TRITON Extreme Operation Guide - Platinum Audiolab

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108 About dynamic modulation (Dmod) Dynamic modulation (Dmod) is a function that lets you use MIDI messages or the <strong>TRITON</strong> <strong>Extreme</strong>’s controllers to control specific effect parameters in realtime. BPM/MIDI Sync is another function that controls effect parameters, and is used to synchronize the LFO speed of modulation-type effects or the delay time etc. of delaytype effects to the tempo of the arpeggiator or an external sequencer. For details on each of these functions, refer to PG p.276, 278. Setting example: We will show how you can use dynamic modulation to control an effect parameter in realtime. 1 As described in the procedure for “Effect settings for a program” (☞p.104), set “IFX1” to 049: L/C/R BPM Delay. Verify that a delay sound is being output. 2 Access the Program P8: Edit-Insert Effect, IFX1 page. Using Dmod to change the delay level by moving the joystick away from yourself 3 Set “Input Level Dmod” to +100. 4 Set “Src” to JS+Y: CC#01. The delay sound will disappear. The input level to the effect can be controlled by the joystick. As you move the joystick away from yourself, the delay sound will gradually increase. Using Dmod to modify the feedback level from [SW1] key 5 In P1: Edit-Basic, select the Controller Setup page, and set the function of “SW1” to SW1 Mod.: CC#80 (Toggle). 6 Return to P8. Set “Feedback Src” to SW 1: CC#80. 7 Set “Amt” to +30. When you (move the joystick away from yourself and) press the [SW1] key, the feedback level will increase, and the delay sound will continue for a longer time. The “Amt” setting specifies the feedback level that will be in effect when the [SW1] key is pressed. If “Amt” is set to –10, pressing the SW1 key will reduce the feedback level to 0. Using the BPM/MIDI Sync. function to synchronize the delay time to arpeggiator tempo changes. 8 Set “BPM” to MIDI. 9 For L, C, and R, set “Delay Base Note” and “Times” as desired. For this example, set “Delay Base Note” to and “Times” to x1 so that the effect will be easily understandable. The delay time will repeat at an interval of a 8th note. 0 Rotate the [TEMPO] knob, and the delay time will change. When you (push the joystick away from yourself and) press the [SW] key, the feedback level will rise, and the delays will become longer. A When you turn on the ARPEGGIATOR [ON/OFF] switch, the arpeggiator will begin playing. Select any desired arpeggio pattern. When you rotate the [TEMPO] knob, the delay time will change in synchronization with the changing tempo of the arpeggio. If you rotate the [TEMPO] knob to change the tempo while the delay is sounding, noise may occur in the delay sound. This is because the delay sound becomes discontinuous, and is not a malfunction. For some effects, you can synchronize the LFO frequency to the tempo. Set the effect parameters “BPM/MIDI Sync” to On, and “BPM” to MIDI. For details refer to PG p.278.
Valve Force settings Valve Force is an analog circuit that uses a 12AU7 (ECC82) vacuum tube. It uses a single vacuum tube to deliver stereo-in/stereo-out operation. By generating the rich overtones and smooth distortion that are typical of vacuum tubes, Valve Force produces natural depth and a fat, driven tone. Valve Force also includes a low-frequency enhancing “ultra boost” circuit. You can apply Valve Force to the final stage of a program, combination, song, or sample playback to add rich overtones and smooth distortion, or use insert effects and master effects (except for sample playback) in conjunction with Valve Force to create your sound. Valve Force settings for a program 1 Press the Valve Force [ON/OFF] key to turn Valve Force on. (The key will light.) Placement 2 Access the Program P9: Edit-Master Effect, VALVE page. 3 Use “Placement” to specify where you want to place the Valve Force circuit. If you set “Placement” to Final, the Valve Force circuit will be placed after conversion to an analog signal by the Main Output L/R output DAC (Digital Analog Converter). After passing through Valve Force, the signal will be output to AUDIO OUTPUT L/MONO, R and from the headphone jack. If you set “Placement” to Insert (User 3/4 BUS), Valve Force will be placed after conversion to an analog signal by the Indiv. Output 3/4 output DAC (Digital Analog Converter). Bus 3/4 will be the input to Valve Force, and will simultaneously be output from Individual 3/4. After passing through Valve Force, the signal will be converted back into digital form by the ADC (Analog Digital Converter), and sent to the insert effects, master effects, L/R, Individual 1/2, and 3/4 buses as specified by the “Pan (CC#8)” “BUS Select,” “Send1,” and “Send2” settings. In/Out You can’t use Valve Force on the L/R output from S/ P DIF, nor when resampling the L/R output in the various modes. 4 Specify the input/output destination for Valve Force. If “Placement” = Final: Valve Force will be inserted as the final stage of the L/ R output. If “Placement” = Insert (Use 3/4 BUS): If you want to send the output of oscillator 1,2 to Valve Force, set “BUS Select (IFX/Indiv.Out Assign)” to 3/ 4(Tube), 3(Tube), or 4(Tube). If you want to send the signal through an insert effect and then into Valve Force, set “BUS Select (IFX/ Indiv.Out Assign)” to the insert effect, and set the post-IFX “BUS Sel.” to 3/4(Tube), 3(Tube), or 4(Tube). The output from Valve Force is assigned by the Program P9: Edit-Master Effect, VALVE page “BUS Sel.”, “Send1,” and “Send2” settings. Use “BUS Sel.” to send the signal to the L/R bus, insert effect IFX1–5 bus, or 1, 2 bus. “Send1” and “Send2” adjust the send levels to the master effects. Adjusting the Valve Force settings 5 Adjust the Valve Force settings. Select VALVE FORCE as the control function for the front panel REALTIME CONTROLS knobs, or use the Program P9: Edit-Master Effect, VALVE page to adjust the settings. Input Trim: adjusts the input level to Valve Force Ultra Boost: adjusts the mix level to the ultra-boost circuit located at the beginning of Valve Force Tube Gain: adjusts the vacuum tube gain Output Level: adjusts the output level of Valve Force Depending on the sound you are using, you may hear noise if you turn the Valve Force knobs or edit Valve Force parameters while sound is being produced. 109 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
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Connections Connections must be mad
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6. Inserting and removing CF card s
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Program structure Playing and editi
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4 When you are satisfied with the s
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Note Number Varying amounts of an e
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3 Adjust the “Lvl” (Level) for
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Filter settings P3: Edit-Filter The
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Amp1 Mod. page Keyboard Track This
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Playing and editing combinations Co
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Easy arpeggiator editing Arpeggio P
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Settings for status, MIDI channel,
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You can also enter these values by
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Producing songs (Sequencer mode) TR
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Sequencer mode page structure Page
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Recording methods This section desc
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When simultaneously recording multi
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Using “Put Effect Setting to Trac
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9 Press the OK button. Now when you
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Decide on the number of measures, i
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Creating and playing a Cue List A c
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Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109 and 110: Master effects The input levels to
Page 111: AUDIO INPUT effect settings In Prog
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127 and 128: Loading data by individual item or
Page 129 and 130: In “Drive,” select your CD-R/RW
Page 131 and 132: Restoring the factory settings The
Page 133 and 134: Setting the function of [SW1] and [
Page 135 and 136: Troubleshooting If you experience p
Page 137 and 138: Program, Combination Settings for o
Page 139 and 140: MIDI The TRITON Extreme does not re
Page 141 and 142: Media that can be used with the TRI
Page 143 and 144: User interface TouchView graphical
Page 145 and 146: Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148: T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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