TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab
TRITON Extreme Operation Guide - Platinum Audiolab
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Effect and Valve Force settings<br />
The effect section of the <strong>TRITON</strong> <strong>Extreme</strong> provides five<br />
insert effects, two master effects, one master EQ (stereo<br />
3-band EQ), and a mixer that controls the routing of these<br />
components.<br />
You can choose from 102 types of full-digital effects for<br />
each insert effect, and from 89 types for each master effect.<br />
The effects are categorized as follows.<br />
Categories of the 102 effect types<br />
001–015 Filter and dynamics effects, such as EQ and compressor<br />
016–031 Phase modulation effects, such as chorus and phaser<br />
032–040 Other modulation and pitch-shift effects such as rotary<br />
speaker and pitch shifter<br />
041–051 Early reflection and delay effects<br />
052–057 Reverb effects<br />
058–089 Mono + mono chain effects that internally connect two<br />
mono effects in series<br />
090–102 Double-size effects<br />
You can select effects 000–089 for IFX1, 2, 3, 4, 5, MFX1,<br />
and MFX2.<br />
You can select effects 090–102 for IFX2, 3, or 4. This is<br />
because these are double-size effects which require twice<br />
as much processing as the other effects.<br />
Effects in each mode<br />
In Program mode, insert effects can be used as part of the<br />
sound-creating process, in the same way that the output<br />
sound of the oscillator (OSC) is processed by the filter and<br />
amp to create the final sound. Then the master effects can<br />
be used to apply spatial-type effects such as reverb. The<br />
stereo 3-band master EQ is located immediately before the<br />
OUTPUT (MAIN) L/MONO and R outputs and is used to<br />
make final adjustments in tone. These settings can be<br />
made independently for each program.<br />
Oscillator Filter Amplifier<br />
In Combination mode, Sequencer mode, and Song Play<br />
mode, insert effects can be used to help create the sound<br />
of each timbre/track. The master effects are used to apply<br />
overall spatial processing, and the master EQ is used to<br />
make overall adjustments in tone.<br />
You can make these settings independently for each combination<br />
in Combination mode, independently for each<br />
song in Sequencer mode, and in Song Play mode for the<br />
entire mode.<br />
Timbre 1 / Track 1<br />
Timbre 2 / Track 2<br />
Timbre 8 / Track 16<br />
Send<br />
Master Effect 1,2<br />
Return<br />
Insert Effect 1-5 Master EQ<br />
Insert Effect 1-5<br />
Send<br />
Master Effect 1,2<br />
Return<br />
Master EQ<br />
OUTPUT<br />
L/MONO, R<br />
OUTPUT<br />
L/MONO, R<br />
In Sampling mode, you can sample while applying insert<br />
effects to the audio coming in via AUDIO INPUT 1, 2, or<br />
S/P DIF IN jacks. Settings in Sampling mode are made in<br />
Input (SAMPLING) (Sampling P0: Input/Setup). These<br />
settings are valid only for Sampling mode.<br />
You can also sample while applying an insert effect to the<br />
samples assigned to a multisample.<br />
AUDIO INPUT (1, 2)<br />
S/P DIF IN (L, R)<br />
Sample<br />
Insert Effect 1-5<br />
Sample<br />
Recording<br />
Insert Effect 1-5 Resampling<br />
The external input from the AUDIO INPUT 1, 2, or S/P<br />
DIF IN jacks is also valid in modes other than Sampling<br />
mode. In Program, Combination, Sequencer, and Song<br />
Play modes, you can use the insert effects, master effects,<br />
and master EQ. Settings for external signal input via the<br />
AUDIO INPUT 1, 2, and S/P DIF IN can be made in<br />
“Input (COMBI, PROG, SEQ, S.PLAY, MEDIA)” (set in<br />
Global P0: 0–3a or in the corresponding mode).<br />
In these modes, the external input sound from each jack<br />
can be processed by the <strong>TRITON</strong> <strong>Extreme</strong>’s effects and<br />
sampled, or the <strong>TRITON</strong> <strong>Extreme</strong> can be used as a 4-in<br />
(AUDIO INPUT 1, 2, and S/P DIF IN L, R) 6-out effect<br />
processor. The <strong>TRITON</strong> <strong>Extreme</strong> can also be used as a<br />
vocoder effect (093: Vocoder) that uses external mic input<br />
to control internal sounds.<br />
Oscillator Filter Amplifier<br />
AUDIO INPUT (1, 2)<br />
S/P DIF IN (L, R)<br />
Send<br />
Master Effect 1,2<br />
Return<br />
Insert Effect 1-5 Master EQ<br />
OUTPUT<br />
L/MONO, R<br />
When effects are applied to the external input sound<br />
from the AUDIO INPUT 1, 2, and S/P DIF IN jacks,<br />
certain effect types or parameter settings may cause<br />
oscillation to occur. If this occurs, adjust the input<br />
level, output level, or effect parameters. Please be<br />
aware of this particularly when using an effect that<br />
has a high gain.<br />
103<br />
Program<br />
Combination<br />
Sequencer<br />
Sampling<br />
Song Play<br />
Global<br />
Effect<br />
Media, etc<br />
Preset<br />
Other