TRITON Extreme Operation Guide - Platinum Audiolab

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132 If there is no sound in Program, Combination, Sequencer, Song Play, and Media modes, check that “Input,” “Level,” and “BUS (IFX/Indiv.) Select” are set correctly in Global P0: Basic Setup, Input/ Sampling page; or in the P0: Sampling pages of Program, Combination, or Sequencer modes; or in the Media mode Play Audio CD page. ☞p.64 If you are inputting sound to the AUDIO INPUT 1 and 2 jacks, make sure that the AUDIO INPUT [LEVEL] knob is raised. ☞p.65 If you are inputting sound to the AUDIO INPUT 1 and 2 jacks, is the [MIC/LINE] switch set appropriately? ☞p.64 If you are inputting the external source into the S/P DIF IN jack, is “System Clock” set to S/P DIF? ☞PG p.158 Is an unsupported format being input from the S/P DIF IN jack? → Please connect an instrument or digital audio device that is compatible with CP-1201 or S/P DIF. Is the correct sampling frequency being input from the S/P DIF IN jack? → Sampling frequencies of 48 kHz can be input. If you input an unsupported sampling frequency, noise will occur or a message of “S/P DIF Clock Error!” will be displayed. If “System Clock” is set to S/P DIF, and you want to switch the sampling frequency being input to the S/P DIF IN jack from 96 kHz to 48 kHz or from 48 kHz to 96 kHz, you must first make sure that the TRITON Extreme is not accessing data. You must also avoid touching the TRITON Extreme. Be especially careful not to switch the sampling frequency being input to the S/P DIF IN jack while the TRITON Extreme is accessing data (i.e., while sampling, or while loading/saving media, sample memory, or internal memory). You must also avoid switching the S/P DIF IN jack input during such times. Digital audio input is sometimes not heard for two or three seconds. Can’t hear an audio CD in a USB CD-R/RW drive connected to AUDIO INPUT Make sure that you have selected the Media mode Play Audio CD page or Sampling mode. Make sure that the audio outputs of your USB CD-R/ RW drive are connected to the AUDIO INPUT jacks. If your drive does not have output jacks, you won’t be able to monitor the sound. ☞p.64 Is the CD output being correctly input? → If you want to listen to the audio CD playback in the Media mode Play Audio CD page, set “Input (COMBI, PROG, SEQ, S.PLAY, MEDIA)” to Analog, and make the appropriate settings for “Level” and “BUS (IFX/ Indiv.) Select.” If you want to listen to the audio CD playback in Sampling mode, make these settings in “Input (SAMPLING).” ☞p.64 Is the “Volume” slider raised? (Media mode Play Audio CD page, Sampling P5: Audio CD, Ripping page) ☞PG p.139, 197 Has the CD been finalized? → A CD-R/RW disc that you wrote using the Media mode Make Audio CD page cannot be played in the Media mode Play Audio CD page or in Sampling mode unless you have finalized the disc. Execute the page menu command “Finalize Audio CD” to finalize the disc. ☞PG p.197 Excessive noise or distortion in the audio input or in the sampled sound If you are inputting to the AUDIO INPUT 1 and 2 jacks, are the AUDIO INPUT [LEVEL] knob and “Recording Level” setting appropriate? → If “Recording Level” indicates “ADC OVERLOAD !!,” adjust the [LEVEL] knob. If “CLIP!!” is displayed, adjust the “Recording Level” slider. Adjusting the “Recording Level” will not affect the level of the output sound, but will affect the level that is sampled. While watching the level meter, adjust “Recording Level” as high as possible without allowing “CLIP!!” to appear. ☞p.65 If you are inputting to the S/P DIF IN jack, are the level of the output device and the “Recording Level” set appropriately? → If “CLIP!!” appears, adjust the “Recording Level” slider. Is the system clock set correctly? → If cyclic click noise is occurring, check that you have selected the “System Clock” that is being input. ☞PG p.158 Noise or oscillation is heard When using an effect on the external audio source being input from AUDIO INPUT 1 and 2, oscillation may occur depending on the type of effect or on the parameter settings. Please adjust the input level, output level, and effect parameters. You need to be particularly careful when using a high-gain effect. After a sample edit has been executed, or after a stereo sample has been recorded, a small noise may be heard. This has no effect on the audio data that was edited or sampled. When using the BPM/MIDI Sync function to control the delay time of an effect, noise may occur in the delay sound. This noise is due to discontinuities in the delay sound, and is not a malfunction. Some effects such as 015: St.Analog Record generate noise intentionally. It is also possible to create oscillation using a 24 dB/oct LPF filter with resonance. These are not malfunctions. If you use Valve Force with “Placement” set to Insert, make sure that the Valve Force output destination (“BUS Sel.”) is not set to a bus or insert effect located at an earlier stage, since this would cause a feedback loop. (☞PG p.35, 54, 99, 141) Depending on the sound you are using, you may hear noise if you turn the Valve Force knobs or edit Valve Force parameters while sound is being produced. This is because the level changes in steps; it is not a malfunction.
