TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab TRITON Extreme Operation Guide - Platinum Audiolab
128 Loading the EXB-MOSS data After installing the EXB-MOSS, you will need to load the data for it. The TRITON Extreme contains preload data and demo song data for the EXB-MOSS. There are two ways to do this; you can load all of the TRI- TON Extreme’s preload data, or you can load the minimum amount of data while erasing as little as possible of the current data. If you load all data, all of the preload data will be erased, but you’ll need to perform only a single load operation. If you load only the minimum data, the rest of your current data will be preserved, but you’ll need to perform several load operations. Loading all data 1 Execute loading as described in “Restoring the factory settings.” If you are loading for the first time, you’ll probably want to set “Kind” to All (Preload PCG and Demo Song) so that the song data is loaded as well. If the EXB-MOSS is installed, data for the EXB-MOSS will be loaded automatically. 2 After you’ve executed the load operation, use Sequencer mode to listen to the EXB-MOSS demo song. For details on the data that is loaded, refer to the preceding page. Loading only the minimum data 1 Perform steps 1 and 2 described in “Restoring the factory settings” to access the “Load Preload/Demo Data” dialog box. 2 Specify the “Kind” and bank. Set “Kind”: Program, and “Bank”: F To F (see the illustration) EXB-MOSS programs can be loaded only into Bank F. 3 Press the OK button to execute loading. If you decide to cancel, press the Cancel button. When you press the OK button, a dialog box will ask you for confirmation. Press the OK button to execute loading. 4 As described in steps 1–3, load three more sets of data with “Kind” and the bank set as follows. “Kind”: Program, “Bank”: J To J “Kind”: Program, “Bank”: K To K “Kind”: Drum Kit, “Bank”: A/B To A/B “Kind”: Arpeggio Pattern, “Bank”: A/B To A/B “Kind”: Combination, “Bank”: E To E EXB-MOSS combinations are created using EXB- MOSS programs together with preload program banks J and K. This is why you need to load preload program banks J and K. The preload combination data for the EXB-MOSS is stored in Bank E, and will be available only if the EXB-MOSS is installed. 5 If you want load the demo song data, access the Load Preload/Demo Data dialog box, set “Kind” to All Demo Songs, and press the OK button to load the data. Since this method will load the following data, the data of these banks will be overwritten. Program: Bank J, K, F Combination: Bank E (000–063) Drum Kit: 000 (A/B)–015 (A/B) Arpeggio Pattern: U000 (A/B)–U199 (A/B) Demo Songs: S000–S003 The EXB-MOSS data will be loaded into Program Bank F000–127 and Combination Bank E000–063.
Setting the function of [SW1] and [SW2] You can specify the function of the [SW1] and [SW2] keys (☞PG p.279). The function of the [SW1] and [SW2] keys can be specified independently for each program, each combination, and each song. These functions can also be set independently for the entire mode in Sampling mode and Song Play mode. You can specify the function that will be performed by the [SW1] and [SW2] keys, and can also select between Toggle (when the function will be switched on/off each time the [SW1] or [SW2] key is pressed) and Momentary (when the function will be on only while you continue holding the [SW1] or [SW2] key). These settings are made by Panel Switch Assign in the following pages. Program P1: Edit-Basic, Controller Setup Combination P4: Edit-Zone/Ctrl, Control Song P4: Zone/Ctrl, Controller Setup Sampling mode P4: Controller Setup Song Play mode P2: Controller Setup An example of settings in a program When you write a program or combination, the on/ off status of the [SW1] and [SW2] keys is memorized. You can use these keys as alternate modulation or effect dynamic modulation sources, and control program parameters or effect parameters. In this case, you will normally select SW1 Mod.:CC#80 and SW2 Mod.:CC#81. For an example in which the [SW1] key is specified as an effect dynamic modulation source for a program and used to control an effect, refer to p.108. If you wish to keep these settings after the power is turned off, you must save them (☞p.114). However, the settings of Sampling mode cannot be saved. Other functions Setting the B-mode functions of REALTIME CONTROLS [1]–[4] You can specify the B-mode functions of REALTIME CONTROLS knobs [1]–[4] (☞PG p.280). The B-mode functions can be specified independently for each program, each combination, and each song. These functions can also be set independently for the entire mode in Sampling mode and Song Play mode. These settings are made in Realtime Control Knobs B- Assign of the respective page. (☞“Specifying the function of [SW1] and [SW2]”) You can use these knobs as sources for alternate modulation or effect dynamic modulation, and control program parameters or effect parameters. In this case, you will normally select Knob Mod.1:CC#17, Knob Mod.2:CC#19, Knob Mod.3:CC#20, and Knob Mod.4:CC#21. Here is an example of how knob [1] can be used to control the filter and amp EG attack of a program. 1 Press the [PROG] key to enter Program mode. 2 After pressing the [MENU] key, and press the P1: Edit-Basic. 3 Press the Controller tab. 4 Press the Realtime Control Knob B-Assign “Knob 1- B” popup button, and select F/A Attack. 5 Press the [REALTIME CONTROLS] key to select Bmode, and rotate knob [1]. The EG attack of the filter and amp will change. If you wish to keep these settings after the power is turned off, you must save them (☞p.114). However, the settings of Sampling mode cannot be saved. Adjusting the contrast (brightness) of the LCD screen Use the rear panel contrast knob to make adjustments. 129 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
