TRITON Extreme Operation Guide - Platinum Audiolab

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106 Insert effects Select an effect for IFX1–IFX5, and set “Pan (CC#8),” “BUS Sel. (BUS Select),” “Send 1” and “Send 2” for the signal that has passed through each insert effect. If the “Chain” check box is checked, the settings that follow the last IFX in the chain will be used. “Send 1” and “Send 2” adjust the amount of master effect that is applied to the signal that has passed through the IFX. You can edit these settings in the same way as for a program (☞p.104), but you can use MIDI to control dynamic modulation (Dmod), post-IFX pan (CC#8), Send1, and Send2. This is particularly useful in Sequencer mode. An “*” is shown at the right of Ch01–16 for channel numbers whose track is routed to IFX. If multiple tracks with different MIDI channel settings are routed to an IFX, this setting specifies the channel that will control the effect. Master effects Master EQ These settings can be made in the same way as in “Effect settings for a program” (☞p.105). You can use the “Ctrl Ch.” to control these effects; dynamic modulation (Dmod) on the specified MIDI channel will control the master effects or master EQ. Effect settings in Sampling mode In Sampling mode, an external audio source connected to the AUDIO INPUT 1, 2, or S/P DIF IN jacks can be sampled with insert effects applied. You can also apply an insert effect to the samples assigned to a multisample, and resample the result. Routing 1 Use “Input (SAMPLING)” to specify the external audio input, and set the Sampling P0: Recording, Input/Setup page “BUS (IFX/Indiv.) Select” parameter to specify the bus (i.e., the insert effect) to which the signal will be sent. (☞QS p.21) The Input settings allow you to input simultaneously from each input source. The bus (the insert effect) to which the samples assigned to the multisample will be sent is specified by the Sampling P8: Insert Effect, Routing page “BUS Select (Indiv.Out Assign)” parameter. Insert effects Select an effect for IFX1–IFX5, and set “Pan (CC#8)” for the signal that has passed through each insertion effect. If the “Chain” check box is checked, the settings that follow the last IFX in the chain will be used. Master effects Master EQ The master effects and master EQ cannot be used in Sampling mode.
AUDIO INPUT effect settings In Program, Combination, Sequencer, Song Play, and Media modes, you can apply the TRITON Extreme’s effects to an external audio source connected to the AUDIO INPUT 1, 2, or S/P DIF IN jacks. In these modes you can use the insert effects, master effects, and master EQ. Use “Input (COMBI, PROG, SEQ, S.PLAY, MEDIA)” to make settings for the external input from the AUDIO INPUT 1, 2, and S/P DIF IN jacks. Normally you will make these settings in the Global mode P0: Basic Setup, Input/Sampling page, but you can also make them from Combination, Program, Sequencer, or Media modes. In these modes, you can apply the TRITON Extreme’s effects to the external audio signals from each jack and sample the result, or use the TRITON Extreme as a 4-in (AUDIO INPUT 1, 2, S/P DIF IN L, R) 6-out effect processor. You can also use TRITON Extreme to as a vocoder (093: Vocoder) in which internal sounds are controlled by an external mic input. Routing In Program, Combination, Sequencer, Song Play, and Media modes (i.e., in other than Sampling mode), the routing of the external audio input signals from the various jacks is specified by “BUS (IFX/Indiv.) Select.” 1 Use “Input (COMBI, PROG, SEQ, S.PLAY, MEDIA)” to select the source that you want to input. This setting can be made in any of the following pages. If you want to save the edited settings into internal memory, you must write them. Use the Global mode page menu command “Write Global Setting” to write your settings. Program, Combination P0: Play, Sampling page Sequencer P0: Play, Sampling page Global P0: Basic Setup, Input/Sampling page Media Play Audio CD page Input-related settings are shared between all of the above modes. For each input source that you select in “Input (COMBI, PROG, SEQ, S.PLAY, MEDIA),” a routing can be specified independently. If desired, you may input simultaneously from all input sources. If you want to make these settings in Global mode, move to Global mode from the mode (other than Sampling mode) in which you will be inputting the external audio signals. If you move from Sampling mode to Global mode, the Input (SAMPLING) settings of Sampling mode will be maintained, and it will not be possible to view the settings of this page. These settings are ignored in Sampling mode. Audio input settings for Sampling mode are made in a similar way, in Sampling P0: Recording, Input/Setup page Input (SAMPLING). When you apply effects to external input signals from the AUDIO IN 1, 2, and S/P DIF IN inputs, oscillation may be heard depending on the type of effect and the parameter settings of the effect. If this occurs, adjust the input level, output level, and effect parameters. Particular care should be taken when using high-gain effects. 2 Set the parameters for Input1 and 2. Input1 and 2 correspond to the following inputs. Analog AUDIO INPUT 1 2 S/P DIF S/P DIF Lch Rch Input1 Input2 Input1 Input2 “Level”: Sets the level of the input signal that you selected in “Input (COMBI, PROG, SEQ, S.PLAY, MEDIA).” Normally you will set this to 127. If the sound is distorted even though you lower this setting significantly, it is possible that the sound is distorting before the AD converter. Adjust the [LEVEL] knob or the output level of the external audio source. “Pan”: Sets the pan of the input signal that you selected in “Input.” When inputting a stereo audio source, you will normally set Input1 to L000, and Input2 to R127 (or Input1 to R127 and Input2 to L000). When inputting a mono audio source, you will normally set this to C064. “BUS (IFX/Indiv.) Select”: In the same way as when making settings for the oscillator(s) of a program, Specifies the bus to which each external audio input will be sent. (☞p.104) “Send1 (to MFX1),” “Send2 (to MFX2)”: In the same way as when making