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Pictorial Space throughout Art History: Cézanne and ... - ARAS

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<strong>ARAS</strong> Connections Issue 2, 2012<br />

Plate 16: Paleolithic sculpture<br />

In La Dame de Sireuil the overall<br />

geometric form, a cylinder, is strongly felt. There<br />

is strong tension between the mass of the<br />

buttocks which pull up <strong>and</strong> right <strong>and</strong> the mass of<br />

the belly which pulls down <strong>and</strong> left. The<br />

shoulders also pull up <strong>and</strong> right against the<br />

belly. There is also tension between shoulders<br />

<strong>and</strong> thighs; here the shoulders pull up <strong>and</strong> right<br />

<strong>and</strong> the thighs pull down <strong>and</strong> left. The figure is<br />

highly plastic.<br />

In the sculpture of a bison, the overall<br />

geometric form (a brick shape) is again strongly<br />

felt. There is powerful tension between the<br />

Plate 16-1 La Dame de<br />

Sireuil. Translucent calcite,<br />

height 35/8". From Sireuil,<br />

Dordogne, France. 35,000<br />

BC. Musée des Antiquités<br />

nationales, Saint-Germainen-Laye.<br />

shoulders <strong>and</strong> the hindquarters, <strong>and</strong> between the head <strong>and</strong> the hindquarters.<br />

There is also strong tension between the forelimbs <strong>and</strong> the hindquarters, between<br />

the fore <strong>and</strong> hind limbs,<br />

<strong>and</strong> between the hind<br />

limbs <strong>and</strong> the hump of the<br />

back. Again, the figure is<br />

highly plastic.<br />

Plate 16-2 Bison. Reindeer antler, length 4". From<br />

La Madeleine, Dordogne, France. 20,000 BC.<br />

Photo: source unknown.<br />

The images in this paper are strictly for educational use <strong>and</strong> are protected by United States copyright laws. 61<br />

Unauthorized use will result in criminal <strong>and</strong> civil penalties.

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