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Shane Moran - Alternation Journal

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urrent lrends in the Prodzdction ofSozlth Afi~cnn Histoo)<br />

The TRC thus constitutes a moment and a space where the field of history appears to be<br />

open to reinterpretation and meaning. Clearly the TRC has many different parts with<br />

different meanings and implications for history production. Giving testimony and<br />

participating in the public space of the hearings does provide a profound sense of<br />

'giving voice' to previously marginal and silenced accounts of the apartheid past. In<br />

important respects these activities elevate subaltern accounts into those of society as a<br />

whole. These accounts then have the potential to break down divisions between<br />

subaltern and elite accounts, particularly where those divisions are drawn in racial<br />

terms. 111 this sense the TRC served to directly open up public historical discourse to<br />

members of formally oppressed communities in ways that also move beyond the<br />

institutional sites ofprofessional historical production.<br />

The official collection of personal testimony within the TRC also provides for<br />

the construction of a national archive of subaltern experience on a scale that is<br />

enormously significant for the future production of history. Here people have spoken<br />

about their own historical initiatives and meanings as active historical agents in a past<br />

that will potentially attain the fullness of a national history. official, public *and<br />

academic relationships to this archive and understandings of this national history will<br />

however vary.<br />

At the outset of the TRC, the media depicted the TRC as performing the larger<br />

role of new national and subaltern historian. 'From the outset, the principal aim of the<br />

commission has been to unearth South Africa's hidden history during the three decades<br />

which followed the banning of the liberation movements', said Busii?ess Day. Other<br />

newspapers produced similar interpretations. The TRC, they claimed would now 'tell<br />

the whole sto~y' in the 'search for truth' by incorporating previously 'silenced voices'.<br />

This would open up the rewriting of South Afiican history in ways which will 'set<br />

[ordinary black people] free from the prisons of uncertainty in which the ghastly events<br />

of the past have confined them for too long'. The TRC at the outset, then, was seen to<br />

represent<br />

South Africa's real history ... it's most important look at the past painful 50<br />

years ... [tlor the first time, ail South Africa has the opportunity to learn the<br />

uncensored truth about itshistoryi'.<br />

Through its collection of testimony at the various hearings around the country, history<br />

was being primarily rewritten through 'devastating testimony', 'police brutality tales',<br />

Business DOJJ 12141 1996. 6/51 1996: CiOi Press 6/51 1996; h4ail and G1,nrtliarz 10-<br />

161511 996: ,-fi~z~,s 4-5/51 1996: Szlndq~ Tiines 51511 996: SII~~CIJJ Indepencierzf 5/5/1996;<br />

.Yoivetciil 10- I 6151l 996. for exam~>le. fiadio broadcasts on SA12M provided cvtensive covcsagc<br />

oftlie I'RC:, using a broadly siniilar Si-aiiicwoi-k of Iiidde~i. ordina~y. rcal and new. often with<br />

insc~.lcd voices to givc thc kc1 of th~s register--one whicll is 1.cprocfrrczt1 as well in thc daily live<br />

broadcasts on Radio 2000.<br />

Muvtzn Legcrsslck and (;111.1) i~znklej~<br />

'speaking the unspeakable', through ordinary words. The range of codes and moods is<br />

unusually explicit and connective in these accounts: hidden, ordinary, oral, marginal,<br />

real, objective and 'new'--told and heard for the first time. There is more than an ironic<br />

echo here to the explanations of social history 'from below', but in a way which<br />

simultaneously ignores the existing contributions of this social historiography to<br />

having already detailed important aspects of this so-called hidden history. Instead the<br />

public and official spaces of the TRC are represented as the key sites for the emergence<br />

of this new history at this time.<br />

This early representation of the TRC hearings and activities as the new 'real'<br />

and 'hidden' history, though, also needs to be qualified in various ways. The TRC itself,<br />

has explicitly argued it will be 'writing a history ofa certain kind' which was to 'capture<br />

the perspectival nuances of the drama [of human rights violations]' in as<br />

'comprehensive an account as possible"3. The TRC's framework is the period 1960-<br />

1994 and its focus, then, is not simply the entire past of this period, but to obtain<br />

as complete a picture as possible of the nature, causes and extent of gross<br />

violations of human rights committed during the pel-iod ... emanating torn<br />

the conflicts of the past-".<br />

This 'history of a certain kind' is also influenced by the concern to 'promote national<br />

unity and reconciliation in a spirit of understanding which transcends the conflicts and<br />

divisions of the past"'This meant that the TRC accounts of the past would need to<br />

acknowledge '... some kind of compromise between those who want amnesia-to<br />

forget the past-and those who are saying "let us have revenge, retribution""! All thesc<br />

are constraints on the TRC's mode of representation of the past.<br />

Over the period of the TRC's existence there have been a range of further<br />

contests which have influenced a range of changingfocuses of attention from within the<br />

TRC, imposing further such constraints. These have involved families of victims,<br />

perpetrators, political parties, legal andjudicial challenges and 'outsider' cr~tiques and<br />

refusals of active participation in the process. The shift of TRC and public attention<br />

from victim to amnesty hearings, recently highlighted by the Winnie Mandela and PW<br />

Botha cases, has also meant a shift fi-om ordinary narratives of the past to more legal,<br />

interrogative and statist 'top-down' accounts which are increasingly concerned with<br />

conspiracy, silence and evasion about the past. This seems a far call from the initial<br />

media conceptions which celebrated hidden histories of ordinary people telling the<br />

whole story.<br />

More particularly for our concell1 here, this means that the potential oEcial<br />

I'<br />

Cl~arles Villa-Vicencio, Director of Research at TRC Workshop, ULVC, 3 April 1996.<br />

"<br />

Pro~notion ofNational Unity and Reconciliation Act, Government Gazette 26 July (1995) 2.<br />

'' TRC Regiorzcrl T64orkshop.s Docu~zent nd: I.<br />

'\rchbishop DesmondcTutu. WeekendArgzl.~ 2012 1 January (1 996).

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