Program, Combination Settings for oscillator 2 are not displayed Make sure that the “Oscillator Mode” (Program P1: Program Basic) parameter is set to Double. ☞PG p.9 A combination does not play correctly after you load data In the dialog box when you saved the data, did you check the items that you wanted to save? ☞PG p.187 Are the bank/numbers of the programs used by the combination the same as when the combination was created? Song A song does not play correctly after you load data In the dialog box when you saved the data, did you check the items that you wanted to save? ☞PG p.187 Are the programs used by the song the same as when the song was created? → When saving the song, it is best to use “Save All” or “Save PCG & SEQ” so that the programs are saved together with the song. Then when loading, load both the .PCG and the .SEQ data. ☞PG p.177, 187 Have you loaded the multisamples and samples used by the program? Does the demo song “S001: WinterVariations” not play correctly? → This song uses the preloaded User Octave Scale 15. In Global P0: Basic Setup, execute the “Load Preload/ Demo data” page menu command to select the “Global Setting.” ☞QS p.2, PG p.157 Playback does not start when you press the SEQUENCER [START/STOP] key in Sequencer mode Is the “MIDI Clock” (Global P1: MIDI) set to Internal? ☞PG p.162 Can’t record in Sequencer mode Is the Memory Protect “Song” check box (Global P0) unchecked? ☞PG p.159 Is the “MIDI Clock” (Global P1: MIDI) set to Internal? ☞PG p.162 The arpeggiator settings that were copied from a combination using “Copy From Combi” cannot be recorded in the same way as when they were played Have you checked “Multi REC”? (Sequencer P0: Play/ REC, Preference) ☞PG p.67 Depending on the settings of the combination, it may be necessary to adjust settings such as “Track Select,” “MIDI Channel,” “Status,” and “Arpeggiator Assign.” ☞PG p.59 → In the Copy from Combi dialog box, check the “Auto adjust Arp setting for Multi REC” option before you execute the copy. This will cause the settings to be adjusted automatically. ☞p.58 → The settings that are made automatically by “Auto adjust Arp setting for Multi REC” will be executed according to the ARPEGGIATOR [ON/OFF] key setting of the combination. If you want to turn on the arpeggiator in Sequencer mode and record the performance of a combination, make sure that the ARPEG- GIATOR [ON/OFF] key is turned on for the combination when you write it in Combination mode. Then execute the “Copy From Combi.” ☞p.58 RPPR does not start Is the Sequencer P0: Play/REC “RPPR” setting checked? ☞p.56 Are “Assign,” “Pattern Select,” and “Track” set correctly? ☞p.55, PG p.91 If the “MIDI Clock” (Global P1: MIDI) parameter set to Internal? ☞PG p.162 Can’t record exclusive data Is “Enable Exclusive” (Global P1: MIDI) checked? ☞p.46 In Song Play mode, a GM/GS/XG-compatible SMF is not played correctly Execute “GM Initialize” to initialize the settings. ☞PG p.144 Is “Bank Map” set to GM(2)? ☞PG p.158 Is “Status” set to INT? ☞PG p.146 Sampling Can’t sample Is sample memory (RAM) installed? ☞p.18 If you are sampling to media, have you selected media to which sampling is possible? ☞p.137, PG p.7, 112 Are the audio input settings correct? → Refer to “Audio input and output – Can’t input sound” ☞p.131 Is there free space in memory? ☞PG p.117, 203 → If you are sampling to sample memory (RAM), select a different memory bank. ☞PG p.6, 41, 64, 106 → If you are sampling to hard disk, select a different hard disk. ☞PG p.7, 41, 64, 112 → Delete unneeded samples. ☞PG p.108 → Save samples you want to keep, and then delete them. ☞PG p.108, 188 Is the “Trigger” setting correct? ☞PG p.5, 41, 63, 115 In Sampling mode if you are resampling with “Resample” set to Auto, has the sample to be resampled been assigned to the keyboard, and selected for “Key”? ☞p.70, PG p.113 Is the “Source BUS” setting correct? → If you want to listen to the performance of the internal tone generator while sampling only the external input sound (i.e., when using the In-Track Sampling function), you will normally set this to Indiv.1/2. For other types of sampling or resampling, set this to L/R. ☞p.65, PG p.4, 41, 63, 115 If a message of “Buffer underrun error occurred” is displayed frequently when you are sampling to hard disk, execute the page menu command “Check Medium” (Media, Utility page) to find and correct any errors on the selected MS-DOS format media. ☞PG p.193 A stereo sample can’t be played in stereo Is the multisample stereo? → Execute the page menu command “MS Mono To Stereo” to convert the multisample to stereo. ☞PG p.110 Is the sample name assigned correctly? ☞PG p.106 133 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other Appendices
