Pictorial Space throughout Art History: Cézanne and ... - ARAS

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ARAS Connections Issue 2, 2012 In figure 5 plane 3 creates four more proportionate divisions of the rectangle, all of which are related to all other divisions. Plane 1 pushes forward, down, and left, plane 3 pushes right, and plane 2 pulls back, up, and right. The overlapping resolves the positions of planes 1 and 2 and the space between them is vivid. The images in this paper are strictly for educational use and are protected by United States copyright laws. 14 Unauthorized use will result in criminal and civil penalties.
ARAS Connections Issue 2, 2012 A strong diagonal movement has been created, receding into depth from the lower left to the upper right. That diagonal calls for an opposing movement to contain it. Plane 4 (fig. 6) is called for. The new plane opposes plane 1 by pulling back, up, and left. The overall movement back from c to b is contained by the forward movement from a to e. Now the composition is complete. It is dynamic because the two overall movements contain each other but are not symmetrical. A symmetrical countermovement from a to d would have produced a static decorative composition. There are also movements from plane to plane. The movement into depth from planes 1 to 2 returns in movements out of depth from planes 5 to 4 and from planes 4 to 1. These produce an overall circular movement which is more apparent in figure 11. The images in this paper are strictly for educational use and are protected by United States copyright laws. 15 Unauthorized use will result in criminal and civil penalties.
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Pictorial Space throughout Art History: Cézanne and ... - ARAS

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