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Pictorial Space throughout Art History: Cézanne and ... - ARAS

Pictorial Space throughout Art History: Cézanne and ... - ARAS

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<strong>ARAS</strong> Connections Issue 2, 2012<br />

The overall effect is of dignity <strong>and</strong> order. The Queen's head is located<br />

majestically at the focal point of an ordered universe.<br />

In Degas' portrait pictorial space is confused. The strong diagonal from the<br />

lower left foreground to the upper right background is not contained: it creates a<br />

hole in the background of the canvas. The composition would work better if the<br />

footstool were removed. The figure seems cramped <strong>and</strong> compressed by the forms<br />

around it.<br />

Plate 5: Canaletto <strong>and</strong> The Alunno di Benozzo<br />

These two paintings are compared to show the limitations of realism <strong>and</strong><br />

perspective. One painting is from before the Renaissance <strong>and</strong> the other from after<br />

it. On its own terms, as a realistic picture of a river scene, Canaletto's painting is<br />

Plate 5-1 Canaletto. Venetian. Dolo on the Brenta.<br />

1697-1768, Staatsgalerie, Stuttgart.<br />

vivid <strong>and</strong> beautiful. But the<br />

canvas surface functions as<br />

though it were a pane of<br />

glass. My eye is drawn<br />

back to the distant<br />

buildings <strong>and</strong> then to the<br />

sky beyond: these form a<br />

deep hole in the canvas<br />

from which there is no way<br />

back.<br />

The images in this paper are strictly for educational use <strong>and</strong> are protected by United States copyright laws. 42<br />

Unauthorized use will result in criminal <strong>and</strong> civil penalties.

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