TRITON Extreme Operation Guide - Platinum Audiolab

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iv Use sampled Wave files to create an audio CD and play it: Media, Make Audio CD, Play Audio CD .......... 123 Editing a Wave file: Media, Edit WAVE.................... 125 Viewing information about media: Media, Media Info................................................................... 125 Handling CompactFlash and Microdrive media...... 125 Restoring the factory settings...................127 Restoring the factory settings ...................................... 127 Loading the EXB-MOSS data....................................... 128 Other functions .......................................129 Setting the function of [SW1] and [SW2] ................... 129 Setting the B-mode functions of REALTIME CONTROLS [1]–[4].................................................... 129 Adjusting the contrast (brightness) of the LCD screen ................................................................. 129 Using tap tempo control............................................... 130 Shortcuts ......................................................................... 130 Appendices.............................................131 Troubleshooting ............................................................ 131 Media that can be used with the TRITON Extreme . 137 Specifications and options ........................................... 138 Options............................................................................ 139 System requirements for computer connection........ 139 MIDI implementation chart......................................... 140 Index................................................................................ 141
Main features The TRITON Extreme is a music workstation/sampler that features the HI (Hyper Integrated) synthesis system as its tone generator. It provides high-quality preset multisamples/programs/ combinations together with a broad range of integrated features such as an effect section, 16-track MIDI sequencer, sampling, dual polyphonic arpeggiators, RPPR, four-channel audio input/six-channel audio output, and song play functionality. You can modify the sound in realtime by using a wide range of performance controllers such as the joystick, ribbon controller, REALTIME CONTROLS and ARPEGGIA- TOR knobs, and pedals that you connect. You can also expand the TRITON Extreme’s capabilities by installing the MOSS modeling synthesizer or by adding more sample memory (RAM). The TRITON Extreme music workstation is a powerful tool for music production or live performance. HI (Hyper Integrated) synthesis system The HI (Hyper Integrated) synthesis system is a PCM tone generator system with full digital signal processing that guarantees pristine sound, and featuring enormous flexibility in musical expression, modulation, and effect routing. * The TRITON Extreme contains an analog vacuum tube circuit (Valve Force). When you use Valve Force, the signal is converted into analog form at that point. Tone generator section: • 160 Mbytes of preset PCM ROM contains 962 multisamples and 1,175 drumsamples. • The TRITON Extreme is shipped with 16 Mbytes of RAM (you can expand this to a maximum of 96 Mbytes), letting you use samples or multisamples you sampled/resampled or loaded in Media mode. • The sampling frequency is 48 kHz, and the maximum polyphony is 60 voices (a maximum of 120 voices can be used depending on the PCM sounds you use). Filter/synthesis section: • Either a 24 dB/oct Resonant Low Pass or a 12 dB/oct Low Pass & High Pass type filter can be used. A wide variety of filter effects can be achieved, from active sounds with aggressive resonance to subtle tones using a high pass filter. • A broad range of editing parameters gives you precise control over every aspect of the sound. Effect section: • Five insert effects (stereo-in/stereo-out), two master effects (mono-in/stereo-out), and a three-band master EQ (stereo-in/stereo-out) can all be used simultaneously. You can select and edit any of 102 types of effect algorithms. • The effect routing is highly flexible. Effects can be routed freely to the individual inputs and outputs. Introduction Alternate Modulation and Effect Dynamic Modulation: • The synthesis section (filter etc.) provides Alternate Modulation capabilities, and the effect section provides Effect Dynamic Modulation. This allows you to freely apply modulation to parameters that affect the pitch, filter, amp, EG, LFO, and effects etc. • LFO, delay time and other effect parameters can be synchronized to an external MIDI clock. You can also synchronize sounds and effects to the tempo of the internal sequencer or the arpeggiator. Valve Force circuit: • This section includes an analog low-frequency boost circuit plus a vacuum tube amp that uses a 12AU7 (ECC82) vacuum tube. One vacuum tube is used to support stereo-in/stereo-out. Proprietary Korg technology is used to generate warm and powerful sound with the rich overtones and smooth distortion typical of vacuum tubes, while retaining clarity and definition. Programs and combinations Programs: • In addition to 1,536 user programs, 256 programs (and 9 drum kits) for GM2 compatibility are provided as ROM presets. You