TRITON Extreme Operation Guide - Platinum Audiolab

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IMPORTANT NOTICE TO CONSUMERS This product has been manufactured according to strict specifications and voltage requirements that are applicable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is intended to be used in the country in which you reside. WARNING: Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer’s or distributor’s warranty. Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer’s or distributor’s warranty. KORG INC. 15 - 12, Shimotakaido 1 - chome, Suginami-ku, Tokyo, Japan. © 2004 KORG INC. 1602 GTH Printed in Japan
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
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Connections Connections must be mad
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6. Inserting and removing CF card s
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Program structure Playing and editi
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4 When you are satisfied with the s
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Note Number Varying amounts of an e
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3 Adjust the “Lvl” (Level) for
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Filter settings P3: Edit-Filter The
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Amp1 Mod. page Keyboard Track This
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Playing and editing combinations Co
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Easy arpeggiator editing Arpeggio P
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Settings for status, MIDI channel,
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You can also enter these values by
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Producing songs (Sequencer mode) TR
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Sequencer mode page structure Page
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Recording methods This section desc
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When simultaneously recording multi
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Using “Put Effect Setting to Trac
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9 Press the OK button. Now when you
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Decide on the number of measures, i
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Creating and playing a Cue List A c
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Creating and recording RPPR (Realti
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Set “Gate” and “Velocity” t
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When using the “Copy From Program
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Features of sampling on the TRITON
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Samples and Multisamples Samples Th
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4 For Input1 and Input2, set “BUS
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In Program, Combination, and Sequen
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Creating multisample indexes and sa
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7 In the P8: Insert Effect, Insert
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8 Adjust the recording level. Press
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4 Choose “REC Audio Input.” 5 M
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Sample (waveform data) editing Edit
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5 Press the OK button. The sample w
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4 Connect your guitar to the rear p
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ight of the display) below +0.0 to
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SMF (Standard MIDI File) playback I
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Playback using the Jukebox function
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Settings for the entire TRITON Extr
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pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127 and 128: Loading data by individual item or
Page 129 and 130: In “Drive,” select your CD-R/RW
Page 131 and 132: Restoring the factory settings The
Page 133 and 134: Setting the function of [SW1] and [
Page 135 and 136: Troubleshooting If you experience p
Page 137 and 138: Program, Combination Settings for o
Page 139 and 140: MIDI The TRITON Extreme does not re
Page 141 and 142: Media that can be used with the TRI
Page 143 and 144: User interface TouchView graphical
Page 145 and 146: Index Numerics 10’s Hold 4, 13, 2
Page 147: T Tab 9, 13 Tap tempo 7, 74, 90, 13
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