Page 1 and 2:
E 2
Page 3 and 4:
Table of Contents About this manual
Page 5 and 6:
Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
Page 11 and 12:
Use an optical cable to connect thi
Page 13 and 14:
f: Check box Each time you press a
Page 15 and 16:
Sequencer mode • Use the 16-track
Page 17 and 18:
Basic operation 1. Selecting modes
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Connections Connections must be mad
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6. Inserting and removing CF card s
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Program structure Playing and editi
Page 25 and 26:
4 When you are satisfied with the s
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Note Number Varying amounts of an e
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3 Adjust the “Lvl” (Level) for
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Filter settings P3: Edit-Filter The
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Amp1 Mod. page Keyboard Track This
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Playing and editing combinations Co
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Easy arpeggiator editing Arpeggio P
Page 39 and 40:
Settings for status, MIDI channel,
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You can also enter these values by
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Producing songs (Sequencer mode) TR
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Sequencer mode page structure Page
Page 47 and 48:
Recording methods This section desc
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When simultaneously recording multi
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Using “Put Effect Setting to Trac
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9 Press the OK button. Now when you
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Decide on the number of measures, i
Page 57 and 58:
Creating and playing a Cue List A c
Page 59 and 60:
Creating and recording RPPR (Realti
Page 61 and 62:
Set “Gate” and “Velocity” t
Page 63 and 64:
When using the “Copy From Program
Page 65 and 66:
Features of sampling on the TRITON
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Samples and Multisamples Samples Th
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4 For Input1 and Input2, set “BUS
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In Program, Combination, and Sequen
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Creating multisample indexes and sa
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7 In the P8: Insert Effect, Insert
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8 Adjust the recording level. Press
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4 Choose “REC Audio Input.” 5 M
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Sample (waveform data) editing Edit
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5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127 and 128: Loading data by individual item or
Page 129 and 130: In “Drive,” select your CD-R/RW
Page 131 and 132: Restoring the factory settings The
Page 133 and 134: Setting the function of [SW1] and [
Page 135: Troubleshooting If you experience p
Page 139 and 140: MIDI The TRITON Extreme does not re
Page 141 and 142: Media that can be used with the TRI
Page 143 and 144: User interface TouchView graphical
Page 145 and 146: Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148: T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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