Program Notes - Museum of Contemporary Art, Chicago
Program Notes - Museum of Contemporary Art, Chicago
Program Notes - Museum of Contemporary Art, Chicago
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Signs <strong>of</strong> rout, pursuit and rage<br />
<strong>of</strong> antagonistic, aberrant, asymmetric surges<br />
non-critical signs, but detour with detour and racing<br />
with racing<br />
signs not for a zoology<br />
but for the figure <strong>of</strong> unbridled demons<br />
the accompanists <strong>of</strong> our actions and the challengers <strong>of</strong> our reserve<br />
Signs <strong>of</strong> ten thousand ways to find balance in this moving<br />
world that laughs at adaptation<br />
signs especially to extricate your being from the trap <strong>of</strong> the language <strong>of</strong> others<br />
made to win against you, like a well-balanced wheel<br />
which leaves you only a few lucky shots<br />
and ruin and defeat to finish<br />
that were written there ahead <strong>of</strong> time<br />
for you, for all<br />
Signs not <strong>of</strong> going backwards<br />
but to better “cross the line” at any instant<br />
signs not like you rethink<br />
but like you drive<br />
or, as happens in a big jam<br />
when unconscious automaton, you feel piloted<br />
Signs, not to be complete<br />
but to be faithful to the transitory<br />
not to combine<br />
but to find the gift <strong>of</strong> tongues<br />
your own at least, if not your own, who will speak it?<br />
Direct writing finally for unwinding<br />
for the relief <strong>of</strong> shapes,<br />
for the decluttering <strong>of</strong> images<br />
with which the public space-brain is particularly congested at this time<br />
For want <strong>of</strong> an aura, at least disperse its fragrance.<br />
Henri Michaux, 1951<br />
Translation © Howard Scott<br />
With the permission <strong>of</strong> the rights holders Henri Michaux and Editions Gallimard