Pictorial Space throughout Art History: Cézanne and ... - ARAS
Pictorial Space throughout Art History: Cézanne and ... - ARAS
Pictorial Space throughout Art History: Cézanne and ... - ARAS
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<strong>ARAS</strong> Connections Issue 2, 2012<br />
Plate 16: Paleolithic sculpture<br />
In La Dame de Sireuil the overall<br />
geometric form, a cylinder, is strongly felt. There<br />
is strong tension between the mass of the<br />
buttocks which pull up <strong>and</strong> right <strong>and</strong> the mass of<br />
the belly which pulls down <strong>and</strong> left. The<br />
shoulders also pull up <strong>and</strong> right against the<br />
belly. There is also tension between shoulders<br />
<strong>and</strong> thighs; here the shoulders pull up <strong>and</strong> right<br />
<strong>and</strong> the thighs pull down <strong>and</strong> left. The figure is<br />
highly plastic.<br />
In the sculpture of a bison, the overall<br />
geometric form (a brick shape) is again strongly<br />
felt. There is powerful tension between the<br />
Plate 16-1 La Dame de<br />
Sireuil. Translucent calcite,<br />
height 35/8". From Sireuil,<br />
Dordogne, France. 35,000<br />
BC. Musée des Antiquités<br />
nationales, Saint-Germainen-Laye.<br />
shoulders <strong>and</strong> the hindquarters, <strong>and</strong> between the head <strong>and</strong> the hindquarters.<br />
There is also strong tension between the forelimbs <strong>and</strong> the hindquarters, between<br />
the fore <strong>and</strong> hind limbs,<br />
<strong>and</strong> between the hind<br />
limbs <strong>and</strong> the hump of the<br />
back. Again, the figure is<br />
highly plastic.<br />
Plate 16-2 Bison. Reindeer antler, length 4". From<br />
La Madeleine, Dordogne, France. 20,000 BC.<br />
Photo: source unknown.<br />
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