER] key and press the SEQUENCER [REC/WRITE] key. The “Setup to Record” dialog box will open and ask “Are you sure?”. Press “OK”. You will automatically enter Sequencer mode, and will be in the recordready state. Press the [START/STOP] key to start the sequencer and begin recording.
Producing songs (Sequencer mode) TRITON Extreme contains a 16-track MIDI sequencer. The sequencer acts as a hub, integrating TRITON Extreme’s numerous functions. When you turn off the power, the settings made in Sequencer mode and the song data, cue list data, and any user pattern data that you recorded will not be backed up. If you wish to keep this data, you must save it on media before turning off the power, or perform a MIDI data dump to save the data on an external data filer etc. If you wish to save the programs, track parameters, effects, and arpeggiator function settings etc. selected for a song as a template song, use the page menu command “Save Template Song.” Immediately after the power is turned on, TRITON Extreme will not contain any cue list data or song data, so if you wish to playback a song on the sequencer, you must first load data from media or receive a MIDI data dump from a MIDI filer (☞p.121, PG p.163, 176) Features of the sequencer • The sequencer lets you record a maximum of 200,000 events (note data etc.), up to 200 songs, and as many as 999 measures per song. • Up to 20 cue lists can be created. A cue list is an arrangement of up to 99 songs that will be played as a chain. You can specify the number of times that each song will repeat. A cue list can also be converted into a single song. • The arpeggiator function can be used during playback or recording. • The RPPR (Realtime Pattern Play/Recording) function can be used during playback or recording. • Sixteen different template songs are built-in, and contain program and effect settings suitable for various musical styles. Up to sixteen original templates that you create can be saved as user template songs. • Five stereo insert effects, two master effects, stereo master EQ, and a Valve Force can be used for each song. • Timing resolution is a maximum of /192. • Sixteen tracks are provided for MIDI data, and a master track contains time signature and tempo data that controls the playback. • A track play loop function lets you loop specified measures independently for each track. • 150 preset patterns ideal for drum tracks are built in. In addition, you can create up to 100 user patterns for each song. These patterns can be used as musical data within a song, or can be played by the RPPR function. • Various methods of recording are supported, including realtime recording in which your performance on the keyboard and controllers (including MIDI control events, MIDI exclusive messages) is recorded just as you play, and step recording in which the timing, length, and velocity of each note can be specified in the LCD as you input the pitches from the keyboard. • The musical data and control events that you recorded can be edited in various ways (including event editing and many other edit commands). • Exclusive messages (including XG and GS format data) received from an external MIDI device, or parameter changes you create by editing track parameters, can now be recorded in realtime on any track. You can also use the page menu command “Put Effect Setting (MIDI Exclusive) to Track” to record effect parameter settings into the desired location. During playback, you can send this data to an external MIDI device or use it to control song track parameters or effect parameters. Standard MIDI Files (SMF) containing system exclusive messages can be loaded in from disk, preserving the exclusive data. • “Tone Adjust” parameter let you make temporary adjustments to the sound of the program used by a track, while leaving the original program unchanged. While creating a song, you can use this capability to make changes in realtime by (for example) softening the tone of the bass sound or sharpening the attack of the strings without having to return to Program mode and edit the program itself. • When the “Status” of a track is set to INT or BTH, an external sequencer can be used to play TRITON Extreme as a multi-timbral tone generator. When the “Status” of a track is set to BTH, EXT, or EXT2, the sequencer of TRITON Extreme can play external tone generators. • Playback can be synchronized with an external MIDI device. • TRITON Extreme’s AMS (Alternate Modulation) capability lets you use control changes for realtime control of the parameters of the programs used in a program. Its MIDI Sync abilities let you synchronize the LFO speed to changes in the tempo. • Dmod (Dynamic Modulation) functionality lets you control effect parameters in realtime. You can also use MIDI Sync to synchronize the LFO speed or delay time to changes in the tempo. • You can assign names not only to the song, but also to each pattern and track. • Combination and Program settings can be copied to a song. • Sequencer data such as a song or cue list that you create can be saved in TRITON Extreme’s native format, or transmitted as a MIDI data dump. • A song you created can be converted into SMF (Standard MIDI File) data. SMF songs can also be loaded. • The “PLAY/MUTE/REC” and “SOLO On/Off” let you instantly play/mute any desired track on the fly. • You can rewind or fast-forward while listening to the sound. • The [LOCATE] key lets you move quickly to a desired location. • Multisamples you create can be played back together with internal programs in Sequencer mode. The Time Slice function of Sampling mode lets you divide a rhythm loop sample and create performance data that corresponds to the divided samples. In Sequencer mode you can play this performance data, and adjust the playback tempo without affecting the pitch of the rhythm loop sample. You can also exchange the note numbers of the data, or modify the timing to freely re-create new rhythm loops. • The TRITON Extreme provides an In-Track Sampling function which lets you sample an external audio source while the song plays back, and will automatically create note data to trigger that sample at the appropriate point during the playback of the track. • When you’ve created a song, you can resample it to media and turn it into an original audio CD by using Media mode to burn the song to a CD-R/RW drive connected to the USB A connector. 39 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
Page 1 and 2: E 2
Page 3 and 4: Table of Contents About this manual
Page 5 and 6: Main features The TRITON Extreme is
Page 7 and 8: Front and rear panel Front panel 1
Page 9 and 10: Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41: You can also enter these values by
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94:
Settings for the entire TRITON Extr
Page 95 and 96:
pitch change speed, volume, the pan
Page 97 and 98:
6 Use “High Drumsample Bank,”
Page 99 and 100:
4 Adjust the settings of the variou
Page 101 and 102:
Combination D062: Old Vox Organ Alt
Page 103 and 104:
• Tone: At each step, a chord con
Page 105 and 106:
8 Input the open hi-hat (Tone03). S
Page 107 and 108:
Effect and Valve Force settings The
Page 109 and 110:
Master effects The input levels to
Page 111 and 112:
AUDIO INPUT effect settings In Prog
Page 113 and 114:
Valve Force settings Valve Force is
Page 115 and 116:
If you want to route the sound thro
Page 117 and 118:
Loading and saving data, creating a
Page 119 and 120:
Assigning a name (Rename) You can m
Page 121 and 122:
Saving on media Media, Save For det
Page 123 and 124:
Using the TRITON Extreme as a data
Page 125 and 126:
Loading data Media, Load The types
Page 127 and 128:
Loading data by individual item or
Page 129 and 130:
In “Drive,” select your CD-R/RW
Page 131 and 132:
Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
Page 135 and 136:
Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
Page 139 and 140:
MIDI The TRITON Extreme does not re
Page 141 and 142:
Media that can be used with the TRI
Page 143 and 144:
User interface TouchView graphical
Page 145 and 146:
Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148:
T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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