TRITON Extreme Operation Guide - Platinum Audiolab

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124 To add the file, press the Insert button. You can continue adding files until you press the Exit button. The files will be added to the track list in the order in which you selected them. If you want to add all the WAVE files in the directory, press the Insert All button. When you have finished adding files to the list, press the Exit button to close the dialog box. Notice that the WAVE files have been added to the track list. In this page as well, you can select a WAVE file and press the SAMPLING [START/STOP] key to play back the sample. To add other WAVE files to the track list, press the Insert button once again. If you want to add another track, select the WAVE file that follows the track you want to add. If you want to add the track to the end of the track list, select “====End====.” Then press the Insert button. To delete a WAVE file from the track list, select the WAVE file that you want to delete, and press the Cut button. Subsequent tracks will be moved forward in the list. For details on editing operations such as Clear and Swap Track, refer to PG p.195. 3 Insert a blank CD-R or CD-RW disk into the drive. In the Make Audio CD page, use “Media Select” to select your CD-R/RW drive. The CD-R/RW drive is shown as “CDD: Blank Disc.” An audio CD cannot be created on a disc that contains data other than audio (e.g., files). In this case, it will not be possible to select the page menu commands “Write to CD” or “Finalize Audio CD.” Even when the recommended CD-R/RW media is used, some audio CD players may be unable to play back the disc. Also, since some audio CD players are unable to play back CD-RW media, we recommend that you use CD-R media. 4 Select the page menu command “Write to CD” to access the dialog box, and specify how the CD will be written. Use “Speed” to set the writing speed. This will indicate the speeds supported by the CD-R/RW drive you are using. In this example, set “Speed” to 1x. Be aware that if you use a faster writing speed in a slower system, writing errors will occur. Use “Mode” to specify the writing method. Depending on the drive you are using, it may not be possible to write at the specified speed. We recommend that the first time you write, you select Test to perform a writing test in order to determine the speed capabilities of your drive. Test will not write data to the CD-R/RW media, but will perform all other processing just as when data is actually written. If an error occurs, the display will indicate “Error in writing to medium.” Press the OK button to execute the writing test. After verifying that data can be written correctly at the specified speed, select Write. “Execute finalize too” specifies whether Finalization will be executed after the audio tracks have been written to the CD-R/RW media. If finalization has been executed, the disc can be played back on a CD player, but it will no longer be possible to add more tracks. If you only want to execute finalization, execute “Finalize Audio CD.” 5 When you are ready to write to the CD-R/RW media, or to execute a writing test, press the OK button. To cancel without executing, press the Cancel button. When you press the OK button, the “Obey Copyright Rules” dialog box will appear. Carefully read “About copyright” (☞QS p.iii). If you accept the terms, press the OK button to write to the CD or to perform the test. If you do not accept the terms, press the Cancel button to cancel the operation. In order to avoid causing errors, do not subject the drive to physical shock or vibration while CD-R/RW media is being written. 6 An audio CD to which audio tracks have been written and which has been finalized can be played in the Play Audio CD page, allowing you to hear the CD you have created. Press the Play Audio CD tab to access the Play Audio CD page.
In “Drive,” select your CD-R/RW drive. “Drive” will indicate Audio CD. Make the following settings to allow monitoring. “Input”: Analog Input1 “BUS (IFX/Indiv.) Select” L/R, “Level” 127, “Pan” L000 Input2 “BUS (IFX/Indiv.) Select” L/R, “Level ”127, “Pan” R127 “Volume” 127 Use “Track” to select the track, and press the SEQUENCER [START/STOP] key to begin playback. If you’re using a drive that does not have audio output jacks or a headphone jack, you won’t be able to monitor the sound. Saving a track list that you have completed or partially edited The track list will be lost when the power is turned off. If you want to keep this data, you must save it. 1 In the Save page, select the directory in which you want to save the track list. 2 Select the page menu command “Save Audio CD Track List” to access the dialog box. 3 Press the OK button to save the data, or press the Cancel button to cancel without saving. Editing a Wave file: Media, Edit WAVE You can edit Wave files stored on media. This is a convenient way to edit large files to a size that can be loaded into the TRITON Extreme’s sample memory (RAM). • In the Load, Save, Utility, or Make Audio CD page, select the Wave file you want to edit and then access this Edit WAVE page. You cannot edit a Wave file that exceeds 230,400,000 samples (80 minutes at a 48 kHz sample rate). The sample rates of Wave files that can be edited are the same as the sample rates supported for KSF files. (☞PG p.317) Viewing information about media: Media, Media Info You can view information about the media selected by “Media Select.” You can also mount a device connected to the USB A connector. (☞PG p.203) Handling CompactFlash and Microdrive media Immediately after use, CompactFlash or Microdrive media may be at a high temperature. Before removing the media, power-off the TRITON Extreme and allow the temperature to cool down. CompactFlash and Microdrive media are precision devices. Do not bend them, subject them to excessive force or shock, or drop them. Microdrives in particular are prone to damage from vibration; handle them with care. Do not use or store these types of media in locations of extremely high or low temperature, in direct sunlight, in a closed automobile, near heating equipment, or in locations of excessive humidity or dust. Avoid using or storing these types of media in locations where there may be strong static electricity or electrical noise. Be careful not to let dust or dirt adhere to the terminals of the CompactFlash or Microdrive media. If the terminals should become soiled, wipe them lightly with a dry cloth. When not using media, protect it from static electricity by keeping it in the protective case that came with it. Keep media out of reach of infants or children, since they may place it in their mouth and possibly choke on it or swallow it. Carefully read the instructions included with the media. 125 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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E 2
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
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Connections Connections must be mad
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6. Inserting and removing CF card s
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Program structure Playing and editi
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4 When you are satisfied with the s
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Note Number Varying amounts of an e
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3 Adjust the “Lvl” (Level) for
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Filter settings P3: Edit-Filter The
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Amp1 Mod. page Keyboard Track This
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Playing and editing combinations Co
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Easy arpeggiator editing Arpeggio P
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Settings for status, MIDI channel,
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You can also enter these values by
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Producing songs (Sequencer mode) TR
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Sequencer mode page structure Page
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Recording methods This section desc
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When simultaneously recording multi
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Using “Put Effect Setting to Trac
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9 Press the OK button. Now when you
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Decide on the number of measures, i
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Creating and playing a Cue List A c
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Creating and recording RPPR (Realti
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Set “Gate” and “Velocity” t
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When using the “Copy From Program
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Features of sampling on the TRITON
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Samples and Multisamples Samples Th
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4 For Input1 and Input2, set “BUS
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In Program, Combination, and Sequen
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Creating multisample indexes and sa
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7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111 and 112: AUDIO INPUT effect settings In Prog
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127: Loading data by individual item or
Page 131 and 132: Restoring the factory settings The
Page 133 and 134: Setting the function of [SW1] and [
Page 135 and 136: Troubleshooting If you experience p
Page 137 and 138: Program, Combination Settings for o
Page 139 and 140: MIDI The TRITON Extreme does not re
Page 141 and 142: Media that can be used with the TRI
Page 143 and 144: User interface TouchView graphical
Page 145 and 146: Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148: T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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