TRITON Extreme Operation Guide - Platinum Audiolab

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30 Arpeggiator settings P7: Edit-Arpeggiator Here you can make arpeggiator settings (☞p.94). Insert Effect settings P8: Edit-Insert Effect Here you can select insert effects and make settings for them. You can also specify the oscillator routing (the signal sent to the insert effects, master effects, and independent outputs) (☞p.104). Master Effect and Valve Force settings P9: Edit-Master Effect Here you can select master effects and make settings for them. The master EQ is also set here (☞p.105, 109). More about Alternate Modulation Alternate Modulation is a type of modulation that can be used to control various aspects of the sound. AMS (Alternate Modulation Source) refers to any of the numerous sources that can provide alternate modulation, and includes controllers that you operate physically such as the joystick and realtime controllers, incoming MIDI data, as well as modulators such as the EG or LFO. Since TRITON Extreme allows you to apply modulation to a modulator, this type of control is referred to as “alternate modulation.” Intensity is a parameter that sets the degree (speed or depth) to which AMS will control alternate modulation. Combinations of modulations that are frequently used in synthesizer performance (such as using the joystick to vary the pitch) are also provided as special parameters separate from alternate modulation. TRITON Extreme provides 29 types of alternate modulation. In single mode you can use 29 alternate modulation destinations of 29 types, and in double mode you can use 55 alternate modulation destinations of 29 types. There are 42 AMS sources. (However depending on the type of modulation, some sources cannot be selected.) For details on alternate modulation and AMS, refer to PG p.271. Suggestions on using alternate modulation When making settings for alternate modulation, think of the effect that you wish to produce, what type of modulation will be necessary to produce that effect, and what parameter of the oscillator, filter, or amplifier needs to be controlled. Then select a source (“AMS”) and set the “Intensity.” If you proceed logically in this way, you will achieve the desired effect. For example if you want to “control a guitar-like sound so that it appears to be approaching feedback when the joystick is moved away,” you will make settings so that the joystick controls filter modulation or the resonance level. Auto Song Setup function This function automatically applies the settings of the current program to a song. If inspiration for a phrase or song strikes you while you’re playing a program or combination, you can use this function to start recording immediately. Hold down the [ENTER] key and press the SEQUENCER [REC/WRITE] key. The “Setup to Record” dialog box will open and ask “Are you sure?”. Press “OK”. You will automatically enter Sequencer mode, and will be in the recordready state. Press the [START/STOP] key to start the sequencer and begin recording.
Playing and editing combinations Combination structure When the TRITON Extreme is shipped from the factory, it contains 1,280 combinations. You can create your own original combinations by editing these factory-set combinations, or by initializing a combination and starting “from scratch.” You can play a combination and resample your performance, or sample an external audio source while listening to the sound of a combination. Each of the rewritable banks A–E and H–N contain 128 combinations (total 1,536). When shipped, banks A–D and H–M contain preloaded combinations. Combination banks Bank Combi. No. Explanation A...D, H...M 000...127 Preloaded combinations E 000...127 User (initial) combinations EXB-MOSS combinations N 000...127 User (initial) combinations ☞ For details on the factory-set combinations, refer to “VNL.” P0: Play is where you select and play combinations. Here you can also make changes to the contents of each timbre, adjust the volume and pan, and make simple adjustments to the arpeggiator settings. In the P1: Edit-Prog./Mixer–P9: Edit-Master FX pages you can modify the sound by editing the various parameters of the combination you selected in P0: Play. Combination structure and corresponding pages Timbre1 Parameters Timbre2 Timbre3 Timbre4 Timbre8 Program Program Program Program Program Parameters Parameters Parameters Parameters Timbre Routing : P8-1 Insert Effect Master Effect Individual Outputs (Combination Mode) Insert Effect 1 ... 5 : P8 Combination mode page structure Page Explanation P0: Play Select a combination; select a program for each timbre; set the status, pan, and level; select and set the arpeggio pattern, make settings for sampling. P1: Edit-program/ Mixer Select a program for each timbre, and set pan and level. (These are common to the parameters in P0, and can be edited from either page.) P2: Edit-Trk Param Set various parameters for each timbre, such as MIDI, OSC, Pitch etc. P3: Edit-MIDI Filter MIDI transmission/reception filter settings for each timbre. P4: Edit-Zone/Ctrl Key zone and velocity zone settings for each timbre. Make controller settings. If the separately sold EXB-MOSS option is installed, set related parameters. P5: --- P6: --- P7: Edit- Arpeggiator Arpeggiator settings. (These are common to the parameters in P0, and can be edited from either page.) P8: Edit-Insert FX Select insertion effects and make settings. Specify the timbre routing (send levels to the insertion effects, master effects, and independent outputs). P9: Edit-Master FX Select master effects and make settings. Make settings for the master EQ and Valve Force. For details on how to access each mode and page, refer to “Basic operation” (☞p.13). If the EXB-MOSS option is installed, bank F programs will be available for you to select as a timbre in the combination. For details on the parameters of bank F programs, refer to the EXB-MOSS owner’s manual. You can perform sampling/resampling in Combination mode (☞p.80). You can also apply the TRITON Extreme’s effects to an external audio input, for a wide range of possibilities. (☞p.107, 111) Master Effect 1, 2 : P9 Master EQ : P9 Placement: Insert (Use Indiv.3/4 BUS) Valve Force : P9 Controller Setup : P4- 4 Arpeggiator : P7 Valve Force : P9 Placement: Final AUDIO OUTPUT L/MONO, R AUDIO OUTPUT INDIVIDUAL 1, 2 P1–1 and P2–2 etc. indicate the page tab screens used when editing on the TRITON Exterme. 3, 4 31 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
Page 1 and 2: E 2
Page 3 and 4: Table of Contents About this manual
Page 5 and 6: Main features The TRITON Extreme is
Page 7 and 8: Front and rear panel Front panel 1
Page 9 and 10: Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33: Amp1 Mod. page Keyboard Track This
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86:
4 Connect your guitar to the rear p
Page 87 and 88:
ight of the display) below +0.0 to
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SMF (Standard MIDI File) playback I
Page 91 and 92:
Playback using the Jukebox function
Page 93 and 94:
Settings for the entire TRITON Extr
Page 95 and 96:
pitch change speed, volume, the pan
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6 Use “High Drumsample Bank,”
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4 Adjust the settings of the variou
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Combination D062: Old Vox Organ Alt
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• Tone: At each step, a chord con
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8 Input the open hi-hat (Tone03). S
Page 107 and 108:
Effect and Valve Force settings The
Page 109 and 110:
Master effects The input levels to
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AUDIO INPUT effect settings In Prog
Page 113 and 114:
Valve Force settings Valve Force is
Page 115 and 116:
If you want to route the sound thro
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Loading and saving data, creating a
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Assigning a name (Rename) You can m
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Saving on media Media, Save For det
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Using the TRITON Extreme as a data
Page 125 and 126:
Loading data Media, Load The types
Page 127 and 128:
Loading data by individual item or
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In “Drive,” select your CD-R/RW
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Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
Page 135 and 136:
Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
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MIDI The TRITON Extreme does not re
Page 141 and 142:
Media that can be used with the TRI
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User interface TouchView graphical
Page 145 and 146:
Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148:
T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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