- Page 81 and 82: Sample (waveform data) editing Edit
- Page 83 and 84: 5 Press the OK button. The sample w
- Page 85 and 86: 4 Connect your guitar to the rear p
- Page 87 and 88: ight of the display) below +0.0 to
- Page 89 and 90: SMF (Standard MIDI File) playback I
- Page 91 and 92: Playback using the Jukebox function
- Page 93 and 94: Settings for the entire TRITON Extr
- Page 95 and 96: pitch change speed, volume, the pan
- Page 97 and 98: 6 Use “High Drumsample Bank,”
- Page 99 and 100: 4 Adjust the settings of the variou
- Page 101 and 102: Combination D062: Old Vox Organ Alt
- Page 103 and 104: • Tone: At each step, a chord con
- Page 105 and 106: 8 Input the open hi-hat (Tone03). S
- Page 107 and 108: Effect and Valve Force settings The
- Page 109 and 110: Master effects The input levels to
- Page 111 and 112: AUDIO INPUT effect settings In Prog
- Page 113 and 114: Valve Force settings Valve Force is
- Page 115 and 116: If you want to route the sound thro
- Page 117 and 118: Loading and saving data, creating a
- Page 119 and 120: Assigning a name (Rename) You can m
- Page 121 and 122: Saving on media Media, Save For det
- Page 123 and 124: Using the TRITON Extreme as a data
- Page 125 and 126: Loading data Media, Load The types
- Page 127 and 128: Loading data by individual item or
- Page 129 and 130: In “Drive,” select your CD-R/RW
- Page 131: Restoring the factory settings The
- Page 135 and 136: Troubleshooting If you experience p
- Page 137 and 138: Program, Combination Settings for o
- Page 139 and 140: MIDI The TRITON Extreme does not re
- Page 141 and 142: Media that can be used with the TRI
- Page 143 and 144: User interface TouchView graphical
- Page 145 and 146: Index Numerics 10’s Hold 4, 13, 2
- Page 147 and 148: T Tab 9, 13 Tap tempo 7, 74, 90, 13
Setting the function of [SW1] and<br />
[SW2]<br />
You can specify the function of the [SW1] and [SW2] keys<br />
(☞PG p.279).<br />
The function of the [SW1] and [SW2] keys can be specified<br />
independently for each program, each combination, and<br />
each song. These functions can also be set independently<br />
for the entire mode in Sampling mode and Song Play<br />
mode.<br />
You can specify the function that will be performed by the<br />
[SW1] and [SW2] keys, and can also select between Toggle<br />
(when the function will be switched on/off each time the<br />
[SW1] or [SW2] key is pressed) and Momentary (when the<br />
function will be on only while you continue holding the<br />
[SW1] or [SW2] key).<br />
These settings are made by Panel Switch Assign in the following<br />
pages.<br />
Program P1: Edit-Basic, Controller Setup<br />
Combination P4: Edit-Zone/Ctrl, Control<br />
Song P4: Zone/Ctrl, Controller Setup<br />
Sampling mode P4: Controller Setup<br />
Song Play mode P2: Controller Setup<br />
An example of settings in a program<br />
When you write a program or combination, the on/<br />
off status of the [SW1] and [SW2] keys is memorized.<br />
You can use these keys as alternate modulation or<br />
effect dynamic modulation sources, and control program<br />
parameters or effect parameters.<br />
In this case, you will normally select SW1<br />
Mod.:CC#80 and SW2 Mod.:CC#81.<br />
For an example in which the [SW1] key is specified as an<br />
effect dynamic modulation source for a program and used<br />
to control an effect, refer to p.108.<br />
If you wish to keep these settings after the power is<br />
turned off, you must save them (☞p.114). However,<br />
the settings of Sampling mode cannot be saved.<br />
Other functions<br />
Setting the B-mode functions of<br />
REALTIME CONTROLS [1]–[4]<br />
You can specify the B-mode functions of REALTIME<br />
CONTROLS knobs [1]–[4] (☞PG p.280).<br />
The B-mode functions can be specified independently for<br />
each program, each combination, and each song. These<br />
functions can also be set independently for the entire<br />
mode in Sampling mode and Song Play mode.<br />
These settings are made in Realtime Control Knobs B-<br />
Assign of the respective page. (☞“Specifying the function<br />
of [SW1] and [SW2]”)<br />
You can use these knobs as sources for alternate modulation<br />
or effect dynamic modulation, and control<br />
program parameters or effect parameters.<br />
In this case, you will normally select Knob<br />
Mod.1:CC#17, Knob Mod.2:CC#19, Knob<br />
Mod.3:CC#20, and Knob Mod.4:CC#21.<br />
Here is an example of how knob [1] can be used to control<br />
the filter and amp EG attack of a program.<br />
1 Press the [PROG] key to enter Program mode.<br />
2 After pressing the [MENU] key, and press the P1:<br />
Edit-Basic.<br />
3 Press the Controller tab.<br />
4 Press the Realtime Control Knob B-Assign “Knob 1-<br />
B” popup button, and select F/A Attack.<br />
5 Press the [REALTIME CONTROLS] key to select Bmode,<br />
and rotate knob [1]. The EG attack of the filter<br />
and amp will change.<br />
If you wish to keep these settings after the power is<br />
turned off, you must save them (☞p.114). However,<br />
the settings of Sampling mode cannot be saved.<br />
Adjusting the contrast (brightness)<br />
of the LCD screen<br />
Use the rear panel contrast knob to make adjustments.<br />
129<br />
Program<br />
Combination<br />
Sequencer<br />
Sampling<br />
Song Play<br />
Global<br />
Effect<br />
Media, etc<br />
Preset<br />
Other