TRITON Extreme Operation Guide - Platinum Audiolab

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10 Overview of the TRITON Extreme’s modes The TRITON Extreme has a large number of functions that let you play and edit programs and combinations, record and play sequence data, record and play back samples, and manage data on media. The largest unit used to organize these functions is called a mode. The TRITON Extreme has seven modes. Program mode • Select and play programs You can choose programs from rewritable banks A–F and H–N which contain a total of 1,664 programs, and non-rewritable bank G (256 programs compatible with the GM2 standard, and nine drum programs). (The 128 programs of bank F can be selected only if the EXB-MOSS option has been installed.) • Sample or resample. For example you can sample an external audio source while listening to the performance of the arpeggiator, or resample a performance you play using a program. • Edit a program Make settings for the oscillator, filter, amp, EG, LFO, effects, valve force, and arpeggiator. CD-R/RW CD-ROM Write Audio CD Ripping SAMPLING MODE Resampling Resampling AUDIO INPUT 1 S/P DIF IN L IFX 1 IFX 2 IFX 3 Sample Sample Sample Sample AUDIO INPUT 2 S/P DIF IN R Insert Effect / Valve Force IFX 4 IFX 5 Valve Force Multisample Multisample GLOBAL MODE DRUM KIT Key Assign MEDIA MODE Sample Sample Sample Drumsample / Sample - H Drumsample / Sample - L ARPEGGIATOR PATTERN Preset Arpeggio Pattern: P0 - 4 User Arpeggio Pattern: U00 - 506 Media The following multisamples are available for the oscillator. • 962 internal multisamples (160 Mbytes) • Multisamples (RAM) that you sampled on the TRITON Extreme or loaded in from media (maximum of 96 Mbytes) • Create drum programs using a drum kit (created in Global mode) Combination mode • Select and play combinations A combination is a set of two or more programs (up to a maximum of eight), and allows you to produce complex sounds that could not be created by an individual program. You can choose combinations from rewritable banks A–E and H–N which contain a total of 1,536 combinations. • Sample or resample. For example you can sample an external audio source while listening to the performance of the arpeggiators, or resample a performance you play using a combination. • Edit a combination Make settings for volume, pan, layer/split etc. for each timbre (program), and make settings for effects, valve force and the two arpeggiators. PROGRAM OSC 1 OSC 2 Multisample - H Drum Kit Multisample - L PITCH1 FILTER1 AMP1 Multisample - H Multisample - L PITCH2 FILTER2 AMP2 COMBINATION TIMBRE 1 PROGRAM TIMBRE 2 PROGRAM TIMBRE 3 PROGRAM TIMBRE 4 PROGRAM TIMBRE 5 PROGRAM TIMBRE 6 PROGRAM TIMBRE 7 PROGRAM TIMBRE 8 PROGRAM SEQUENCER / SONG PLAY TRACK 1 PROGRAM TRACK 9 PROGRAM TRACK 2 PROGRAM TRACK 10 PROGRAM TRACK 3 PROGRAM TRACK 11 PROGRAM TRACK 4 PROGRAM TRACK 12 PROGRAM TRACK 5 PROGRAM TRACK 13 PROGRAM TRACK 6 PROGRAM TRACK 14 PROGRAM TRACK 7 PROGRAM TRACK 15 PROGRAM TRACK 8 PROGRAM TRACK 16 PROGRAM Insert / Master Effect / Valve Force IFX 1 MFX 1 IFX 2 MFX 2 IFX 3 IFX 4 MEQ IFX 5 Valve Force Arpeggiator Insert / Master Effect / Valve Force IFX 1 MFX 1 IFX 2 MFX 2 IFX 3 IFX 4 MEQ IFX 5 Valve Force Arpeggiator - A Arpeggiator - B Insert / Master Effect / Valve Force IFX 1 MFX 1 IFX 2 MFX 2 IFX 3 IFX 4 MEQ IFX 5 Valve Force Arpeggiator - A Arpeggiator - B Only SEQ
Sequencer mode • Use the 16-track MIDI sequencer to record and play songs. • Record onto the sixteen MIDI tracks individually or all sixteen tracks at once. Exclusive messages can also be recorded and edited. • Perform sampling/resampling. An external audio input source can be sampled in synchronization with the song playback. When doing so, you can automatically create a note event that will be used to trigger the resulting sample, letting you record an external audio source just as if you were recording onto an audio track. (This is called the “In-track Sampling” function.) You can also resample the playback of a song. After resampling your song to media, you can then use Media mode to write the song to a CD-R/RW drive connected to the TRITON Extreme’s USB A connector, creating your own audio CD. • Make effect and Valve Force settings for a song. • You can record a performance that uses the arpeggiator(s) into a song or pattern. • You can use a cue list to create an arrangement using individual songs for each verse, chorus, bridge, etc., and specify the number of repeats for each song. • You can use a maximum of 20 cue lists, 200 songs, and 100 preset patterns. One song can use as many as 100 patterns. • The TRITON Extreme can be used as a 16-part multitimbral tone generator. • Perform using the RPPR (Realtime Pattern Play/ Recording) function, and adjust the various settings. Song Play mode • SMF (Standard MIDI File) data can be played back from a media, and you can perform along with the playback. • Make effect and valve force settings for use in Song Play mode. • The arpeggiator can be used while you play along with the SMF playback. • SMF songs can be played back in succession. You can use the jukebox function to playback songs in any specified order. Sampling mode • Sample external audio sources (i.e., record samples). Insert effects, valve force can be applied to the external input sound while you sample. • Edit the waveform data you sampled or waveform data that you loaded in from media, and set loop points etc. • Edit multisamples consisting of two or more samples. • A multisample can be converted into a program, so that a multisample created in Sampling mode can be used in the Program, Combination, Sequencer, or