TRITON Extreme Operation Guide - Platinum Audiolab

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6 17. Sample memory (RAM) slot cover You can open this cover and install SIMM boards to expand the sample memory (RAM). A maximum of three 32 Mbyte SIMM boards can be installed as sample memory (RAM). (☞PG p.321) 18. Headphone jack A set of headphones can be connected here (stereo 1/4" jack). This allows stereo monitoring of the same signal as the OUTPUT L/MONO and R jacks. Rear panel 1. AC power supply connector Connect the included power supply cable here. After connecting the power supply cable to the TRITON Extreme, connect the other end to an AC outlet (☞p.16). 2. [POWER] switch This switch turns the power on/off (☞p.18). 3. AUDIO OUTPUT Connect these outputs to the input jacks of your amp or mixer. In addition to the L/MONO and R main stereo audio outputs, the TRITON Extreme provides four individual audio outputs. The sound from each oscillator, drum, timbre/track, or insert effect can be freely routed to any output (☞p.104–). (MAIN) L/MONO, R These are unbalanced phone jacks. These are the main audio output jacks. By setting “BUS Select” to L/R, the output from an oscillator, an insert effect, an individual drum part, or the metronome can be output to the (MAIN) L/MONO and R jacks. When making connections in stereo, use L/MONO and R. When making connections in mono, use the L/MONO jack. (INDIVIDUAL) 1, 2, 3, 4 These are unbalanced phone jacks. These are individual (independent) audio output jacks. By setting the “BUS Select” to 1, 2, 3(Tube), 4(Tube), 1/2, or 3/4(Tube), an oscillator, an insert effect, an individual drum part, or the metronome etc. can be assigned to be output from the (INDIVIDUAL) 1, 2, 3, 4, jacks. The output from the 1, 2, 3, 4 jacks is not affected by the [VOLUME] slider. 4. AUDIO INPUT These two audio inputs are used when recording a mono/ stereo sample from a mic or external audio source, or when applying the TRITON Extreme’s internal effects to an external audio source (☞p.64, 107, 111). The MIC/LINE level select switch ([MIC/LINE] switch) and the level adjustment knob ([LEVEL] knob) allow you to use a wide range of external audio sources, ranging from mic level to line level. AUDIO INPUT 1/2 jacks These are unbalanced phone jacks. [LEVEL] knob This adjusts the input level of the AUDIO INPUT 1/2 jacks. [MIC/LINE] switch This switches the input level of the AUDIO INPUT 1/2 jacks. 5. S/P DIF OUT(MAIN) jack This is an optical type S/P DIF format (IEC60958, EIAJ CP-1201) digital output jack. It outputs a digital version of the same audio signal as the AUDIO OUTPUT (MAIN) L/MONO and R jacks, at sampling rates of 48 kHz.
Use an optical cable to connect this to the optical digital input jack of a DAT or MD, etc. The [VOLUME] slider does not adjust the output level of this jack. IN jack This is an optical S/P DIF format (IEC 60958, EIAJ CP- 1201) digital input jack. Digital audio at a sample rate of 48 kHz can be input here. Use an optical cable to connect this jack to the optical digital output jack of a DAT or other device. 6. USB USB A connector (for connecting a CD-R/RW drive, etc.) You can connect an external USB device to this connector. Use this connector to connect storage media such as a hard disk, MO, or CD-RW drive. (☞PG p.325) USB B connector (for connecting to a computer) You can connect your computer to this connector. This lets you use your computer to access data on the TRITON Extreme’s CompactFlash (Microdrive) card. This connection also lets you send and receive MIDI data between the TRITON Extreme and your computer. (☞PG p.325) What is USB? USB stands for Universal Serial Bus, and is an interface for transferring data between a computer, a keyboard and/or peripheral devices. 7. MIDI 2 1 MIDI THRU connector Musical data and sound settings etc. that are received at the MIDI IN connector are re-transmitted without change from the MIDI THRU connector. You can use this to connect multiple MIDI devices (☞PG p.288). MIDI OUT connector Musical data and sound settings etc. are transmitted from this connector. Use this to control another MIDI device connected via this port to the TRITON Extreme (☞PG p.288). MIDI IN connector Musical data and sound settings etc. are received at this connector. Use this to play the TRITON Extreme from another MIDI device connected to this port (☞PG p.288). 6 7 8 9 10 11 5 4 8. DAMPER jack An optional switch-type pedal such as the Korg DS-1H damper pedal can be connected here. If a DS-1H is connected, it will function as a half-damper pedal. If another switch-type pedal is connected, it will function as a damper switch. In order to ensure that the pedal functions correctly, please adjust the polarity and the half-damper sensitivity (☞PG p.157, 165). 9. ASSIGNABLE 3 SWITCH jack An optional on/off foot switch such as the Korg PS-1 foot switch can be connected here. In Global mode you can specify the function of this switch. For example, you can use it as a modulation controller, to select programs or combinations, to start/stop the sequencer, or to set the tap tempo. (☞p.90). PEDAL jack An optional Korg EXP-2 or XVP-10 expression pedal can be connected here. Its function can be assigned in Global mode, allowing you to use the pedal to control the volume etc. (☞p.90) 10. [Contrast adjustment] knob This adjusts the contrast of the LCD screen. The optimal setting will depend on the height or angle from which you view the screen display, so please adjust as necessary. 11. CF card slot You can insert a CompactFlash or Microdrive into this slot. The power must be off when inserting or removing media. For details on how to handle these types of media, refer to p.125. Eject button After making sure that the TRITON Extreme’s power is turned off, press this button to remove the media. If the media does not eject when you press this button, do not attempt to remove the media by force. Contact a nearby musical instrument dealer. 7 Introduction Program Combination Sequencer Sampling Song Play Global Effect Media, etc Preset Other