can use a rich array of editing parameters, effects, Valve Force, and the arpeggiator to modify the 1,536 user programs and create your own original programs. When the TRITON Extreme is shipped from the factory, user memory contains 1,344 high-quality programs that cover a wide range of needs. When the EXB-MOSS option is installed, 128 programs for use with the Korg MOSS tone generator will also be available. • The TRITON Extreme provides 144 user drum kits as well as 9 ROM drum kits compatible with GM2. The factory settings contain 50 preloaded drum kits that cover a wide range of musical styles. You can create your own drum kits by assigning each key to any one of the 1,175 drum samples or to an original sample that you sampled or loaded in from media. For the sound assigned to each key, you can make filter and amp settings, and even route the sound to effects or individual audio outputs. • You can easily create programs using multisamples or samples that you yourself sampled/resampled or loaded in Media mode. You can then use these programs in combinations and songs. You can also use samples as drum instruments in a drum kit. Combinations: • The TRITON Extreme provides 1,536 user combinations. Each combination can combine up to eight layered/split/velocity-switched programs, together with settings for effects, the Valve Force circuit, and the two arpeggiators. Combinations let you create very complex sounds that could not be produced by a program alone. You can also use an external sound module as part of a combination. When the TRITON Extreme is shipped, user memory contains a versatile range of 1,280 preloaded combinations. 1 Introduction Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
Page 1 and 2: E 2
Page 3: Table of Contents About this manual
Page 7 and 8: Front and rear panel Front panel 1
Page 9 and 10: Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56:
Decide on the number of measures, i
Page 57 and 58:
Creating and playing a Cue List A c
Page 59 and 60:
Creating and recording RPPR (Realti
Page 61 and 62:
Set “Gate” and “Velocity” t
Page 63 and 64:
When using the “Copy From Program
Page 65 and 66:
Features of sampling on the TRITON
Page 67 and 68:
Samples and Multisamples Samples Th
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4 For Input1 and Input2, set “BUS
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In Program, Combination, and Sequen
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Creating multisample indexes and sa
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7 In the P8: Insert Effect, Insert
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8 Adjust the recording level. Press
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4 Choose “REC Audio Input.” 5 M
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Sample (waveform data) editing Edit
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5 Press the OK button. The sample w
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4 Connect your guitar to the rear p
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ight of the display) below +0.0 to
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SMF (Standard MIDI File) playback I
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Playback using the Jukebox function
Page 93 and 94:
Settings for the entire TRITON Extr
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pitch change speed, volume, the pan
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6 Use “High Drumsample Bank,”
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4 Adjust the settings of the variou
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Combination D062: Old Vox Organ Alt
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• Tone: At each step, a chord con
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8 Input the open hi-hat (Tone03). S
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Effect and Valve Force settings The
Page 109 and 110:
Master effects The input levels to
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AUDIO INPUT effect settings In Prog
Page 113 and 114:
Valve Force settings Valve Force is
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If you want to route the sound thro
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Loading and saving data, creating a
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Assigning a name (Rename) You can m
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Saving on media Media, Save For det
Page 123 and 124:
Using the TRITON Extreme as a data
Page 125 and 126:
Loading data Media, Load The types
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Loading data by individual item or
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In “Drive,” select your CD-R/RW
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Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
Page 135 and 136:
Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
Page 139 and 140:
MIDI The TRITON Extreme does not re
Page 141 and 142:
Media that can be used with the TRI
Page 143 and 144:
User interface TouchView graphical
Page 145 and 146:
Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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