Song Play modes. • “Rip” (directly sample) digital data from an audio CD in a CD-R/RW drive connected to the USB A connector. You can also play back audio CDs. Global mode • Make settings that affect the entire TRITON Extreme, such as master tune and global MIDI channel. • Create user drum kits (144 kits), user arpeggio patterns (507 patterns), and user scales (16 one-octave scales and 1 all-note scale). • Create drum kits using the 1,171 internal drum samples (ROM). You can also use RAM samples that you created on the TRITON Extreme or loaded from media. • Rename program and combination categories. • Set the function of the assignable pedals and assignable switches. • Transmit data dumps of MIDI exclusive data. Media mode • Data of each mode can be saved and loaded using CompactFlash or Microdrive media. • Format the above types of media. You can also manage data by copying it, etc. • Korg, AKAI, AIFF, and WAVE format sample data can be loaded. Sample data can also be saved in Korg format, or exported in AIFF or WAVE formats. • Songs that you created in Sequencer mode can be saved in SMF format. SMF files can be loaded as Sequencer mode songs. • You can use the Data Filer function (to save/load MIDI exclusive data). • Edit Wave files. • Specify the song order of Wave files and use a CD-R/ RW drive connected to the USB A connector to create an audio CD. You can also play back audio CDs. • Use a computer connected to the USB B connector to manage (e.g., copy or delete) data on media inserted in the TRITON Extreme’s CF card slot. (USB storage mode) 11 Introduction Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
Page 1 and 2: E 2
Page 3 and 4: Table of Contents About this manual
Page 5 and 6: Main features The TRITON Extreme is
Page 7 and 8: Front and rear panel Front panel 1
Page 9 and 10: Each time you press the [G] key whe
Page 11 and 12: Use an optical cable to connect thi
Page 13: f: Check box Each time you press a
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66:
Features of sampling on the TRITON
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Samples and Multisamples Samples Th
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4 For Input1 and Input2, set “BUS
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In Program, Combination, and Sequen
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Creating multisample indexes and sa
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7 In the P8: Insert Effect, Insert
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8 Adjust the recording level. Press
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4 Choose “REC Audio Input.” 5 M
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Sample (waveform data) editing Edit
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5 Press the OK button. The sample w
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4 Connect your guitar to the rear p
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ight of the display) below +0.0 to
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SMF (Standard MIDI File) playback I
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Playback using the Jukebox function
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Settings for the entire TRITON Extr
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pitch change speed, volume, the pan
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6 Use “High Drumsample Bank,”
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4 Adjust the settings of the variou
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Combination D062: Old Vox Organ Alt
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• Tone: At each step, a chord con
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8 Input the open hi-hat (Tone03). S
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Effect and Valve Force settings The
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Master effects The input levels to
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AUDIO INPUT effect settings In Prog
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Valve Force settings Valve Force is
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If you want to route the sound thro
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Loading and saving data, creating a
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Assigning a name (Rename) You can m
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Saving on media Media, Save For det
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Using the TRITON Extreme as a data
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Loading data Media, Load The types
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Loading data by individual item or
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In “Drive,” select your CD-R/RW
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Restoring the factory settings The
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Setting the function of [SW1] and [
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Troubleshooting If you experience p
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Program, Combination Settings for o
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MIDI The TRITON Extreme does not re
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Media that can be used with the TRI
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User interface TouchView graphical
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Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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