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journal of linguistic studies

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interview (except while closing the interview). With this type <strong>of</strong> opening, the audience is<br />

introduced into the interview more dynamically and is only reminded <strong>of</strong> the function <strong>of</strong><br />

the politician in question. Implicit introductions are used quite <strong>of</strong>ten (72.7%) and are<br />

sometimes combined with direct introductions. The vocatives usually perform the role <strong>of</strong><br />

boundary markers, marking the division between the opening and the first topic cycle.<br />

Headline – This move announces the topic <strong>of</strong> the interview, usually in a summarily<br />

fashion. British interviewers are very formal and serious and they rarely use preheadlines,<br />

i.e. riddles couched in questions with the aim <strong>of</strong> attracting the attention and the interest <strong>of</strong><br />

the audience:<br />

(4) (B 3) INTERVIEWER: …All the big business news stories in a moment,<br />

first this evening’s breaking news, the resignation in the past hour <strong>of</strong> Sir Menzies<br />

Campbell. He says questions about leadership were getting in the way <strong>of</strong> a party’s<br />

progress, the Liberal Democrat’s top brass said he jumped but was he pushed? …<br />

A number <strong>of</strong> openings do not have this move, however. Such is the case with the<br />

interviews in which the interviewee is more important than the topic, i.e. in which the<br />

interviewer uses the opportunity to cover as many topics as possible with an important<br />

guest. The interview is then conducted through a series <strong>of</strong> topic cycles, each with its own<br />

opening, i.e. its headline. The question after the opening introduces the first topic, which<br />

usually determines the tenor for the rest <strong>of</strong> the interview:<br />

(5) (B 6) INTERVIEWER: Margaret Beckett joins me now. Welcome Foreign<br />

Secretary.<br />

MARGARET BECKETT: Thank you.<br />

INTERVIEWER: Let’s start with the inevitable - Iraq. The American surge <strong>of</strong><br />

troops into Baghdad is really a last throw <strong>of</strong> the cards isn’t it?<br />

The moves interviewee introduction and the headline are addressed to the audience,<br />

which is why they resemble monologues and the <strong>journal</strong>ist is facing the camera, the<br />

procedure which is repeated at the closure <strong>of</strong> an interview. This makes the interview a<br />

type <strong>of</strong> what Fairclough & Chourliaraki (1999) call mediated quasi-interaction. This<br />

move is mostly accomplished through the third personal singular or impersonally, which<br />

additionally supports the supposition that openings <strong>of</strong> everyday conversation differ in<br />

many respects in relation to quasi-interaction openings. All the facts point to the<br />

conclusion that a political interview is a type <strong>of</strong> institutional talk strongly governed by<br />

conventions. The interviewer, <strong>of</strong> course, can use the conventions creatively to a certain<br />

extent, which means that they can choose between nondiscriminative strategies <strong>of</strong> how to<br />

present the topic and the interviewee (see Bhatia 1993).<br />

Initial component – This move refers to an exchange <strong>of</strong> greetings and is realised<br />

through an adjacency pair welcoming – thanking or greeting – thanking:<br />

(6) (B 3) INTERVIEWER: Mr Cable, good evening.<br />

VINCE CABLE: Thank you.<br />

The pattern is usually not complete, because the <strong>journal</strong>ist does not leave space after<br />

the greeting for the other element <strong>of</strong> the adjacency pair and proceeds to questioning<br />

instead:<br />

72

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