Pictorial Space throughout Art History: Cézanne and ... - ARAS
Pictorial Space throughout Art History: Cézanne and ... - ARAS
Pictorial Space throughout Art History: Cézanne and ... - ARAS
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<strong>ARAS</strong> Connections Issue 2, 2012<br />
The forms shrink away from the edges of the rectangle. The movement<br />
creates a hole which violates the flat surface. There are spatial effects but there is<br />
no balance <strong>and</strong> no unity.<br />
In the final composition(fig. 11) each plane has a distinct, tangible location<br />
in depth. There is a circular movement from the foreground, back to upper right,<br />
<strong>and</strong> forward <strong>and</strong> down again from the upper left. The forms exp<strong>and</strong> towards the<br />
edges of the overall rectangle; the forces which thrust the planes apart make the<br />
picture big <strong>and</strong> solid. The composition creates space but maintains the flatness of<br />
the picture plane. It feels whole <strong>and</strong> alive.<br />
The images in this paper are strictly for educational use <strong>and</strong> are protected by United States copyright laws. 18<br />
Unauthorized use will result in criminal <strong>and</strong> civil penalties.