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Program Notes - Museum of Contemporary Art, Chicago

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Signs <strong>of</strong> rout, pursuit and rage<br />

<strong>of</strong> antagonistic, aberrant, asymmetric surges<br />

non-critical signs, but detour with detour and racing<br />

with racing<br />

signs not for a zoology<br />

but for the figure <strong>of</strong> unbridled demons<br />

the accompanists <strong>of</strong> our actions and the challengers <strong>of</strong> our reserve<br />

Signs <strong>of</strong> ten thousand ways to find balance in this moving<br />

world that laughs at adaptation<br />

signs especially to extricate your being from the trap <strong>of</strong> the language <strong>of</strong> others<br />

made to win against you, like a well-balanced wheel<br />

which leaves you only a few lucky shots<br />

and ruin and defeat to finish<br />

that were written there ahead <strong>of</strong> time<br />

for you, for all<br />

Signs not <strong>of</strong> going backwards<br />

but to better “cross the line” at any instant<br />

signs not like you rethink<br />

but like you drive<br />

or, as happens in a big jam<br />

when unconscious automaton, you feel piloted<br />

Signs, not to be complete<br />

but to be faithful to the transitory<br />

not to combine<br />

but to find the gift <strong>of</strong> tongues<br />

your own at least, if not your own, who will speak it?<br />

Direct writing finally for unwinding<br />

for the relief <strong>of</strong> shapes,<br />

for the decluttering <strong>of</strong> images<br />

with which the public space-brain is particularly congested at this time<br />

For want <strong>of</strong> an aura, at least disperse its fragrance.<br />

Henri Michaux, 1951<br />

Translation © Howard Scott<br />

With the permission <strong>of</strong> the rights holders Henri Michaux and Editions Gallimard

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