settings for the oscillator(s) of a program, sets the master effect send levels for each external audio input. This can be set only if “BUS (IFX/ Indiv.) Select” is set to L/R or Off. (☞p.105) If “BUS (IFX/Indiv.) Select” is set to IFX1–5, the master effect send levels are set by the “Send1” and “Send2” parameters following the insert effect (in each Insert FX page). If “BUS (IFX/Indiv.) Select” has a setting other than Off, and you raise the “Level” value, the external audio source will be input to the TRITON Extreme. At this time if audio cables are connected to the rear panel AUDIO INPUT 1 and 2 jacks, noise may be input to the TRITON Extreme via the AD converter even if no audio input is actually present, and depending on the settings, may be output from AUDIO OUTPUT L/R, 1, 2, 3, or 4. If you will not be using an external audio source, but are using only the internal sounds of a program, combination, or song, set “BUS (IFX/Indiv.) Select” to Off, or set “Level” to 0. Similarly, if you will not be using the S/P DIF IN jack, set these inputs to “BUS (IFX/Indiv.) Select” Off, or set their “Level” to 0. If no audio cables are connected to the rear panel AUDIO INPUT 1 and 2 jacks, the data that is input to the TRITON Extreme from the AD converter will be set to zero, and no noise will be output. 107 Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
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Table of Contents About this manual
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Main features The TRITON Extreme is
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Front and rear panel Front panel 1
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Each time you press the [G] key whe
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Use an optical cable to connect thi
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f: Check box Each time you press a
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Sequencer mode • Use the 16-track
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Basic operation 1. Selecting modes
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Connections Connections must be mad
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6. Inserting and removing CF card s
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Program structure Playing and editi
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4 When you are satisfied with the s
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Note Number Varying amounts of an e
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3 Adjust the “Lvl” (Level) for
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Filter settings P3: Edit-Filter The
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Amp1 Mod. page Keyboard Track This
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Playing and editing combinations Co
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Easy arpeggiator editing Arpeggio P
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Settings for status, MIDI channel,
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You can also enter these values by
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Producing songs (Sequencer mode) TR
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Sequencer mode page structure Page
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Recording methods This section desc
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When simultaneously recording multi
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Using “Put Effect Setting to Trac
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9 Press the OK button. Now when you
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Decide on the number of measures, i
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Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62: Set “Gate” and “Velocity” t
Page 63 and 64: When using the “Copy From Program
Page 65 and 66: Features of sampling on the TRITON
Page 67 and 68: Samples and Multisamples Samples Th
Page 69 and 70: 4 For Input1 and Input2, set “BUS
Page 71 and 72: In Program, Combination, and Sequen
Page 73 and 74: Creating multisample indexes and sa
Page 75 and 76: 7 In the P8: Insert Effect, Insert
Page 77 and 78: 8 Adjust the recording level. Press
Page 79 and 80: 4 Choose “REC Audio Input.” 5 M
Page 81 and 82: Sample (waveform data) editing Edit
Page 83 and 84: 5 Press the OK button. The sample w
Page 85 and 86: 4 Connect your guitar to the rear p
Page 87 and 88: ight of the display) below +0.0 to
Page 89 and 90: SMF (Standard MIDI File) playback I
Page 91 and 92: Playback using the Jukebox function
Page 93 and 94: Settings for the entire TRITON Extr
Page 95 and 96: pitch change speed, volume, the pan
Page 97 and 98: 6 Use “High Drumsample Bank,”
Page 99 and 100: 4 Adjust the settings of the variou
Page 101 and 102: Combination D062: Old Vox Organ Alt
Page 103 and 104: • Tone: At each step, a chord con
Page 105 and 106: 8 Input the open hi-hat (Tone03). S
Page 107 and 108: Effect and Valve Force settings The
Page 109: Master effects The input levels to
Page 113 and 114: Valve Force settings Valve Force is
Page 115 and 116: If you want to route the sound thro
Page 117 and 118: Loading and saving data, creating a
Page 119 and 120: Assigning a name (Rename) You can m
Page 121 and 122: Saving on media Media, Save For det
Page 123 and 124: Using the TRITON Extreme as a data
Page 125 and 126: Loading data Media, Load The types
Page 127 and 128: Loading data by individual item or
Page 129 and 130: In “Drive,” select your CD-R/RW
Page 131 and 132: Restoring the factory settings The
Page 133 and 134: Setting the function of [SW1] and [
Page 135 and 136: Troubleshooting If you experience p
Page 137 and 138: Program, Combination Settings for o
Page 139 and 140: MIDI The TRITON Extreme does not re
Page 141 and 142: Media that can be used with the TRI
Page 143 and 144: User interface TouchView graphical
Page 145 and 146: Index Numerics 10’s Hold 4, 13, 2
Page 147 and 148: T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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