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Art, Love and Psyche Penelope Dinsmore - ARAS

Art, Love and Psyche Penelope Dinsmore - ARAS

Art, Love and Psyche Penelope Dinsmore - ARAS

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This image of Black Woman<br />

Crying Yellow done in prismacolor<br />

pencils was not related in any way to<br />

what I learned in art school. I was<br />

ashamed <strong>and</strong> embarrassed by this<br />

approach <strong>and</strong> style <strong>and</strong> would not show<br />

it. The content was disturbing. I had<br />

been in Jungian analysis for some<br />

years when I did this image. It shows<br />

clearly, I feel, an inner self who was<br />

frozen, unable to move. There are no h<strong>and</strong>s, feet or a mouth, <strong>and</strong> I know her<br />

heart was frozen as well. I am sure of that.<br />

When I showed this image in pencil to Dr. Henderson, who was my<br />

Jungian analyst at that time, he explained that the rigid black wave held the lively<br />

joyful things of life in its<br />

sinister grip.<br />

Jung describes it this<br />

way: “Image <strong>and</strong> meaning<br />

are identical; <strong>and</strong> as the first<br />

takes shape so the latter<br />

becomes clear.”<br />

In this drawing a huge<br />

snake has the woman firmly<br />

held. The struggle to free herself will be hard. Free will is an odd idea when you<br />

The images in this paper are strictly for educational use <strong>and</strong> are protected by United States copyright laws.<br />

Unauthorized use will result in criminal <strong>and</strong> civil penalties.<br />

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