TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab
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134<br />
Volume of a recorded sample is too low/too high<br />
A sample that you resampled with “Recording Level”<br />
set at approximately –12.0 (dB) plays back at a lower<br />
volume than the volume at which you resampled it.<br />
→ Did you turn on the “Auto +12 dB On” setting when<br />
you resampled? ☞p.67<br />
→ If you resampled with “Auto +12 dB On” turned off,<br />
turn on “+12 dB” (Sampling mode Loop Edit page) for<br />
that sample.<br />
The playback volume of a sample is different than the<br />
volume at which it was resampled or sampled.<br />
→ If the sample playback is louder, did you set “Recording<br />
Level” above +0.0? If it is lower, did you set<br />
“Recording Level” below +0.0?<br />
The “Recording Level” setting affects the level of the<br />
sample data that is recorded, but it is not possible to<br />
monitor that level.<br />
→ If the sample playback is louder, is “Auto +12 dB On”<br />
turned on? If the playback is softer, is this setting<br />
turned off?<br />
→ If you resampled the playback of a song or your playback<br />
performance using a program, combination, or<br />
sample, or combined your performance with an external<br />
audio source and sampled the result, did you set<br />
“Recording Level” to approximately –12.0 dB and turn<br />
on the “Auto +12 dB On” setting? ☞p.67<br />
→ If you sampled only an external audio source, did you<br />
set “Recording Level” to approximately +0.0, and turn<br />
off “Auto +12 dB On”? ☞p.67<br />
Song or CD playback stops temporarily when you sample<br />
Is “Auto Optimize RAM” checked?<br />
→ If this is checked, RAM will be optimized automatically<br />
when sampling ends, meaning that the sound will<br />
stop when sampling ends. If a song is being played in<br />
Sequencer mode or if a CD is being played back, the<br />
playback will stop.<br />
There is a time lag after you press the SAMPLING [REC] key<br />
until you enter sampling-standby mode<br />
The length of time until you enter sampling-standby<br />
mode will depend on the state of the free space on the<br />
media (i.e., whether the free space is continuous or<br />
fragmented).<br />
When sampling to the media, pressing the SAMPLING<br />
[REC] key will cause the amount of space specified by<br />
“Sample Time” to be allocated within the media.<br />
→ You should set “Sample Time” slightly longer than the<br />
length that you will actually sample, and avoid specifying<br />
an excessively long sample time.<br />
Drum kits<br />
The pitch of a drum sample does not change<br />
You have left the “Assign” check box unchecked, and<br />
want to play the drum sample at the adjacent right a<br />
semitone lower, but the pitch does not change.<br />
→ If you have selected a drum program in Program<br />
mode, and then want to edit the drum kit in Global<br />
mode, go to the Program P2: Edit-Pitch, OSC1 Pitch<br />
Mod. page and set “Pitch Slope” to +1.0 before you<br />
enter Global mode.<br />
Arpeggiator<br />
Arpeggiator does not start<br />
Is the ARPEGGIATOR [ON/OFF] key turned on (lit)?<br />
If the arpeggiator does not start for a combination or<br />
song, make sure that “Arpeggiator Run” is checked,<br />
and that an arpeggiator is selected for “Assign.”<br />
☞p.96, PG p.49, 93, 149<br />
Is the “MIDI Clock” (Global P1: MIDI) parameter set<br />
to Internal? ☞PG p.162<br />
If the ARPEGGIATOR [ON/OFF] key does not<br />
respond in Global P6: User Arpeggio, you may have<br />
moved here from Sampling mode or Media mode.<br />
Effects<br />
Effects are not applied<br />
Have you selected effect program 000?<br />
→ Select an effect other than 000: No Effect for “IFX1–5”<br />
or “MFX 1, 2.”<br />
Are the “IFX 1–5 Off,” “MFX1 Off,” or “MFX2 Off”<br />
(Global P0: Basic page) settings checked? ☞p.89<br />
If you are in Combination, Sequencer, and Song Play,<br />
and master effects are not applied when you raise the<br />
“Send1” or “Send2” of the timbre/track, does “Return<br />
1” or “Return 2” from the master effect need to be<br />
raised? ☞p.105<br />
Alternatively, has “Send 1” or “Send 2” for each oscillator<br />
of the program used by the timbre/track been lowered?<br />
☞p.105<br />
The actual send level is determined by multiplying<br />
the send setting of each oscillator in the program with<br />
the send setting of the timbre/track.<br />
Have you routed the output to an insert effect?<br />
☞p.104, 105