Page 1 and 2: E 2
Page 3 and 4: Table of Contents About this manual
Page 5 and 6: Main features The TRITON Extreme is
Page 7 and 8: Front and rear panel Front panel 1
Page 9: Each time you press the [G] key whe
Page 13 and 14: f: Check box Each time you press a
Page 15 and 16: Sequencer mode • Use the 16-track
Page 17 and 18: Basic operation 1. Selecting modes
Page 19 and 20: Connections Connections must be mad
Page 21 and 22: 6. Inserting and removing CF card s
Page 23 and 24: Program structure Playing and editi
Page 25 and 26: 4 When you are satisfied with the s
Page 27 and 28: Note Number Varying amounts of an e
Page 29 and 30: 3 Adjust the “Lvl” (Level) for
Page 31 and 32: Filter settings P3: Edit-Filter The
Page 33 and 34: Amp1 Mod. page Keyboard Track This
Page 35 and 36: Playing and editing combinations Co
Page 37 and 38: Easy arpeggiator editing Arpeggio P
Page 39 and 40: Settings for status, MIDI channel,
Page 41 and 42: You can also enter these values by
Page 43 and 44: Producing songs (Sequencer mode) TR
Page 45 and 46: Sequencer mode page structure Page
Page 47 and 48: Recording methods This section desc
Page 49 and 50: When simultaneously recording multi
Page 51 and 52: Using “Put Effect Setting to Trac
Page 53 and 54: 9 Press the OK button. Now when you
Page 55 and 56: Decide on the number of measures, i
Page 57 and 58: Creating and playing a Cue List A c
Page 59 and 60: Creating and recording RPPR (Realti
Page 61 and 62:
Set “Gate” and “Velocity” t
Page 63 and 64:
When using the “Copy From Program
Page 65 and 66:
Features of sampling on the TRITON
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Samples and Multisamples Samples Th
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4 For Input1 and Input2, set “BUS
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In Program, Combination, and Sequen
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Creating multisample indexes and sa
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7 In the P8: Insert Effect, Insert
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8 Adjust the recording level. Press
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4 Choose “REC Audio Input.” 5 M
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Sample (waveform data) editing Edit
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5 Press the OK button. The sample w
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4 Connect your guitar to the rear p
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ight of the display) below +0.0 to
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SMF (Standard MIDI File) playback I
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Playback using the Jukebox function
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Settings for the entire TRITON Extr
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pitch change speed, volume, the pan
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6 Use “High Drumsample Bank,”
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4 Adjust the settings of the variou
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Combination D062: Old Vox Organ Alt
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• Tone: At each step, a chord con
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8 Input the open hi-hat (Tone03). S
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Effect and Valve Force settings The
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Master effects The input levels to
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AUDIO INPUT effect settings In Prog
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Valve Force settings Valve Force is
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If you want to route the sound thro
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Loading and saving data, creating a
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Assigning a name (Rename) You can m
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Saving on media Media, Save For det
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Using the TRITON Extreme as a data
Page 125 and 126:
Loading data Media, Load The types
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Loading data by individual item or
Page 129 and 130:
In “Drive,” select your CD-R/RW
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Restoring the factory settings The
Page 133 and 134:
Setting the function of [SW1] and [
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Troubleshooting If you experience p
Page 137 and 138:
Program, Combination Settings for o
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MIDI The TRITON Extreme does not re
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Media that can be used with the TRI
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User interface TouchView graphical
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Index Numerics 10’s Hold 4, 13, 2
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T Tab 9, 13 Tap tempo 7, 74, 90, 13
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TRITON Extreme Operation Guide - Platinum Audiolab

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